The Patchwork Girl of Oz

The enjoyable story and characters in "The Patchwork Girl of Oz" makes it a fun movie to watch, and it is also pretty resourceful for its era. It does have a lot of rough edges and shows some signs of age, but its energy and creativity more than make up for those. As with all of the Oz features made by L. Frank Baum's own studio, it shows his influence in the way that the fantasy world of Oz is brought to life with enthusiasm.

As with most of Baum's Oz stories, it has plenty of oddball characters and offbeat developments. A couple of odd casting choices add to the curious feel, with Pierre Couderc making Scraps look much like a male, and Violet Macmillan making Ojo seem more like a young girl. But they and the rest of the cast give their characters plenty of life, which really is more significant in a movie like this. As in the other Oz movies in the series, Fred Woodward also gets to perform a number of his costumed animal characters.

The story is one of Baum's most creative ones, telling a complex story in which the agendas and motivations of many different characters come into conflict. This adaptation is imaginative in using a lot of different techniques to reproduce the look of the characters, the magical events, and the hectic activity.

Much of it works rather well, and all of it represents a very good attempt for its time. Very few film-makers of the era ever tried to make a full-length picture out of such challenging fantasy material, and even if it has a fair number of rough edges, it remains a worthwhile and entertaining effort.

The recent phenomenon of Harry Potter isn't so unusual. An early case it the amazing popularity of Oz.

The books, the first ones, became popular, amazingly so. By some measures more popular than Potter. They are simple: children, a magical land — rather a land like ours in many ways but with magic and magical creatures.

Then the movies started. Magic sells cinematically when the world is like the one we live in plus magic that matches what the camera can emulate. When the writer understands the overlap, he or she can write books that are cinematically rooted. Each feeds the other. Each feeds the juvenile imagination.

You should watch this. Because with distance, you can see how shallow that imagination is. The effects of today's movies are better, but they are no less believable to us than these were in their day. Let that soak in and you'll get pretty depressed about the current Potter phenomenon (and probably increase your appreciation for the "Rings" works).

Ted's Evaluation -- 2 of 3: Has some interesting elements.

The most famous movie adaptation of a novel by L. Frank Baum entails Toto, a tornado, ruby slippers and a yellow brick road. Well, it turns out that Victor Fleming's 1939 adaptation was not the first. An earlier screen version of "The Wizard of Oz" was a 1925 loose adaptation of the story, notable for casting Oliver Hardy as the Tin Woodsman.

And then there were the adaptations in which Baum himself participated. He founded the Oz Film Manufacturing Company and made some movie versions of his novels. These aren't the most sophisticated adaptations but are worth seeing as a look into early cinema. "The Patchwork Girl of Oz" features things like people getting turned into statues (and one of them getting shrunken down so that a woman can carry him). Yeah, Baum came up with some wacky stuff.

One interesting thing about this movie is that the lion is played by none other than Hal Roach, best known as the producer of Laurel & Hardy's movies. It appears that only Stan Laurel didn't get to go to Oz on the silver screen. Of course, I can't picture him in Oz without imagining that he would have turned everything upside down. In other words, it would have been another fine mess that he'd gotten himself into!

Anyway, this movie is worth seeing. I wonder what Baum would have thought of the most famous adaptation of his work, had he lived to see it.

As a child, The Patchwork Girl of Oz was my favorite Oz book. This silent film version is a charming look at how Oz was envisioned by it's creator--L. Frank Baum produced the film. The story however does stray from the book and some of the scenes are a bit disjointed. Motion pictures were in their infancy in 1914--most films were stagebound dramas, so to see a fantasy film from this period is unique.

The Patchwork Girl or "Scraps" is played by French acrobat Pierre Couderc. The part where Scraps catches the eye of the Scarecrow is very amusing. Also, the Yoop character is a forerunner to the Winged Monkeys who terrorized Judy Garland 25 years later.

In the video version I saw, the pivotal scene where Scraps is brought to life and tips over the Liquid of Petrification, is missing or destroyed--but the rest of the film is intact however.

Quite an enjoyable movie. I'd seen it twice before (in the Origins of Film box set), and watched it again with my grandmother who was born the year it was released. L. Frank Baum produced, and was evidently on the set with the director.

A young boy named Ojo (played by a woman) lives with his Unc Nunkie, and they've run out of food. They decide to go to Oz, where there is always more than enough food.

On the way, they encounter a wizard who's been working on a potion for six years to create life. His wife, using a magic wand, assembles a human-size patchwork doll to use the potion on. It won't have brains, since that makes for better servants says the wife. Ojo decides to mix up some magic brains and surreptitiously put them in, however. After the Patchwork Girl (played by a man) is brought to life, there's an accident that results in the wizard's wife, Unc Nunkie, and the Munchkin lover of the wizard's daughter being petrified. Munchkins in this film are not little people, though they do wear different costumes.

Ojo, the Patchwork Girl, the wizard, his daughter and her friends must go out to collect ingredients for an antidote: three hairs from a Woozy's tail, a six-leaved clover, and a gill of water from a Dark Well. The daughter has her father shrink her petrified boyfriend down to doll size, since she can't be without him.

On the way, they meet one-legged Hoppers, tribal Tottenhots, and jolly Horners. They encounter a maid of Oz who helps them, but who also develops a liking for the petrified Munchkin.

The sets are simple, yet nicely establish a fantasy world. Costumes are good too. The wizard character is stooped and knock-kneed (possibly from stirring a potion for six years with his hands *and* legs?). The Woozy is neat, a big boxy cat played by Fred Woodward, who specialized in animal roles (he does several others in this movie). Despite being a simple costume, it seems more real than some CGI creations.

The Wizard of Oz, the Tin Man, the Scarecrow, and the Cowardly Lion show up towards the end. The original mission to obtain food is forgotten by that point!

It's a cute movie, and I suspect that despite being silent (with musical score added) and black and white, and ninety-one years old that it would still delight small children.