IMDb RATING
5.0/10
2.5K
YOUR RATING
Plagued by mysterious hallucinations, a pregnant woman suspects that the family of her deceased boyfriend has intentions for her unborn child.Plagued by mysterious hallucinations, a pregnant woman suspects that the family of her deceased boyfriend has intentions for her unborn child.Plagued by mysterious hallucinations, a pregnant woman suspects that the family of her deceased boyfriend has intentions for her unborn child.
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- 5 nominations total
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I liked the main character's spirit one minute, then wanted to slap her.was hoping for a better ending but it was,what is was.
Kindred is the best horror movie in 2020 It has a very spooky feeling and you can watch this movie over and over again and never gets boring. Tamara Lawrance roll was fantastic.in this film Overall this movie really shows what a horror movie looks like and I give it a big thumbs up and I would love to see it again.
if you love real horror movie then you must watch Kindred 10/10
if you love real horror movie then you must watch Kindred 10/10
Okay, there's a plot, but not much of one.
The movie is like one of those rides at the carnival where people are hoisted several stories slowly, to then be dropped at an alarming speed, which I assume is meant to terrify all participants. Except in this case, it's a broken ride. So, some tension builds, a tad of excitement, somewhat slow (and you'd think they take this time of meandering "storyline" to actually provide much more background on the characters, so a viewer will come to care about character...but no, they don't)...and then! *THEN!* It goes nowhere.
I love Fiona Shaw. The men of the cast are pretty hot. Lead actress Tamara Lawrance (who I recently watch on public television's "The Long Song) is good. But with no performance could save this indie.
The movie is like one of those rides at the carnival where people are hoisted several stories slowly, to then be dropped at an alarming speed, which I assume is meant to terrify all participants. Except in this case, it's a broken ride. So, some tension builds, a tad of excitement, somewhat slow (and you'd think they take this time of meandering "storyline" to actually provide much more background on the characters, so a viewer will come to care about character...but no, they don't)...and then! *THEN!* It goes nowhere.
I love Fiona Shaw. The men of the cast are pretty hot. Lead actress Tamara Lawrance (who I recently watch on public television's "The Long Song) is good. But with no performance could save this indie.
Which can be good with the right amount of girth, but unfortunately that is what the movie lacks. The suspense is enough to keep you curious throughout, but the pay-off is just so unsatisfying it left you feeling nothing. Thomas is a catch by the way.
Low concept but incredibly elegant rehash of familiar territory.
From the very first moments one gets the feeling of a restrained, sinister story and it delivers. There's only so good this can be considering the story it's telling but the immense yet lonely manor house in the countryside makes a superb setting for this tale of a vulnerable person who doesn't whom she can trust and how much.
The handling of imagery and cinematography is masterful and hypnotic as we slow burn toward the darkness. At one point someone looks out the window at 90 degrees which doesn't work in context but that's just one error, it otherwise doesn't detract from the script but enriches it.
Stories like these, of obsessive traditional families can often go too far and just feel sensationalist. But every character here feels like a person and I admit I was questioning what I though was going on as we toe the line between alarm bells common paranoia.
I dare say one could say a couple of things about how we treat (pregnant) women and the mentally ill.
A creepy movie even if it isn't what you want to call a horror movie. I felt a little cheated by the end but the journey is admirable.
From the very first moments one gets the feeling of a restrained, sinister story and it delivers. There's only so good this can be considering the story it's telling but the immense yet lonely manor house in the countryside makes a superb setting for this tale of a vulnerable person who doesn't whom she can trust and how much.
The handling of imagery and cinematography is masterful and hypnotic as we slow burn toward the darkness. At one point someone looks out the window at 90 degrees which doesn't work in context but that's just one error, it otherwise doesn't detract from the script but enriches it.
Stories like these, of obsessive traditional families can often go too far and just feel sensationalist. But every character here feels like a person and I admit I was questioning what I though was going on as we toe the line between alarm bells common paranoia.
I dare say one could say a couple of things about how we treat (pregnant) women and the mentally ill.
A creepy movie even if it isn't what you want to call a horror movie. I felt a little cheated by the end but the journey is admirable.
Did you know
- GoofsAt the end of the film The Doctor and Thomas lock Charlotte inside the room and takes the baby away. Normally, hospital room doors cannot be locked.
Details
Box office
- Budget
- $3,000,000 (estimated)
- Gross US & Canada
- $8,921
- Opening weekend US & Canada
- $6,795
- Nov 8, 2020
- Gross worldwide
- $58,448
- Runtime
- 1h 41m(101 min)
- Color
- Aspect ratio
- 2.39:1
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