Sharp Corner

Great directing, editing however terrible story. The wife wanting a divorce as if the husband was some abusive, drug addict loser.

There didn't seem to be an ending, did the guy become the hero of the town? Did he work his issues. Just to cut off like that it was breaking for commercials is just sloppy.

You have to wonder why the transport authority didn't do anything to investigate the high number of accidents? At least install a speed limit or even speed bumps.

A movie like this is going to be watched by grown ups so it needs to be grounded in reality.

If the creators of this movie get a decent script they could create a classic.

This movie demands your patience and attention span. But the story is most effective in this way.

First off, the acting is excellent, and Ben Foster is captivating. I sensed what may happen, but his character adapted and changed his MO a few times.

This is about an unsung hero, who goes through crisis after crisis, but insists on solving the problem himself. Cobie Smuldrrs is excellent as well, and works well in her hyper-organized, perfectionist character.

The tension builds as Foster's character realizes his true calling. Consumed with a new occupation, battling mortal danger, he seeks to fight it head on.

This film is excellent with a plaintive soundtrack, well-rounded characters; and a narrative which belies exposition and resorts to thoughtful yet misguided strategies.

This is a very worthwhile film, but it requires your attention and curiosity.

Dramatic thriller "Sharp Corner" charts the descent of average family guy Ben Foster (fine actor) from hating his job, thru leaning on booze, to sheer insanity via the titular accident blackspot outside the new home he's bought with wife Cobie Smulders and their young son. As cars repeatedly crash, and folk die, on his front yard, Foster becomes obsessed with the victims and on prepping to 'help' future ones, rather than preventing them and/or addressing his family's trauma. Writer / director Jason Buxton's second film is original, clever, well performed - tho also slow & implausible at times, with an ending that'll irk some. That said, generally, it's a good film.

It just moves along at a snails pace. I like the setting, the idea/story but it's just so slow. I like the direction the story goes but it's an agonizingly slow journey getting there. There are literally scenes of nothing for minutes at a time and you start yelling at the screen "C'mon something happen!" There are I believe three brief exciting scenes in the nearly two hour runtime. Several times throughout the movie I zoned out from boredom. A fairly original idea is what got me through to the end. I will say all the acting was top notch but as I said before it was just too slow. So was I entertained? Well, yes... for about 1\4 of the movie. Which is not nearly enough.

Greetings again from the darkness. Purchasing a home is often called 'The American Dream.' For Josh and Rachel, it's even more special when their son, 6-year-old Max, refers to their new place as "a mansion". Sometimes (especially in movies) dreams turn into nightmares, and that's exactly what happens in this film from writer-director Jason Buxton (his first feature since his debut BLACKBIRD, 2012). Adapted from the short story by Russell Wangersky, this film is billed as a psychological thriller - which it is, yet it's also an enigmatic character study.

Ben Foster (HELL OR HIGH WATER, 2018) plays Josh. Only this isn't the Ben Foster we've come to expect. His usual high-intensity and simmering danger-on-edge is replaced by a mild-mannered man who is even a bit meek whether dealing with his wife or the new manager he once trained at work. Cobie Smulders (Maria Hill in the Marvel Universe) plays his wife Rachel, and their first night in the new house leads to one of the worst cases of coitus-interruptus in history. A car tire comes flying through the living room window just after the loud crash of a car hitting the tree in their front yard. The horrific wreck leaves a young man dead, and the family stunned.

As you might have guessed from the film's title, their new home is located on a dangerous curve. The only warning sign for drivers is mostly blocked by overgrown vegetation. Josh's reaction to the wreck amplifies his struggles at work, while also creating tension with Rachel. He wants to talk about it, and she wants to ignore it. A second wreck has Josh trying to comfort the driver. The wreck convinces Rachel it's time to move, while it simultaneously convinces Josh he could have saved the man's life. Clandestine CPR lessons follow, while family therapy exposes all we need to know.

Rather than a curve, Josh and Rachel come to a fork in the road ... and take different paths. While Josh becomes obsessed with waiting for the next wreck so he can save a life. Rachel simply wants to protect herself and her son, and avoid the obsessed Josh. He's a man who desperately wants to be a savior to strangers, when the best thing he could be is a father/husband. Foster's performance is unlike anything we have seen from him, and it can't help but make us feel uneasy. Director Buxton gives us an early sneak peek at the curve, but mostly we are confused as to why a speed bump or protective/reflective barrier hasn't been installed. Sometimes a movie leaves us feeling like it should have been more interesting, more entertaining, ... more something ... than it was. Foster keeps us watching, yet the whole thing feels a bit hollow.

Opens in select theaters and VOD on May 9, 2025.