In the near future, convicts are offered the chance to volunteer as medical subjects to shorten their sentence. One such subject for a new drug capable of generating feelings of love begins ... Read allIn the near future, convicts are offered the chance to volunteer as medical subjects to shorten their sentence. One such subject for a new drug capable of generating feelings of love begins questioning the reality of his emotions.In the near future, convicts are offered the chance to volunteer as medical subjects to shorten their sentence. One such subject for a new drug capable of generating feelings of love begins questioning the reality of his emotions.
- Director
- Writers
- Stars
Daniel Booko
- Air Traffic Controller
- (uncredited)
Elliot Chenery
- Inmate
- (uncredited)
Jordyn Curet
- Vocalist - Youth Choir
- (uncredited)
Michaela Da Costa
- Inmate
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Spiderhead banks heavily on its lead performers, and both Hemsworth and Teller deliver the goods when the plot struggles to. Very early on, you smell a lighter version of Ex-Machina (replace the robot with mind-control drugs), with several random tonal shifts. The writers (Rhett Rheese & Paul Wernick) are known for tickling the funny bone, but I think this film would have benefited from a more serious, psychological approach - which, credit where it's due - it did to some extent. The romantic subplot, while nice to see, ended up being exploited (such a cliché) as expected. The conclusion isn't all that exciting, because by then, Spiderhead has fully embraced its weirdness and is unfortunately stuck between making viewers care and giving closure to the plot.
The result is a movie that is less thought-provoking and more aggressively lame. Hemsworth's charismatic persona and Teller's dramatic performance are not enough to keep this film afloat. Everything culminates in a bonkers final act that's surprisingly awful. Once again, the tone is all over the place as the film ends with a jarring shift to a needle-drop action sequence that feels all over the place in a so-bad-it's-good way. What had the potential to be a darkly funny, suspenseful, claustrophobic sci-fi story amounts to none of that, leading to a colossal miscalculation that you won't care for once the credits roll.
It was a good premise but it was executed in the wrong genre. I feel that this should have been a psychological horror.
It felt like the idea and the tone of the movie weren't pulling in the same direction.
The actors' performances were ... Fine. They did the job but this wasn't a career defining role for anyone.
The final confrontation was emotionally lacking, I didn't feel danger for the "heroes" or any menace from the "villain". Maybe if the bad guy had any menacing vibes it would have elevated that third act .
I'm sad to see this movie, I'm sad to see the huge potential of the premise, the star power, the great production go to waste. It was a fun 2 hours but it left me with no desire to watch it again. It would have been a great black mirror episode.
It felt like the idea and the tone of the movie weren't pulling in the same direction.
The actors' performances were ... Fine. They did the job but this wasn't a career defining role for anyone.
The final confrontation was emotionally lacking, I didn't feel danger for the "heroes" or any menace from the "villain". Maybe if the bad guy had any menacing vibes it would have elevated that third act .
I'm sad to see this movie, I'm sad to see the huge potential of the premise, the star power, the great production go to waste. It was a fun 2 hours but it left me with no desire to watch it again. It would have been a great black mirror episode.
I can say it is worth a watch. I do like Chris Hemsworth's charismatic personality and it's nice to see him do something other than Thor outside of the Marvel comic book films. I almost didn't recognize Miles Teller. Although I think this was a missed opportunity to have these two guys work together in a much better film. But the film wasn't remarkable, and I don't think anyone will remember it a year from now. As for a sci-fi film, it wasn't a good one. It could have been, but it wasn't.
Colorful cinematography and spirited editing contrast with the characters' tragic backstories. In the end its a morality tale, one that goes too far and too fast.
Did you know
- TriviaRogan (played by Nathan Jones) is reading a book titled "Tenth of December" by George Saunders and first published in book-form on January the 8th, 2013, by Random House. It contains the short story "Escape from Spiderhead" on which this movie is based.
- GoofsAt the start when the seaplane arrives at the jetty 2 staff come out to secure the seaplane to jetty. But it is already fastened despite having just arrived.
- ConnectionsFeatures Joust (1982)
- SoundtracksThe Logical Song
Written by Roger Hodgson and Rick Davies (as Richard Davies)
Performed by Supertramp
Courtesy of A&M Records
Under license from Universal Music Enterprises
- How long is Spiderhead?Powered by Alexa
Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- La cabeza de la araña
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $60,000,000 (estimated)
- Runtime1 hour 46 minutes
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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