Fourteen

Don't see any real plot- more like my everyday life reflected back to me. Why would I want to watch something I live everyday. Good acting- filmed well makes it a 5 maybe. Dull is the best I can do.

DVD lacked subtitles for the elderly, disabled, hearing impaired, and ESL viewers. Disrespectful & cheap on the part of the producers especially when audio & enunciation is were very poor.

Very, very cheap production. We get two cameras on tripods 95% of the time staring at talking heads (high % of personal issues) or people walking in & out of camera view. Viewer left staring at, in several cases, just a door or wall. Usual eating, drinking, smoking (must not be a smoker as it left the mouth immediately) scenes in living, bedroom, kitchen, dining predominate movie time.

For a film to work you have to offer your audience some form of entertainment. If story or plot isn't the priority, then you have to deliver pretty great dialogue. If you can't deliver great dialogue then you have to put on show high quality acting. This film has none of those three important components.

If you can't offer those essential three, then you better offer some sort of thrill or visual feast. This is clearly not that type of film either. So what you left with is basically a cheaply shot, amateurish play with no substance. It's simply poor writing.

Example, rather than show the woman becoming more dysfunctional we get to hear it through a friend. And not even in a type of revealing story way but in a 'I think she needs to see a doctor something's going on' way. It's exposition. The number one worst rule of screenwriting. I question the motive of critics and wonder which film they've seen.

Long takes can work wonderfully too but here they offer no artistic reasoning. It wants to be high art. It wants to be the indie films of the 90s but it's really very shallow.

The only redeeming quality is the lead actress. She pulls it off but only just. The rest reveal their shortcomings from the opening moments. There are far better low-budget films around that haven't received the type of publicity this one has. God knows why.

The people who made this movie really had their act together. Truly outstanding performances by the two lead actresses made it easy to forget that their characters on screen were fictional. The supporting cast also added color and substance to what otherwise could easily have been a boring story about a deteriorating friendship.

Dan Sallitt directed Fourteen. Among other accomplishments he demonstrates that fine entertainment can be offered without relying on explosions or psychos with guns to mesmerize viewers.

Congratulations to all!

Mara (Tallie Medel) and Jo Mitchel (Norma Kuhling) are lifelong best friends living in Brooklyn. Mara teaches kids and aspires to write. Jo is tall, beautiful, and flighty bordering on mental instability. This is a story of their lifelong friendship and its difficulties over the years.

It's a fascinating indie. The two leads are well matched to their characters. At first, it looks like a run-of-the-mill twentysomethings mumblecore indie which is perfectly fine. Then it starts sprinkling in some hints of the darker substance underneath. That's the greatness lurking inside this story and that's its ultimate power. The indie filmmaking does hold it back a bit. Dan Sallitt is obviously still experimenting on his shots and some of it doesn't work. It serves no purpose to hold the camera stationary for minutes on the train station. It may or may not be trying to insert time passage into the story. There are better ways to do that. The camera work is not professional enough but the story is well worth telling. It's very powerful in its observational nature.