Hollywood

Hollywood whisks us away to post-war Tinseltown. Several different characters give us a behind-the-scenes look at the Golden Age of Hollywood. Through their stories, we learn more about a corrupt and unfair system full of prejudices about gender, origin and sexuality that persist to this day.

Several young artists gather as part of a film project to be realized by the Hollywood studio Ace Pictures. It is based on the tragic story of actress Peg Entwistle, who fell from the letter H of the iconic Hollywood sign in 1931. Whether actor, author or director: each of them has to pay a high price in order to be able to achieve their own goals in Hollywoodland.

I really liked "Hollywood".

A slightly different series, but for those who are interested in films and want to see how the film business worked back then, you should take a look here

The whole thing is accompanied by an interesting story and strong characters.

Hollywood is another good Ryan Murphy show. It follows the lives of aspiring actors and filmmakers who will pretty much do anything to succeed in their dreams of making it big in Hollywood, it takes place in post-World War II Hollywood. I didn't really know what to expect from this but I gave it a chance because of all the good things I heard and I'm glad I did because it was a very well done series. It seems like anything Ryan Murphy does these days is a huge success! The stories are very diverse and interesting. Most of the bad reviews are because they say it isn't true...who cares? It's a tv show, not a documentary! It admits that it takes places in a revisionist Hollywood that is a pick me up series.

This syrupy effort from Ryan Murphy and Ian Brennan is, at best, pretty but hard to watch. I had to force myself through the first four episodes to get to a point where I cared enough to endure the bad writing and uneven direction and finish it. There's way too little plot, character development, or point to carry it. The cast did the best they could with some awful, preachy dialogue, overly sugary and convenient plot 'twists' and the shallowest characterisations.

The cast was a mixed bag of wonderful 'seniors', mid-ground familiar faces and inexperienced young over-actors.Patty Lupone, Holland Taylor and Joe Mantello shone in their roles and carried the show throughout. In the mid field, Queen Latifah, Dylan McDermott, Darren Criss and Jim Parsons did excellent work and obviously enjoyed their roles. Queen Latifah always has screen presence and as such, she was under-utilised. Dylan McDermott revelled in his silver fox rendition and Jim Parsons developed his character, as best as the script would allow, from vile to virtuous (too much so, but anyway). The young ones added the pretty and, possibly accidental, youthful naivete.

As to the point of the show, it was never clear what it was trying to do: just entertain? make a point about gays (as a gay person I am tired of the cliche way this is always depicted, find a new cause or at least a new angle) and coloureds? was it to show the 'true' Hollywood? (hardly). At times I wondered if it was trying to be a 1950's women's melodrama about the making of a 1950's melodrama, but that didn't really play out. The directing was extremely uneven. Though it was very heavily preachy (way too preachy) it didn't give any depth to the topic: it really only exploited the 'issues' to provide the little plot that there was. It even seemed to endorse the violence against the journalist/reporter that was going to expose something that was shown to be true.

It was mostly predictable, cliched and shallow and, therefore, very disappointing. It's a shame that all the effort put into recreating the era, ultimately amounted to very little: an opportunity missed (as others have said). Somewhat entertainingly disappointing: will just a little more, it could have been so much more.

It started out sooo good. The first 3 episodes were great. I thought for sure this would be Oscar worthy...then, it took a hard dip by episode 4, turning into Make-A-Wish foundation, and by episode 5, it was a PSA announcement. We shut it off mid-episode 'cause we were bored, and I was calling out every plot twist before it happened it had become so predictable. It was like Ryan Murphy and Ian Brennan wrote the first 3 episodes, got bored, and told their 22-year-old writer's assistants to finish the show.

I feel like Ryan Murphy is at that point in his career where he can get anything greenlit so now he's writing entirely for himself and doesn't care what the audience or his fans want. It's a shame. The writing started out so strong. Imagine the first half of this show like Glee season 1 and the second half like Glee, the final years, and you have an idea of where the writing went on this show. Too bad.

I saw the documentary that they ripped the gas station / Dreamland part of the show, and that was fun, despite they took that guy's life and probably didn't pay him. There's zero tension in the show after episode 3. It's just wish fulfillment, where everyone gets what they want, like a pre-school show for kids, so, despite the strength of the first few episodes you stop caring about the characters because you can predict everything that will happen so what's the point of seeing it? No mystery. No struggle after episode three, they suddenly magically get everything they want. There's no reason to watch until episode 7 because mid-episode 5 it's an easy guess where it's going, which we confirmed by reading reviews.

I just don't know how Murphy went from America Crime Story: Versace, to this. Such a great idea, and so magical, and it just fell apart, as if they stopped caring halfway through.

Rock Hudson was great. That was one bright spot in the show, aside from the initial writing and the production value. He was endearing and vulnerable. You really root for him, despite the show falling apart around him. And was interesting to see Jim Parsons as a villain after 12 seasons of him playing Sheldon. I'm sure he loved playing that. The entire cast is likable, it just would have been nice for them to be consistent as opposed to shifting their characters completely and unrealistically halfway though. Again, bad writing.

... this had been true?! I don't understand how so many reviewers can have missed the whole point of this series. I cringed alarmingly during the first couple of episodes, but, I was intrigued and kept watching. I am so glad that I did. I just love this! Great acting, beautiful settings and a wonderful "what if" story, very much needed in this intolerant world.

And then it becomes bitter sweet. Haven't we come further? Why? We, as humans and society has a long, long way to go which is truly worth fighting for. So, in short, this series is all about equality, love and that colour, gender or sexual orientation shouldn't matter.