Une fille facile

This movie has the visual style of Call Me By Your Name and just as much action. It's a film set in the summer in Cannes and the main characters are two girl cousins who spend their time together. One, a 16 year naive that doesn't yet know what she wants and a 22 year one that has already found a calling in being an escort for rich men. That's it. The acting is good, the situations believable and we learn how actual people react in actual situations. Yet the film makes no effort in exploring the set up in depth. There are no artificial dramas either. Just a girl figuring herself out. And other than a few breast scenes, it's not particularly erotic either.

Know how to make good movies. This wasn't a blockbuster but was very entertaining and the acting was great. For some reason even though I understand little, if any, French, I understood perfectly what was happening throughout the movie. Maybe some American directors and actors should take some time off from their superhero films and go to France and learn how to make real movies.

I really, really love the simple style of the movie. It's billed as a 'Coming of Age' movie by a lot of reviews and ratings. I'm not sure I am of the belief that at 16, is there really a time period in a person's life that coming of age is all figured out by one short summer. Dealing with the unknown world that exists around you as you live. Can an out of school lark around an beautiful, yet bustling resort town that you live all your life really give you the opportunity to 'figure out youself' and know what you are and what you want to be. This is an interesting story about 2 cousins, 1, Sofia is 22 yet is living her life carefree and gives the perona of a much older soul. Dealing with her mourning for her recently lost mother, living off the 'generosity' of older, wealthy men in exchange for a piece of herself. Is she as free and happy as she gives the impression most the time. Or is she the sad, lonely, confused young lady that she reveals in a few short scenes with Maia.

Very good acting by the 2 main ladies. Supporting cast in the men and her mother is well done. As you would expect in a film shot in a fabulous, gorgeous setting like Canne, the cinematography is absolutely amazing. I also took note afterward that I really enjoyed the Directors use of subtle background music and soft luster of water sounds, low voices and at most time, calmness. This IMO is definitely worth a watch. I was pleasantly surprised about the reality also about no abundant over zealous nudity or sex to get the writers points across.

The story revolves around two very different cousins, Naima and Sofia. Sofia, the elder of them, 22 as we learn later, decided to make a living as a good time girl. With her great looks, although much enhanced through surgery, she is very successful in getting in contact with rich, elder men. By accepting expensive presents from them and staying for awhile in their circle until the get bored and find a way to get rid of her, she lives well without a regular work.

This summer of the story she stays with her younger cousin Naima in Cannes where she starts to give Naima little bits of advise how to get around in the world. Naima, only 16 at the time, is rather naive at the beginning, but in the course of the summer, she gets wise to Sofia and starts to see her in a much less admiring light.

Although the title of the film points to Sofia, it is Naima, who is the more interesting character. Sofia already had made her decision how to tackle life, Naima is drawn between the "glamourous" life, which Sofia seems to lead, and normal friendships like Dodo, a young, probably gay, guy who wants to become an actor. And jobs, as her mother, who works as a maid at a very fancy hotel and restaurant, who offers her an internship at the restaurant's kitchen.

Naima is for some time very confused by the sudden mixup with the life of two 40 year old men, one the owner of a yacht, the other his paid companion. While the owner Andrè certainly prefers Sofia and soon has sex with her, the other one, Phillipe, is more respectful towards Naima and figures correctly, that she is still a minor, and keeps his distance.

The whole story is a coming-of-age drama around Naima, who likes her cousin, although she sees things through her, that are shocking.

I didn't know the background of the actress who played Sofia, but I found she looked perfect for the role. Now I know why. As for the young girl who played Naima, she has the more demanding acting role and she handles it very well. Recommendable film!

Although it's set in the present day, there's a feeling that the events of this film are dredged from distant memories. It begins with the start of Naïma's last school holidays growing up in the strange double world of Cannes. Naïma herself (played by Mina Farid) comes from a normal world where her mother works as a chambermaid in one of the posh hotels frequented by the people from the other world of ridiculous idleness and unfeasibly opulent motor yachts moored on the front.

Out of the blue, Naïma's older cousin, Sofia appears and it's quickly apparent that she is the "fille facile" of the title, her over-tanned body easily flaunted for any passing lothario. Zahia Dehar has apparently some autobiographical experience to draw on in depicting Sofia and she makes the best of a fairly meagre characterisation.

Sofia quickly settles her attentions on Andres (Nuno Lopes) who owns one of the yachts while Naïma tags along and turns, in time, to Andres' sidekick, Philippe. Benoît Magimel plays Philippe, one of the more complex characters, well, but always feels too old to be of much interest to a sixteen-year-old.

Sofia and Andres' relationship is based on the exchange of meaningless sex for expensive presents. There's a retro style to some of the cinematography especially as it lingers sometimes a second of two too long on Sofia's curves and on the couple's antics. It all emphasises the dreamlike feel of the whole movie. Naïma observes the couple with a mixture of distaste and fascination - enough fascination, at least, for her to neglect her Compulsory Gay Friend, Dodo.

About half way through the film, I was reminded of a couple of days from my distant past when my sister and I, naively backpacking around the US, happened upon the lives of a couple superficially similar to Sofia and Andres. But in our short time as his guests, this real guy showed a conflict over his life choices and offered me an alcohol-fuelled, but apparently sincere, apology for the shallowness of his lifestyle.

Sadly, introspection like this was rather lacking from several characters in the movie and that's its major weakness. But for Naïma herself, the story is believable, and for that, it's worth watching. 7/10.