IMDb RATING
5.7/10
1.6K
YOUR RATING
A successful "house tuner" in New York City, who calibrates the sound in people's homes in order to adjust their moods, meets a client with a problem he can't solve.A successful "house tuner" in New York City, who calibrates the sound in people's homes in order to adjust their moods, meets a client with a problem he can't solve.A successful "house tuner" in New York City, who calibrates the sound in people's homes in order to adjust their moods, meets a client with a problem he can't solve.
- Awards
- 3 nominations total
Perrin Drumm
- Sensory Holdings
- (voice)
Featured reviews
Not an action movie (pun intended), but a slowburning movie. Mysterious and mesmerizing story. Best served in a quiet and dark room, because this movies' photography and sound is as delicate as can be, with many scenes so dark, that it is barely visible what is happening, only further adding to the mesmerizing effect though...
The story: Peter Sarsgard plays an analyst of sounds, who has got a super sensitive ear and who helps people "tune" their homes, by removing certain dissonant sounds, until that day he isnt able to help one particular woman, played by Rashida Jones. What is going on inside Rashida Jones' house?
The good: the acting is great. The sound effects are mesmerizing. The story (terrific climax at the end) is wonderfully delicate, mysterious and (again!) mesmerizing.
Any bad? It's quite a dark and moody slowburning movie, almost depressing in nature, therefore not suited for the impatient or happy go lucky. However this movie is highly recommended for the art house movie fans of subtle and dark, mysterious stories, provided one darkens it's room before watching it, because of the very dark lighting techniques one often cant see very well what is happening on screen.
This movie needs to be heard as much as it needs to be seen. Terrific soundtrack. Using headphones quite effectively enhanced the claustrophobic, mysterious effect this movie had on me!
End note: if you liked this movies theme and spirit, you must try out the brilliant classic movie "The Conversation", directed by Francis Ford Coppola. It has got an almost similar theme, but it is much more intense and suspenseful...
The story: Peter Sarsgard plays an analyst of sounds, who has got a super sensitive ear and who helps people "tune" their homes, by removing certain dissonant sounds, until that day he isnt able to help one particular woman, played by Rashida Jones. What is going on inside Rashida Jones' house?
The good: the acting is great. The sound effects are mesmerizing. The story (terrific climax at the end) is wonderfully delicate, mysterious and (again!) mesmerizing.
Any bad? It's quite a dark and moody slowburning movie, almost depressing in nature, therefore not suited for the impatient or happy go lucky. However this movie is highly recommended for the art house movie fans of subtle and dark, mysterious stories, provided one darkens it's room before watching it, because of the very dark lighting techniques one often cant see very well what is happening on screen.
This movie needs to be heard as much as it needs to be seen. Terrific soundtrack. Using headphones quite effectively enhanced the claustrophobic, mysterious effect this movie had on me!
End note: if you liked this movies theme and spirit, you must try out the brilliant classic movie "The Conversation", directed by Francis Ford Coppola. It has got an almost similar theme, but it is much more intense and suspenseful...
Greetings again from the darkness. "Turn that down!" Those are words we all hear when growing up and then repeat as our own kids come of age. Noise pollution rarely receives the same attention as that of air or water, and most of us are startled when we find ourselves out in the country - an environment lacking the everyday electronic, power cell, and human-generated noises we have come to accept and ignore. Director Michael Tyburkski and his co-writer Ben Nabors have expanded their 2013 short film PALIMPSEST to feature length, so that we might hear their point.
Peter Sarsgaard stars as Peter Lucian, a so-called "house-tuner". Peter has turned his life's work into an occupation where he visits his clients' homes and identifies the imbalances and problem areas caused by sound. For example, his clients may have relationship issues or experience exhaustion from poor sleep. Peter uses his exceptional hearing and experience to identify an 'out-of-tune' radiator or buzzing toaster, with the expectation of improving the clients' daily life. The premise is actually quite fascinating, especially for the city dwellers of New York City ... a place Peter has meticulously plotted and charted sounds on a map over the years.
And yes, you are correct. Peter is a bit lonely and isolated from society. His interactions are exceedingly low-key and mundane, though it's quite obvious in the early scenes that he take immense pride and pleasure from his work. Well that is, until he can't seem to solve new client Ellen's (Rashida Jones) issue. These first few scenes are the best the film has to offer. The additional scenes with Peter and Ellen seem forced, almost formulaic, as it slips into possible relationship mode for two people who don't seem comfortable at all in the world. The other piece of this puzzle has to do with Peter's quest for acceptance by the scientific community, specifically his mentor Robert Feinway (the always fun Austin Pendleton). Tony Revolori (THE GRAND BUDAPEST HOTEL) plays Peter's assistant Samuel Diaz, and screen veteran Bruce Altman plays an investor who wants to monetize Peter's work.
"Silence is not empty, but immeasurably full." It's this type of philosophy that the filmmakers use to add weight to Peter's work. They keep us guessing as to whether he is a bit of a Savant ... or more of a crackpot. It's a high concept and ambitious idea accompanied by sound design that provides a constant tone/ringing that is sometimes faint, and sometimes prevalent. More of Peter's early sound detective work would have proved more interesting, but you'll likely find yourself a bit more attuned to the sounds around you after watching.
Peter Sarsgaard stars as Peter Lucian, a so-called "house-tuner". Peter has turned his life's work into an occupation where he visits his clients' homes and identifies the imbalances and problem areas caused by sound. For example, his clients may have relationship issues or experience exhaustion from poor sleep. Peter uses his exceptional hearing and experience to identify an 'out-of-tune' radiator or buzzing toaster, with the expectation of improving the clients' daily life. The premise is actually quite fascinating, especially for the city dwellers of New York City ... a place Peter has meticulously plotted and charted sounds on a map over the years.
And yes, you are correct. Peter is a bit lonely and isolated from society. His interactions are exceedingly low-key and mundane, though it's quite obvious in the early scenes that he take immense pride and pleasure from his work. Well that is, until he can't seem to solve new client Ellen's (Rashida Jones) issue. These first few scenes are the best the film has to offer. The additional scenes with Peter and Ellen seem forced, almost formulaic, as it slips into possible relationship mode for two people who don't seem comfortable at all in the world. The other piece of this puzzle has to do with Peter's quest for acceptance by the scientific community, specifically his mentor Robert Feinway (the always fun Austin Pendleton). Tony Revolori (THE GRAND BUDAPEST HOTEL) plays Peter's assistant Samuel Diaz, and screen veteran Bruce Altman plays an investor who wants to monetize Peter's work.
"Silence is not empty, but immeasurably full." It's this type of philosophy that the filmmakers use to add weight to Peter's work. They keep us guessing as to whether he is a bit of a Savant ... or more of a crackpot. It's a high concept and ambitious idea accompanied by sound design that provides a constant tone/ringing that is sometimes faint, and sometimes prevalent. More of Peter's early sound detective work would have proved more interesting, but you'll likely find yourself a bit more attuned to the sounds around you after watching.
The "House Tuner" may sound cool as a new promising occupation, but this movie actually didn't open a new territory or new phase. It only gave you an either dark cloudy low cast New York or gave you a dim, dark home office of this guy's apartment. The camera purposely used certain darkened, tinted lens to emphasize the dreary conditions living in the big city. City noises are everywhere, inescapable, all the man-made sounds were so random, so abrupt, so unpredictable, like some most pieces composed by the crazy Igor Stravinsky. But at least this guy used music instruments to create those crazy, unpredictable scores. But in the big city, all the noises, the sounds are all man-made mechanical craps, there's no way you can decide any part of the city is in B minor or whatever. The city noises created by traffic or other things if coming afar, it usually is called "white noise". Appliances at home if plugged, the electricity circuit would definitely cause noises.
When this guy pointed out that the female client's depression, all-day-night-feeling-tired, or whatever was coming from her toaster, I just couldn't help myself. Are you serious?! Yo, she's too lonely, okay? Her job was too boring, okay? And this certified male loner would have declare her problem was from a toaster? Jesus.....There's nothing wrong with her, all she needed was a man, a romance, a lover, a man slept next to her at night, regular sex, then she'd be automatically rejuvenated and happier. It absolutely got nothing to do with the toaster, Okay?!
What we saw in this movie were: The New York weather were constantly cloudy and chill, the city noises were so loud, abrupt and constant. Most people in New York were not happy but like working ants. Everybody lived in a quite dark apartment. Nobody wore bright colors but dark clothes. Everything and everybody looked so depressed. There's no way to solve this big city phobia, the only way to escape is smoking pot, drink hard liquor or chain smoking. House tune? Save it, man.
When this guy pointed out that the female client's depression, all-day-night-feeling-tired, or whatever was coming from her toaster, I just couldn't help myself. Are you serious?! Yo, she's too lonely, okay? Her job was too boring, okay? And this certified male loner would have declare her problem was from a toaster? Jesus.....There's nothing wrong with her, all she needed was a man, a romance, a lover, a man slept next to her at night, regular sex, then she'd be automatically rejuvenated and happier. It absolutely got nothing to do with the toaster, Okay?!
What we saw in this movie were: The New York weather were constantly cloudy and chill, the city noises were so loud, abrupt and constant. Most people in New York were not happy but like working ants. Everybody lived in a quite dark apartment. Nobody wore bright colors but dark clothes. Everything and everybody looked so depressed. There's no way to solve this big city phobia, the only way to escape is smoking pot, drink hard liquor or chain smoking. House tune? Save it, man.
I liked this movie. It's different and unexpected, despite a bit slow. I liked the way it ends, graciously. Go watch it!
One interesting effect of watching this film was that I kept wondering, "Is this a real story?" There's a feeling of accompanying the characters completely, like when watching real-time documentary footage. So I give The Sound of Silence big props for achieving utter non-contrivance. There's funky feel to the character tensions that's reminiscent of Beautiful Mind.
I personally love the premise and the resolution, though these get somewhat lost to the intensity of the city setting. On the other hand, that same setting makes the "bad guy" (commercial development) more ominous, so ultimately the setting is a fine choice.
It is indeed a slow film, but what it suffers from more are some confusing editing and scene choices that muddy the characters and story a bit.
I personally love the premise and the resolution, though these get somewhat lost to the intensity of the city setting. On the other hand, that same setting makes the "bad guy" (commercial development) more ominous, so ultimately the setting is a fine choice.
It is indeed a slow film, but what it suffers from more are some confusing editing and scene choices that muddy the characters and story a bit.
Did you know
- Quotes
Ellen Chasen: It was nice, you know, to not have to make choices for myself. It sounds silly, but I remember after he was gone, the remote felt so odd in my hand, like, I didn't know what any of the buttons were for.
- SoundtracksPrelude in D Minor
Performed by Phaedon Papadopoulos
Written by Phaedon Papadopoulos
- How long is The Sound of Silence?Powered by Alexa
Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- Звук мовчання
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $20,013
- Opening weekend US & Canada
- $5,449
- Sep 15, 2019
- Gross worldwide
- $78,622
- Runtime
- 1h 28m(88 min)
- Color
- Sound mix
- Aspect ratio
- 2.00 : 1
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