American Factory: Un milliardaire chinois en Ohio

To be honest I can't believe they released this film... There are more than a few aspects that seem quite surreal and unbelievable.

I think for the most of the film you will be asking yourself a question where is all of this going, the answer is out there and it is quite broad.

One of the most shocking moments is the reveal of Chinese work culture. Workers are literally robots, they have numbers, they don't waste any time, they work 16 hours a day 26 days a month non stop.

In China, the corporation you work for is glorified to the point that you start to feel like you are part of a cult rather than a company that is simply making profit.

While it might be normal for China that there are small kids dancing, weddings happening and corporate bosses praised during one of the company celebrations, personally to me this looked surreal to the point of crazy.

For me the job is just a job, it's there because you need to make money, everything else is big bosses making big bucks off your back, nothing less nothing more, for chinese it's a cult.

Now I don't know if the goal of the globalization is to make everyone work like in China, but if it is, then everyone, literally everyone is in deep trouble, especially the biosphere of our planet ...

I am a high school history teacher in the USA. I tried showing this movie to my classes, in between lessons on industrialization and the future of automation. This helped reveal the real problems we have, in my opinion. That most of my students were uninterested, and even did not care about these future issues. All they wanted to do was play games on their phones. I told them they would be quizzed on the material to try and get them to pay attention, but they did not care. Even when writing a quick summary of the movie, most just copied and pasted their responses, one of them even used one of these comments as their source data. They watched the movie with the strong belief that they won't end up like that. That somehow, they will be immune to these future issues.

For students who do not care about their education or their future, the best teacher in the world won't help. Apathy will destroy us far quicker than anything else.

Greetings again from the darkness. In December 2008, General Motors shut down their truck plant in Dayton, Ohio, putting approximately 2000 employees out of work. Six years later, Chairman Cao Dewang, the founder of Fuyao Glass, invested millions to turn the shell of the plant into a retro-fitted factory and the first U.S. operation for his company - a company he claims owns 70% of the auto glass market. In doing so, the factory hired approximately 1000 locals, many of whom had not had consistent work since the GM plant closed years prior.

Co-directors Steven Bognar and Julie Reichert share an Oscar nomination (she has 3 total) for their 2009 documentary short, THE LAST TRUCK: CLOSING OF A GM PLANT. This time out, they have impressive access to a remarkable situation: a successful Chinese company opening a factory in the United States, and attempting to merge two distinctly different cultures. We hear much these days about globalization, and by the end of the film, you'll likely be re-defining the word.

This unique business model came with good intentions on both sides. The differences that start out as kind of funny and well-intentioned turn into hurdles that are nearly impossible to manage. Fuyao ships many workers from China to Dayton for the training of U.S. workers. These 'temporary' transplants must spend two years away from their family as they try to make sense of an unfamiliar land far different from home. Workshops are held for the Chinese workers as they are lectured on what makes Americans different ... they don't work as hard, they don't dress well, they talk too much on the job, they won't work overtime, etc. The Chinese blatantly state that they are superior to American workers - a point that's difficult to argue against when it comes to dedication, quality, and efficiency. We soon learn there is more to the picture.

U.S. labor and safety laws exist for a reason, and the Chinese company neither understands these, nor is very willing to abide by them. Additionally, since this is the 'rust belt', the shadow of unionization hovers from day one. While China's Workers' Union functions in sync with companies, U.S. labor unions are regularly in conflict with companies here. When the U.S. supervisors make a training and observation trip to China to see the Fuyao factory, the differences become even more obvious. The mostly overweight Americans show up casual - one even in a JAWS t-shirt - while the lean and fit Chinese are all in fine suits and ties. Morning shift routines are also contrasted to point out the gaps in discipline and attention to details.

What the filmmakers do best is allow us to see both sides of the issue. Surely the right thing to do is obvious when it comes to safety, and when Chairman Cao says the real purpose in life is one's work, well, we realize these two cultures are farther apart than the 7000 miles that separate them. It's a fair look at both sides, but for those who say U.S. companies are too focused on profit, they'll likely be surprised to learn that Chinese factory workers typically get 1 or 2 days off from work each month! As one of the dismissed American managers states, you can't spell Fuyao with "fu". The film seems to present a debate with lines drawn via citizenship and culture, and the contrast might be more relevant today than ever before.

I never thought a documentary on an American manufacturing plant would be so interesting. I'm a Canadian and I still consider this a must-watch. Extremely interesting insight into the world of manufacturing in small-town USA as well as the cultural differences between the USA and China. The whole trip to the China factory seems surreal. Unfortunately this film's ratings might get turfed by certain political interests that would rather have this stuff swept under the rug.

This film is an extraordinary achievement. With footage going back over the years, the directors have pieced together the saga of the establishment of a Chinese-run industrial operation in Dayton on the site of a much-lamented closed GM plant, illustrating, with total objectivity, the contradictions that ensue from the imposition of one national worldview upon another in a dynamic that it never a clash of equals. The impatience and contempt of the Chinese investors toward their U.S. workforce and the consequent cultural conflicts are highlighted to devastating effect, illustrated by what American viewers will find to be an uncomfortable dissection of their own culture, in all its fatuous self-indulgence, by amazing footage of lectures on the subject by Chinese cross-cultural consultants as they lecture Chinese workers and supervisors sent to Dayton to show Americans in how things should be done.

At the Q&A at the premiere at IFC Center, co-director Julia Reichert was at pains to stress that the film was never meant to be polemical, that this was an effort to immerse and learn. While some of the silllier aspects of both cultures, (but especially the regimented and self-congratulatory aspects of the Chinese). come through with particular acuity, you can't help buy muse on how Americans have acted with equal tin-earedness and cultural arrogance around the world, over many more decades than the Chinese have been at this game.

At the same time, America's neediness of manufacturing jobs, even if they don't pay a living wage, and the ways that so many of what we would normally consider our core values go out the window to accommodate anyone who will invest in them, come through particularly clearly. This all comes together in a fight over the establishment of a union that would protect workers' rights and uphold our eroding safety and environmental standards that is the vivid core of the movie.

A final note: This film has an extraordinarily compelling musical score by someone names Chad Cannon that propels and highlights the narrative and is amazingly effective on its own terms. Although the idiom is different, Cannon's score does for this film much of what Philip Glass's have done over the years for the films of Errol Morris, and that is high praise indeed.