Die Augen der Mumie Ma

In this effective German drama with exotic touches from director Ernst Lubitsch, Albert Wendland (Harry Liedtke) is a successful painter on holiday in Egypt when he finds lovely girl Ma (Pola Negri). She's been held captive by crazed local Radu (Emil Jannings), but Albert rescues her and takes her back to Europe with him, where her exotic dancing makes her a celebrity. Meanwhile, Radu is found dying in the desert by Prince Hohenfels (Max Laurence), who saves the Arab and takes him back to Europe, hiring him on as a servant. Radu remains obsessed with Ma, and will stop at nothing to take her back or keep her from living without him.

This was a recommendation on YouTube, and I watched it on a lark. I was surprised that it had such a pedigree, with Lubitsch directing and Negri and Jannings starring. They're both entertaining, with Negri's dancing a kitschy treat and Jannings mad-eyed mugging enlivening the proceedings. While this is listed as a horror film, it's not, although there's a bit about a cursed tomb in the beginning that goes nowhere. Still, I found this entertaining enough, and at just under an hour, not a great demand on my time.

What an egregious waste of talent!! It's poorly acted, indifferently directed, and badly written; too bad THIS film survived when so many other more worthy silents didn't! It's hard to believe this was made in 1918--technically and artistically, it's more like 1909. This is the sort of film you should definitely NOT show to someone unfamiliar with silent film, as it confirms every awful stereotype about them--clownish makeup, hammy gestures, and cheesy plot--and, it's boring to boot. The great Emil Jannings looks more like Othello in search of Desdemona instead of an Egyptian in search of his captive, and this time his habitual overacting is annoying rather than bravura. And, you have to be a pretty maladroit filmaker to take Pola Negri, with her angular Gypsy beauty, and make her up to look like a pint-sized Little Egypt. Take it from a die-hard silents fan who will watch ANY silent film, simply because they are silent: skip this one.

This 1918 film directed by the great Ernst Lubitsch is alleged to be the first mummy horror film although there is a claim of a lost 1905 film. The only problem is that except for the title there is no mummy! The plot, well here goes. An art student in Egypt goes to an Egyptian tomb to find Ma who may possibly be Pola Negri. I say possibly because the player of the lead character is NOT identified in the credits. Ma is being held as a slave by an Arab (beautifully over acted by Emil Jannings) who is beaten up by the student who then liberates Ma and takes her back to Germany. The Arab nearly dies in the desert but is rescued by a German prince to whom he swears to serve for life. He, the Arab, is then also taken to Germany. Ma in the meantime wows them with a hootchie kootchie dance at a party and gets a theatrical contract to perform on stage. The exotic dance is a hoot. Meanwhile Ma's former Arab master comes across her and in a fit of revenge kills her. The end and all in 30 minutes and no mummy. The overacting in terms of gestures common to silent films of the period is quite present. Jannings, in semi black face, is quite effective as the villain. His repertoire of sinister facial expressions is quite large. All in all the film is an historical curiosity that I am sure Lubitsch and Negri tried to forget when they became more well known.

Here are Lubitsch, Pola Negri and Emil Jannings back in the year 1918 at the start and before they achieved their huge fame. Of course, this is a low budget movie. The Egyptian desert scenes were filmed in a Berlin quarry and the Egyptian tomb is of absurdly cheap quality. However we can see the evident skill of Lubitsch when working with his lead actors. The fascinating personality of Pola Negri shines . I certainly wish that we had more such real women in today,s modern movies. So please enjoy this nostalgic movie. Consider that if it was remade today with millions of dollars, special effects and huge publicity ,that it might be a box-office bonanza

... but a tragedy... of sorts. The "Eyes Of The Mummy" refer to the eye-holes in a doorway with a face on it that Pola Negri looks out of to scare people out of the temple of Queen Ma. There is no mummy, there is no monster, there really is no horror. This is not a complaint, but this movie is often grouped in with monster movies merely because of it's title.

It's easy to laugh at a film almost 85 years old, your grand kids and great grand kids will laugh at what you currently enjoy as well. The dance that Pola does may look strange to our eyes, but the desired effect was to be exotic. The acting is typically broad and melodramatic, appropriate to it's time. With the deterioration of many silent movies, we can sometimes be thankful that the actors seemed to be overacting, we can still see their expressions even when their films are fading away.

Not Pola Negri's best work, or her worst. There must be a few different cuts of this film circulating. The one I saw was about an hour and ten minutes long, not the half-hour reported here or the forty-five minutes reported on the main page for this movie. I rather enjoyed the version I saw, maybe the shorter cuts leave too much out to fill the story out.

Recommended if you enjoy the genre and it's stars. If you are looking for Halloween fare, stick with Universal's later horror classics, including..yes, the "real" mummy movies.