J'ai perdu mon corps

Saw this at LFF with absolutely no idea what to expect. I was completely blown away by how beautiful, heart felt and emotional it was.

If any film can make you hold back the tears in my eyes is a winner. Let alone an animated one.

Beautiful. Hope this gets a cinematic release

Though, there are too many interpretations to this one - What it forced me to believe and somewhere poked a thought in me was - "What you seek is seeking you" - Somewhere, it's about a dream - A dream that's seeking you - While you're sitting back, afraid of taking that leap into the unknown - A leap of faith, a jump that's completely unpredictable and irrational - But sometimes, you take that leap and therefore you reach an unknown place with unknown challenges which bring unknown rewards to you - Just run into it blindly and keep your fingers crossed.

The surreal nature of I Lost My Body where a mysterious severed hand travels on its own to assumedly find its owner blends with the sweet little romantic comedy to make you smile. It is delightful to watch but even more delightful to take in the nonstop score and soundtrack (the hip hop songs are the shiz) that just fits well to the story of Naoufel, a teenage confused with life and who falls in love with a girl after speaking to her for five minutes through an intercom. The romance is pure and so is the charming overall quality of this French pie that just melts in your mouth as you relish it. The comedy, the romance, the surrealism, and the sheer storyline will make you think about I Lost My Body for days after you have left the hall. Watch it for the cunningness of the hand or the innocence of the chemistry between the the lovers. TN.

(Watched and reviewed at its India premiere at the 21st MAMI Mumbai Film Festival.)

I Lost My Body is a captivating watch thanks mainly to the incredibly textured animation, but unfortunately I felt a little let down by the narrative which just seemed to go nowhere with no obvious resolution. Told through present day and two different periods of flash back we follow the hand of Naoufel which is desperate to reconnect with its owner after an accident. Prior to his accident we are drip fed information that Naoufel has had a tumultuous upbringing losing his parents in a car accident, growing up with an unloving foster parent whilst working unsuccessfully as a pizza delivery man instead of his early ambition to be a pianist or astronaut. It resonates for sure (I wanted to be a pilot or illustrator growing up, neither fulfilled like Naoufel). But after a failed pizza delivery his focus is given clarity in the form of Gabrielle. All the narrative jumps back and forth to weave the narrative together but its in the final act when the timelines converge that unfortunately Director Jérémy Clapin gave me no satisfying closure. I don't mind ambiguity in a film but this just seemed to peeter out without resolution. Undeniably the animation is mesmerising. Every frame is wonderfully drawn with texture on every surface, unlike many animated films which solely rely on one layer of shading to give form to a 2D image. The movement of the hand is also superb giving it a personality of its own as it goes on an urban assault course, avoiding both human and animal peril in order to find it's host. The music by Dan Levy is also brilliant and almost hypnotic adding atmosphere to the proceedings. Although not a perfect film I Lost My Body is a beautifully crafted animated film that might be more rewarding on repeat viewings but initially is somewhat of a disappointment due to it's ending.

'I Lost My Body (2018)' is an unconventional experience, more of a poem than a traditional film. It mixes the surreal with the mundane; intertwines the past with the present. Somehow, its disparate elements come together to form one complete whole. It's surprisingly nuanced, as successful in its relationship drama as in its five-fingered antics. It's strangely satisfying, too. Its wonderful animation, realist aesthetic and almost ethereal main theme all add up to an experience that's as bizarre as it is beautiful. It's difficult to explain how but the piece undeniably finds a real sense of poignancy. It's remarkable, really. Of course, its 'arty' nature is likely to put off a good chunk of its audience; it isn't as straightforward as its premise would suggest, after all. Yet, the flick is all the better for it. It's genuinely affecting in a subtle but significant way. It's pretty great, even if it isn't always massively entertaining. 7/10