Ils ont cloné Tyrone

Lovers of Jordan Peele's off-centre take on Black cinema should like co-writer (with Tony Rettenmaeir) / director Juel Taylor's comic-thriller "They Cloned Tyrone". Hard-ass drug dealer John Boyega, flamboyant pimp Jamie Foxx & sassy ho Teyonah Parris (terrific) discover a sinister plot (led by Kiefer Sutherland... or is it?) to experiment on & control all the folk in their run-down 'hood... and they fight back against it. Initially darkly stylish it soon becomes too silly, before deeper undertones emerge. Taylor's ambition can't be faulted, but he may have bitten off a little more than the average audience can chew on here. He is however, clearly one to watch out for.

Whoever thought to pair John Boyega with Jamie Foxx is brilliant. Pure genius. Teyonah Paris in the third spot of the badass trio drug dealer, pimp, prostitute just brings it all together flawlessly.

Part sci-fi, part mystery, part action, and part comedy, "They Cloned Tyrone" is a perfect combination of mixed genres, intriguing plot, smart dialogues, and best of all believable chemistry among its actors.

The movie takes us down a rabbit hole of hilarious conspiracy and fantasy that not only African-Americans would appreciate. But to truly enjoy the shenanigans you have to have some understanding of Black American history.

And that's really the only downside of the movie - it's not made for an international audience that is unlikely to know the racial history of the U. S., the medical experiments done on minorities, the policies that kept people poor, etc.

That knowledge by the audience is an essential ingredient to get the most out of the movie.

Nevertheless, I think the general viewer can still enjoy "They Cloned Tyrone."

This Blaxploitation sci-fi comedy is clearly among the more fun, inventive films that Netflix has decided to pick up. The grainy visual texture, the funky costumes and hairdos, the energetic soundtrack, and much of the film's aesthetics are carefully designed to remind us of some of the finest entries in the Blaxploitation subgenre. The setting could be somewhere in or around 2008, as we still see picture-tube TVs, CDs being sold, mentions of Obama, and Blockchain being the future (LOL!). The absence of smartphones is also a notable aspect. Yet, even with the aesthetics already standing out and a pretty exciting (and potentially scary) sci-fi plot on the cards, it's the lead trio's performances and fun camaraderie that holds it together.

The revelations keep coming, but it's the banter between Boyega's Fontaine, Teyonah Parris' Yo-Yo, and Jamie Foxx's Slick Charles that keeps you entertained and invested in their fates. After the first hour, there were moments in the screenplay where it could've all looked and sounded artificial. However, director Juel Taylor keeps the conspiracy theories coming, complemented by wonderful production design work and sustained focus on the protagonist's journey. The finale (++the eventual antagonist reveal) is somewhat tepid when compared to the rest of the film, and it may also seem 10-15 minutes too long for the story it has to say, though I'll definitely recommend They Cloned Tyrone if you're an enjoyer of absurdist humour.

Off the bat I was interested in this movie from the title alone. This movie was reminiscent of Undercover Brother, Black Dynamite, and especially Sorry To Bother You.

You can gather what the movie is about just from the title, but the story leading to everything is a fun ride. John, Jamie and Teyonah individually did a great job playing their characters. All providing something different to their unique, mystery solving trio team.

The elements of this movie were great too. Combining the eeriness with fantasy and bits of comedy. At times it almost had an 80's sci-fi feel to it too, where I would question what year it was even though it was modern day.

Overall, this movie was fun. I enjoyed it from start to finish. Again, if you're a fan of Undercover Brother, Black Dynamite or Sorry To Bother You, then you should check this movie out.

They Cloned Tyrone is great, a blaxploitation throwback with a sci-fi twist that's a fun crowd pleaser but that doesn't stop it from pulling its punches. It's rightfully angry and finds inventive new ways to explore similar ideas to the ones present in Get Out and Sorry to Bother You.

John Boyega gets a role of surprising emotional heft, fully committed to the part(s) in a way that makes the more ridiculous reveals work without a second thought. Jamie Foxx is comedy gold here and Teyonah Parris brings both humour and humanity. Parris and Foxx have a extremely entertaining chaotic rapport that's a nice foil to Boyega's more serious presence.

Juel Taylor arrives with a fully formed directorial debut, a film with of past and present with authentic film grain and cigarette burns contrasted by vibrant neon. The music by Desmond Murray and Pierre Charles is also good at combining old and new with a score that feels ripped from the 70s with an added sci-fi edge.