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IMDbPro

Sillu Karuppatti

  • 2019
  • 2h 33m
IMDb RATING
7.9/10
2.1K
YOUR RATING
Samuthirakani, Sunaina Yella, Sara Arjun, and Leela Samson in Sillu Karuppatti (2019)
Watch Sillu Karuppatti (2019) Trailer
Play trailer2:36
1 Video
18 Photos
DramaRomance

An anthology of four romantic stories across four age groups connected by that magical thread called love.An anthology of four romantic stories across four age groups connected by that magical thread called love.An anthology of four romantic stories across four age groups connected by that magical thread called love.

  • Director
    • Halitha Shameem
  • Writer
    • Halitha Shameem
  • Stars
    • Samuthirakani
    • Sunaina Yella
    • Manikandan K.
  • See production info at IMDbPro
  • IMDb RATING
    7.9/10
    2.1K
    YOUR RATING
    • Director
      • Halitha Shameem
    • Writer
      • Halitha Shameem
    • Stars
      • Samuthirakani
      • Sunaina Yella
      • Manikandan K.
    • 34User reviews
    • 4Critic reviews
  • See production info at IMDbPro
  • Videos1

    Sillu Karuppatti (2019) Trailer
    Trailer 2:36
    Sillu Karuppatti (2019) Trailer

    Photos18

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    + 13
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    Top cast13

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    Samuthirakani
    Samuthirakani
    • Dhanapal
    Sunaina Yella
    Sunaina Yella
    • Amudhini
    • (as Sunaina)
    Manikandan K.
    Manikandan K.
    • Mugilan
    • (as Manikandan)
    Nivedhithaa Sathish
    Nivedhithaa Sathish
    • Madhu
    Kravmaga Sreeram
    • Navaneethan
    • (as Kravmaga Sree Ram)
    Leela Samson
    • Yashoda
    Sara Arjun
    Sara Arjun
    • Mitty
    Rahul
    • Maanja
    Semmalar Annam
    Semmalar Annam
    • Aishwarya
    Mohana Kannan
    • Van driver
    • (credit only)
    Deepa Shankar
    • Cashier lady
    Swetha
    • Kausalya
    Venkatesh
    • Tesh
    • Director
      • Halitha Shameem
    • Writer
      • Halitha Shameem
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews34

    7.92.1K
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    Featured reviews

    8Vetrrich_Chelvan

    Sillu Karupatti is a fresh breath of what needs to be outspoken

    In the conservative and commercial Tamil cinema industry, not often a film worthy of critical acclaim gets produced but when such a film gets produced and released, as audience we are all deemed to embrace and appreciate it, for we are the ones who wish to see more films like it.

    In such case, Sillu Karupatti is a seemingly sweet film with deep rooted ideas embedded into it, to loosen this society a little bit. Comparing it with some other language films and trying to bring it down is unnecessary. For what you've paid the price, Sillu Karupatti is worth of it.

    Like a tender breeze, past our hearts, having seeded it with love and tolerance, Sillu Karupatti passes by as audience leave the film with change and fulfillment.
    6maruthuk-21470

    Little overhyped movie

    I had heard a lot of positive reviews about this movie, before watching it, but after watching it, was not able to understand, why it got such a review? It was a movie with 4 stories, but did not like story couple of them at all probably because of the cultural changes it portrays in movie, however liked 4th one very much and acting of Sunaina was too good in that! Overall felt like having watched a short film, rather than full length movie!
    8faroukgulsara

    Does anybody love anyone anyway?

    Picking a movie from a list of Netflix is like opening a box of chocolates. "You never know what you gonna get!..." I was pleasantly surprised by my choice. Sometimes it is the movie unheard of with an equally unfamiliar cast may be the one with the most exciting storyline.

    This movie is an anthology of four unrelated stories with love being the common theme. Its four stories try to show that the emotion that releases butterflies in the tummy, the special feeling called love, at different age groups. Love needs are different at various times of one's life, and it carries a different meaning at other periods of their lifetimes.

    The first story revolves around teens and love blossoms in the most unromantic place of all, the city dumpster. A slum-boy who scavenges the trash comes across some greeting cards, memorabilia and a photograph of a young girl. Curious how the girl would be in real life, he follows the garbage trump to get a peek at the owner. In summary, it is puppy love. Looking at the apparent disparity in social class and education levels of both, the viewers can guess the relationship would go nowhere.

    The next one is the love of the contemporary kind, involving all modalities considered modern. There is the current Chennai landscape complete with spanking new highways and clean Hyundai cars, Ole call cab service, modern private medical centres and social media. Here a young man in his early 30s, who is all excited in anticipation of tying the nuptial knots with his gal that he found on an online matrimonial page, is diagnosed with testicular cancer. His beau bolts and he has to deal with the ailment on his own. Love is found again in strange places; this time in the form of a fellow occupant of a shared cab. Love blossoms by being an anchor weathering the storm.

    The third story is about love in the twilight years. The traditional way of Indian life would dictate that those senior years of experience is the opportune time to prepare for the ethereal world. Not so in the modern world, it seems. Loneliness and fairly robust health necessitate romantic liaisons, especially when the offsprings are nowhere around to be seen.

    The final clip is about love in contemporary times. After years of marriage, the spark that drew the couple together is somewhat missing. Husband and wife just carry on life doing their society-sanctioned duties without giving second thoughts to the amorous need of the other. Life, as each knew it, was the repetitive action of working at home or office, caring for the needs of kids and being trapped in the quagmire of the cycle of repetition. Remedy comes through the cupid work of a modern AI device.

    Love, as they say, makes the world to stay relevant. At the spring of adolescence, with the raging of hormones, the youths think with their impulse. Nature needs them to be amorous. Progeny has to happen. The young cannot be wasting time in critical thinking and analysing. Continuity of the species is of paramount importance.

    It used to be a time when society, which used to be patriarchal, dictated how the female species were left with no choice but conform to assume their role in society. With female empowerment came reduced fertility and threat of extinction. Nature fought back. Love had to bloom somehow, and it does.

    It is love that holds a family and a society together. Left to their own devices, Man can be self-centred with their 'selfish gene' taking charge. The weak and the old would be left to rot. Hence, love manifest as compassion to care for the ones left behind in the race of time. Even the participants at the twilight stage of their years need someone to ride into the sunset...
    8adithyadevp

    A nice movie

    A very good movie in which different stages of love is portrayed soo well and it's Soo much interesting to watch each stories it tells about love in the ,teenage , old , after marriage, and in between youngsters. It shows what true love is and gives us a message it was a nice feel good movie . And it will entertain you for sure
    9sduraibalaji

    Feel good movie

    For first time I saw a good feel good movie in Tamil. It's a combination of 4 short stories. Pink bag, kakka kadi, hey ammu and turtles ALL four story was good. Sunina acted well. Alexa and ola share ride things I don't think it would happend in real

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    Storyline

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    • Trivia
      First Anthology Film in Tamil Language!

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    FAQ12

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    Details

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    • Release date
      • December 27, 2019 (India)
    • Country of origin
      • India
    • Official sites
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    • Language
      • Tamil
    • Production company
      • Divine Productions
    • See more company credits at IMDbPro

    Tech specs

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    • Runtime
      • 2h 33m(153 min)
    • Color
      • Color

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