While filming a documentary about an agoraphobic woman, a celebrity psychologist is drawn into supernatural events.While filming a documentary about an agoraphobic woman, a celebrity psychologist is drawn into supernatural events.While filming a documentary about an agoraphobic woman, a celebrity psychologist is drawn into supernatural events.
- Directors
- Writer
- Stars
- Directors
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
One thing that is a positive here is how annoying the main male character here. Good job on how he acted that he made me want to choke him through the screen. Anyway I stuck to the end coz I want to see him suffer a lil bit but nah film didn't gave me that. A just right tubi tv find again lol.
Putting together a list of movies from FrightFest 2020 I would watch,I decided that one of the things I really wanted to do,was to at least see one title which would be streaming/screening for the first time ever at the event. Finding two premier showings were happening on Saturday, (the other was Playhouse (2020)) I flipped a coin,and went outside.
Note:Review contains some spoilers.
View on the film:
Hyping up to camera that he will cure Sarah Sanders of her agoraphobia in ten days, in between requesting viewers subscribe to his channel, Tom Wheatley gives a terrific performance as Spencer which avoids sanding down his off-putting rough edges, thanks to Wheatley delivering the dead-pan comedic swipes of the first half with a brittleness, which builds curiosity on learning more about Spencer,that Wheatley finely balances by having Spencer's bluntness become increasingly abrasive,firmly holding him away from becoming sympathetic.
Entering with a New Age groove,Emily Booth is a absolute delight as Penny, whose more mature, measured outlook Booth uses to keep Penny firmly at odds with Spencer's goals,whilst Chrissy Randall gives a quietly unsettling turn as Sanders, whose agoraphobia has Sanders walk on extremely fragile eggshells.
Partly based on the real Jack in the Green event held each year in Hastings, co-directors Sam Casserly & Airell Anthony Hayles wonderfully splice the Found Footage with colourful different methods of documentary making, from animation going into the background of Green Eyes and real footage of the Jack in the Green event, with retro, lo-res digital video giving the opening a local amateur doc appearance.
Taking a less is more approach to the sighting of Green Eyes,the screenplay by co-director Hayles treads the Found Footage with a chilly Folk Horror backdrop creeping up to a sinister surreal final.
Keeping Spencer, his girlfriend Nicole and Penny within Sanders house for the majority of the film, Hayles brightly lights simmering paranoia in the small-scale set-up allowing for up close and personal shocks to bounce between Sanders and Spencer,who look from the front door to discover what is outside.
Note:Review contains some spoilers.
View on the film:
Hyping up to camera that he will cure Sarah Sanders of her agoraphobia in ten days, in between requesting viewers subscribe to his channel, Tom Wheatley gives a terrific performance as Spencer which avoids sanding down his off-putting rough edges, thanks to Wheatley delivering the dead-pan comedic swipes of the first half with a brittleness, which builds curiosity on learning more about Spencer,that Wheatley finely balances by having Spencer's bluntness become increasingly abrasive,firmly holding him away from becoming sympathetic.
Entering with a New Age groove,Emily Booth is a absolute delight as Penny, whose more mature, measured outlook Booth uses to keep Penny firmly at odds with Spencer's goals,whilst Chrissy Randall gives a quietly unsettling turn as Sanders, whose agoraphobia has Sanders walk on extremely fragile eggshells.
Partly based on the real Jack in the Green event held each year in Hastings, co-directors Sam Casserly & Airell Anthony Hayles wonderfully splice the Found Footage with colourful different methods of documentary making, from animation going into the background of Green Eyes and real footage of the Jack in the Green event, with retro, lo-res digital video giving the opening a local amateur doc appearance.
Taking a less is more approach to the sighting of Green Eyes,the screenplay by co-director Hayles treads the Found Footage with a chilly Folk Horror backdrop creeping up to a sinister surreal final.
Keeping Spencer, his girlfriend Nicole and Penny within Sanders house for the majority of the film, Hayles brightly lights simmering paranoia in the small-scale set-up allowing for up close and personal shocks to bounce between Sanders and Spencer,who look from the front door to discover what is outside.
I am a fan of found footage movies and always give them a watch whether they are good or bad and as fans of this genre know there are more bad than good out there.
This little film could have been more in the side of good than bad but it doesn't because of two small little details the filmmakers forgot about.
The first one is making it scary, there were no scary parts in the whole film, even green eyes was laughable.
The second was the ending, once again it looked as if the filmmakers ran out of ideas and just decided to end the movie.
In the plus side the acting was way above par for this kind of movie and I wasn't bored by the film.
It's a shame really that the actors involved were very good at their job but given a dreadful script. Let's hope they get a chance of doing another film together that will be worth watching.
This little film could have been more in the side of good than bad but it doesn't because of two small little details the filmmakers forgot about.
The first one is making it scary, there were no scary parts in the whole film, even green eyes was laughable.
The second was the ending, once again it looked as if the filmmakers ran out of ideas and just decided to end the movie.
In the plus side the acting was way above par for this kind of movie and I wasn't bored by the film.
It's a shame really that the actors involved were very good at their job but given a dreadful script. Let's hope they get a chance of doing another film together that will be worth watching.
I think the concept of this movie was interesting. An agoraphobic who can't leave her house has an actual supernatural reason to not leave her house. A psychologist bets he can get her out of her house in ten days. Things go bad very quickly. This all sounds fine and dandy, but then the man starts talking and never shuts up. Ever. The more he rambles on, the more I can't stand him. The agoraphobic barely moves or speaks, so I never did care about her. There are no scary moments in this movie. I do know this. Forget the ten days. I would have been out of that house in ten minutes just to get away from hearing the man drone on and on about how I should get out of that house. I gave it an extra star because the actor really made me dislike his character.
The best part of this movie is the acting. I really think that the two leads did a great job with their characters. They were interesting to watch and they were both very vivid, in different ways. I wasn't thrilled with the artificial romance, but otherwise the characters were good.
The story was good. Not great, but good. The villain was new and fit the story. There were not a lot of scares in this, but it was fun to watch and much better than I expected.
The story was good. Not great, but good. The villain was new and fit the story. There were not a lot of scares in this, but it was fun to watch and much better than I expected.
- How long is They're Outside?Powered by Alexa
Details
- Runtime
- 1h 23m(83 min)
- Color
Contribute to this page
Suggest an edit or add missing content