IMDb RATING
7.3/10
7.8K
YOUR RATING
Charlie is a boot camp private who has a dream of being a hero who goes on a daring mission behind enemy lines.Charlie is a boot camp private who has a dream of being a hero who goes on a daring mission behind enemy lines.Charlie is a boot camp private who has a dream of being a hero who goes on a daring mission behind enemy lines.
Charles Chaplin
- Doughboy
- (as Charlie Chaplin)
Syd Chaplin
- Charlie's Comrade
- (as Sydney Chaplin)
- …
W.J. Allen
- Motorcyclist
- (uncredited)
L.A. Blaisdell
- Motorcyclist
- (uncredited)
Alva D. Blake
- U.S. Soldier
- (uncredited)
- …
Cliff Brouwer
- Soldier
- (uncredited)
E. Brucker
- Bit Part in Street Scene
- (uncredited)
F.S. Colby
- Soldier
- (uncredited)
Wellington Cross
- Motorcyclist
- (uncredited)
E.H. Devere
- Bit Part in Street Scene
- (uncredited)
C.L. Dice
- Motorcyclist
- (uncredited)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
One of Charlie Chaplin's very best shorter features, "Shoulder Arms" is a wonderful combination of comedy, commentary, and adventure. Charlie plays a soldier who heads off to World War I, and in the course of 40 minutes or so, it provides a light-hearted but in many respects believable portrayal of what life was like in the trenches. The story also combines some fine slapstick with some exciting adventures.
In this movie, Chaplin hits the perfect balance between humor and substance, helping us to sympathize with those who bore the burdens of the war, without ever becoming sentimental. The other characters are nicely conceived and acted, with the engaging Edna Purviance, the versatile Syd Chaplin, and other talented supporting players pitching in.
The story has many creative turns, plus a couple of good surprises. It's great entertainment, and thoughtful as well. Make sure to take a look if you enjoy Chaplin or silent comedies in general.
In this movie, Chaplin hits the perfect balance between humor and substance, helping us to sympathize with those who bore the burdens of the war, without ever becoming sentimental. The other characters are nicely conceived and acted, with the engaging Edna Purviance, the versatile Syd Chaplin, and other talented supporting players pitching in.
The story has many creative turns, plus a couple of good surprises. It's great entertainment, and thoughtful as well. Make sure to take a look if you enjoy Chaplin or silent comedies in general.
Charlie is a boot camp private who has a dream of being a hero who goes on a daring mission behind enemy lines.
"Shoulder Arms" proved to be Chaplin's most popular film, critically and commercially, up to that point. This is understandable given the interesting themes and visual gags. The tree is pretty funny, and the underwater sleeping arrangements are amusing.
What I find particularly interesting about this film's success is how it seems to be now more or less forgotten. I mean, of course any Chaplin film or silent comedy fan will know it. But compared to "The Kid" or "Modern Times" or "City Lights", it is far removed... is this now even one of the top ten most popular Chaplin films?
"Shoulder Arms" proved to be Chaplin's most popular film, critically and commercially, up to that point. This is understandable given the interesting themes and visual gags. The tree is pretty funny, and the underwater sleeping arrangements are amusing.
What I find particularly interesting about this film's success is how it seems to be now more or less forgotten. I mean, of course any Chaplin film or silent comedy fan will know it. But compared to "The Kid" or "Modern Times" or "City Lights", it is far removed... is this now even one of the top ten most popular Chaplin films?
In these modern times (as subject known quite well to the director of the short film that this German count is going to talk about
), politically correct films are the "leitmotiv" of the modern young filmmakers' projects. "Shoulder Arms" directed by Herr Charlie Chaplin during WWI (the film was released only a few weeks before the armistice) is an obvious example of why the early cinema pioneers were a very bold people, certainly! To direct a humorous film inspired in the terrible, bloody First World War was a complicated matter that only few directors with those dangerous and daring ideas could be allowed to do
to venture upon such delicate enterprise and with success was reserved only to geniuses.
As this German count said, "Shoulder Arms" was made during WWI, that time in where definitely the whole world lost its innocence (fortunately not the German fat heiresses of this aristocrat ) and it is a hilarious, inventive social satire about that and any war. The film it is full of great gags and entertaining film continuity for a story in where that tramp will live though risky and courageous adventures in the front whether a hero for the allies or not.
To mock the war trenches, the unhealthiness, the frontal attacks and the Germans (how you dare!!... by the way, there are a lot of inaccuracies in the film the German soldiers by that time had moustaches and longer beards not to mention that the Kaiser lacks many medals in his uniform ) in an elegant, funny and delicate way it is even today a film miracle impossible of being surpassed. Keeping in mind those terrible wartime circumstances, the difficult task is only possible thanks to a lot of creativity and talent. Obviously Herr Charlie Chaplin had very much of it.
And now, if you'll allow me, I must temporarily take my leave because this German Count must go back to the Schloss trenches.
Herr Graf Ferdinand Von Galitzien http://ferdinandvongalitzien.blogspot.com/
As this German count said, "Shoulder Arms" was made during WWI, that time in where definitely the whole world lost its innocence (fortunately not the German fat heiresses of this aristocrat ) and it is a hilarious, inventive social satire about that and any war. The film it is full of great gags and entertaining film continuity for a story in where that tramp will live though risky and courageous adventures in the front whether a hero for the allies or not.
To mock the war trenches, the unhealthiness, the frontal attacks and the Germans (how you dare!!... by the way, there are a lot of inaccuracies in the film the German soldiers by that time had moustaches and longer beards not to mention that the Kaiser lacks many medals in his uniform ) in an elegant, funny and delicate way it is even today a film miracle impossible of being surpassed. Keeping in mind those terrible wartime circumstances, the difficult task is only possible thanks to a lot of creativity and talent. Obviously Herr Charlie Chaplin had very much of it.
And now, if you'll allow me, I must temporarily take my leave because this German Count must go back to the Schloss trenches.
Herr Graf Ferdinand Von Galitzien http://ferdinandvongalitzien.blogspot.com/
One of the prices of superstardom is that you have to become adaptable. When the US joined the World War in 1917 Charlie Chaplin was at the height of his popularity. Naturally, he was expected to make some sort of contribution. Chaplin had already set his short films in all sorts of locations, even at different time periods, and had given his little tramp all manner of occupations, so soldiering in the trenches shouldn't have been too big a step. However, Shoulder Arms is, if not a propaganda piece (it was released a bit late for that), at least one that had to have a certain outlook. As a result Chaplin was constrained somewhat, and it shows.
The first half of the picture, which is set during Charlie's training and among his comrades in the trench seems a little muted compared to other Chaplin pictures of this period. The reason for this is clear – it wouldn't have had the right effect if there were seen to be too much antagonism between soldiers. Characters like the burly drill sergeant or Charlie's buddy (played his brother Syd) would make ideal bugbears in any other picture, but here all we get is a bit of appropriately brotherly tussling between Charlie and Syd. When you see how weak these opening ten minutes are you realise how much of Chaplin's comedy depended upon playing off others and pricking pomposity.
Fortunately, Chaplin gets to make up for all this when his little tramp goes out to face the German foe. Here he can go all out with making his enemies look ridiculous, getting the most out of his varyingly-sized supporting players. We have Henry Bergman as a roly-poly German, Albert Austin as a gangly one, and best of all Loyal Underwood as a short but self-important German officer. This is Underwood's finest moment, and he really puts a lot of energy and spirit into the part. And Chaplin gets to set up some great routines, with some ingenious ways of defeating foes, not to mention one of his best ever entrances when he appears out of the landscape in his tree disguise.
And Chaplin was clearly savvy enough to realise that the beginning of the picture contained some fairly poor material. Consequently he edits in a handful of shots of antics in the German trench (with Underwood at his most animated), which serve as nothing more than a little touch of uproar, and a promise of things to come.
And now we must have that all-important statistic – Number of kicks up the arse: 7 (1 for, 0 against, 6 other)
The first half of the picture, which is set during Charlie's training and among his comrades in the trench seems a little muted compared to other Chaplin pictures of this period. The reason for this is clear – it wouldn't have had the right effect if there were seen to be too much antagonism between soldiers. Characters like the burly drill sergeant or Charlie's buddy (played his brother Syd) would make ideal bugbears in any other picture, but here all we get is a bit of appropriately brotherly tussling between Charlie and Syd. When you see how weak these opening ten minutes are you realise how much of Chaplin's comedy depended upon playing off others and pricking pomposity.
Fortunately, Chaplin gets to make up for all this when his little tramp goes out to face the German foe. Here he can go all out with making his enemies look ridiculous, getting the most out of his varyingly-sized supporting players. We have Henry Bergman as a roly-poly German, Albert Austin as a gangly one, and best of all Loyal Underwood as a short but self-important German officer. This is Underwood's finest moment, and he really puts a lot of energy and spirit into the part. And Chaplin gets to set up some great routines, with some ingenious ways of defeating foes, not to mention one of his best ever entrances when he appears out of the landscape in his tree disguise.
And Chaplin was clearly savvy enough to realise that the beginning of the picture contained some fairly poor material. Consequently he edits in a handful of shots of antics in the German trench (with Underwood at his most animated), which serve as nothing more than a little touch of uproar, and a promise of things to come.
And now we must have that all-important statistic – Number of kicks up the arse: 7 (1 for, 0 against, 6 other)
Chaplin took so long to direct this 3 reel comedy, his longest to that old date. Once in France and dealing with with Chaplin as a Boot Hill soldier who still looks like an awkward tramp . At the military quarter he doesn't obtain letter from home, at last, he achieves a pack containing limburger cheese. After that, he has the cheese from a mousetrap. Later on, he volunteers to wander behind German lines and posing as a tree takes 13 prisoners , surrendering them from the enemy trench . Finally, with the help a beautiful French girl, Edna Purviance, captures the Kaiser, Syd Chaplin, and the Crown Prince.
The picture had success at boxoffice and the public liked it, specially the following scenes : when Charlie under a gas mask eats the cheese and subsequently he throws it over the enemy lines, as Charlie disguises as a tree trunk and kicks German soldiers in the seat of their pants , and when he takes the Kaiser and is given a statue of victory . In the picture appears two Chaplin's regular : Edna Purviance and Syd Chaplin in a double role as The Kaiser and Charlie's comrade.
This was the longest film to that date and it premiered only 3 weeks before the end of the WWII. This was a 3 reel comedy, he previously directed 1 or 2 reel short movies, such as : Our hero, Night at the show, The fireman, The adventurer, The count, The floorwalker, The circus, The cure, The inmigrant, Burlesque on Carmen, 3 Charlies and one phoney, among others. Shortly after, he directed long time films as The gold rush, the Kid, City lights, Modern times, The great dictator, Monsieur Verdoux, Limelight, A King in NY, and his last one : A countess from Hong Kong. Rating 7.5/10. Better than average Chalie movie. Essential and indispensable watching for Charles Chaplin fans. Well worth seeing
The picture had success at boxoffice and the public liked it, specially the following scenes : when Charlie under a gas mask eats the cheese and subsequently he throws it over the enemy lines, as Charlie disguises as a tree trunk and kicks German soldiers in the seat of their pants , and when he takes the Kaiser and is given a statue of victory . In the picture appears two Chaplin's regular : Edna Purviance and Syd Chaplin in a double role as The Kaiser and Charlie's comrade.
This was the longest film to that date and it premiered only 3 weeks before the end of the WWII. This was a 3 reel comedy, he previously directed 1 or 2 reel short movies, such as : Our hero, Night at the show, The fireman, The adventurer, The count, The floorwalker, The circus, The cure, The inmigrant, Burlesque on Carmen, 3 Charlies and one phoney, among others. Shortly after, he directed long time films as The gold rush, the Kid, City lights, Modern times, The great dictator, Monsieur Verdoux, Limelight, A King in NY, and his last one : A countess from Hong Kong. Rating 7.5/10. Better than average Chalie movie. Essential and indispensable watching for Charles Chaplin fans. Well worth seeing
Did you know
- TriviaMany in Hollywood were nervous that one of their most famous peers was going to tackle the subject of WWI. It was released shortly before the Armistice, so it did not help boost national morale, but it did end up as one of Charles Chaplin's most popular films, and it was particularly popular with returning doughboys.
- GoofsIn the woods, where The Doughboy runs to hide from the pursuing Germans, automobiles are visible traveling on a highway on the horizon.
- Crazy creditsThe short opens with a title card showing a caricature of Chaplin dressed as a World War I soldier, and text reading "Shoulder Arms Written and Produced by" followed by a blank space. A live action hand appears and points to the title, then the drawing, then uses a piece of white chalk to sign "Charles Chaplin" in the blank space, then points to the caricature one more time.
- ConnectionsEdited into The Chaplin Revue (1959)
Details
- Release date
- Country of origin
- Official sites
- Languages
- Also known as
- Shoulder Arms
- Filming locations
- 7th Street and Broadway, Downtown, Los Angeles, California, USA(traffic cop trouble in front of Bullock's Department Store.)
- Production company
- See more company credits at IMDbPro
- Runtime36 minutes
- Color
- Sound mix
- Aspect ratio
- 1.33 : 1
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