Pool Sharks

W.C. Fields is one of my many gods of cinema. I've probably seen more of his films than most people, since I compulsively watched (and taped) all of his movies when he was TCM's Star of the Month last June. In fact, I did get a little sick of him from overexposure, and there are several I still need to watch. I just got the Criterion "6 Short Films" disc and watched the only two of them I hadn't seen, including The Pool Sharks. Well, this one is pretty lame. It's his first film, and it's a silent one. You would be absolutely right in thinking that the medium of silent films doesn't suit The Great Man at all. All this film is is gross slapstick. Some of it is funny, but nothing hilarious. It's very well worth seeing, especially for the surreal stop-motion animated pool ball scene. It's actually very difficult to tell what's going on in that sequence, but it looks neat. And if you watch it frame by frame, you will notice a goof: the animator's hands are caught in one of the shots on the left side of the screen! 6/10.

This W. C. Fields film truly is representative of the time in which it was made. In 1915, most silent comedies were pure slapstick--with lots of punching, slapping and pratfalls and hardly any plot. The films were mostly acted "off the cuff" with no detailed script and as a result, the movies seem rough and not particularly memorable in most cases. This movie is about average for the time--but in no way does it appear like the character Mr. Fields played in his later films. It's really a shame, as the movie could have just as easily starred any silent comedian of the day.

Fields and another guy inexplicably dislike each other (you can tell due to all the slapping and hitting). They challenge each other to a pool competition and both men proceed to make some totally impossible shots. This part was awfully silly and COULD have been good, but the trick cinematography was done poorly and looks totally fake--even by 1915 standards. If they had just sped up the film, it would have come off perfectly. Other than that, nothing else stands out in my mind. It's just another silent slapstick comedy.

It's interesting to see this film finally. W.C. wears a bushy black mustache and looks a lot thinner than in his later movies. There's lots of slapstick and sight gags in this, since it's a silent film, and it even has the impressive use of stop motion in several scenes with the billiard balls. Incredibly, Fields looks a lot like Steve Martin, especially in the pool room sequence. Whether it's funny or not is hard to say. It was interesting, but not really funny. More of a curiosity piece, but worth seeing just the same.

This is W.C. Fields' first movie. It's an 11 minutes short silent film that tells the story of two rivals vying for the affection of a girl. After some physical comedy that we'd later see the Three Stooges use (like grabbing the person's nose with one hand and smacking it off with the other), the two decide on a game of pool to settle the score. We get an amusing display of early special effects that is used to manipulate the pool balls in a humorous fashion. And speaking of humorous fashion, Fields has a very bizarre mustache. This is a fun little silent film, featuring a young and slimmer Fields.

Pool Sharks was a short subject film made in New York while W.C. Fields was in the Ziegfeld Follies. It must have been work for a day or two when they didn't have matinées and Fields co-stars with another silent screen comedian Ben Ross who never quite had the career Fields did. These are the only two names in the cast. We don't even get to see the name of the girl these two are fighting over.

After some slapstick attempts of oneupmanship with the girl watching the two take it to a poolroom with her and a crowd watching Fields and Ross square off over the green felt table. Naturally we don't see the color.

At this point I was expecting to see something like the pool game that was prominent in Six Of A Kind. Instead I got to see some crude animation as both these guys make some impossible shots that even Minnesota Fats would have said were impossible.

Without the voice, but those famous reactions to life that Fields was later famous for in the Thirties are all present in Pool Sharks. A must for fans of the great comic cynic W.C. Fields.