Shooting the Mafia

"The first woman (news) photographer in Italy," says Letizia Battaglia of herself.

If Letizia is not that, she is the most daring and outspoken of the bunch. If like me you have some Sicilian DNA in your makeup, you'll want to see this intrepid photographer in Shooting the Mafia begin her career with Wegee-like street photographs and then slip into depicting the Sicilian curse of the Mafia, whose bloody business makes The Irishman look like a school picnic.

Documentarian Kim Longinotto has a similar gift capturing the aging red-headed Battaglia as she reminisces about the Cosa Nostra's corrosive effect on Sicily. In addition, she shows her challenges making their images of brutality meaningful, as well as her many love affairs, some of whom appear in the doc.

In all it's a full look at the robust and dangerous life of Sicily seen through a Pentax and video cameras. The images that don't work as effectively are the large crowd scenes of demonstrators protesting the Mafia. Sometimes, there are images even closer up that don't quite fit the narrative. A shot of Mount Vesuvius erupting goes too far the other way, figuratively speaking.

No moment in this doc is dull; images are powerful. The film at times cross edits shots of Battaglia as a lovely, animated young woman who tells us of her burden being a young mother not allowed to break through education to a more expansive life.

This engrossing doc is pervaded by the undaunted spirit of Battaglia. She is a modern feminist heroine, a companion to the current Little Women. She fearlessly looks in the Mafia's face and photographs it for the world to see the evil that has been in Sicily for centuries. Come to think of it, Shooting the Mafia is also an illustrative companion to the current Irishman and the legendary Godfather.

Also read Theresa Maggio's The Stone Boudoir: Travels Through the Hidden Villages of Italy for a benign view of this beautiful country sans gangsters.

Even for old jaded me, further insights abound, such as my realization that respect is a building block of the Sicilian character. Young men are shown acting out becoming part of the mob, looking to become someone who is admired as he strolls the streets. For me, I now know why I demand a swift return to my emails: respect!

"Photographing trauma is embarrassing." Battaglia

Italian photographer Letizia Battaglia has been documenting life in Sicily for over 40 years and Palermo in particular. The most compelling of which are her photos and footage of Mafia hits. She recounts her life and her work. Besides the shocking pictures of murder victims, there is simple life on the street. One memorable footage is a man beating on what looks to be his wife. It's another random day in the life. This documentary talks about her life and her loves. I don't think it's the most interesting other than as another small slice of life. I also don't like the use of obvious film clips. Her personal life is never going to outshine her murder photos. All the dead bodies are incredible but also mind-numbing. The gangsters are compelling. A large part is Judge Falcone. The bodyguard widow's speech is heart-breaking. All in all, the personal story can be cut back and more of the mafia should be used.

Bored with the constant tripe, recycled movies and average trash being pumped out at present, so I decided to turn to documentaries.

This is an absolute gem. I loved how it was put together. Never a dull moment. A little bit of an emotional rollercoaster too. This is a must see for anyone who enjoys good, interesting and compelling stories. Also anyone interested in history. Especially Sicilian mafia history.

Everyone knows something about the Sicilian Mafia (Cosa Nostra), right? But many don't know the true horrors that went on under their rule for centuries and the endless murders/executions. This film only skims the surface of some of the horrors that took place from around the 70's onwards under the Corleonesi Mafia clan.

Photojournalist Letizia Battaglia's story intertwined with the Corleonesi mafia was really well done in my opinion. It's a fantastic piece of filmmaking and had me glued. Her photography is amazing and also disturbing. Much of it she is not proud of and some photos she doesn't even remember taking. She has never had an easy life but has no regrets, it seems.

I could have watched another straight hour or two of this but I believe the story is well presented/edited in the time shown. It has opened my eyes to the director Kim Longinotto and I'd love to see more of her work.

Movie night with Iris.

Movies have typically glamourised the Mafia, but for the common people of Sicily, the Mafia has been a long-term waking nightmare. Photojournalist Letizia Battaglia started photographing Mafia crime scenes in her hometown Palermo during the 1970s.

Battaglia today is a vital and energetic woman in her early 80s with punky, pink hair. And her story, sexual awakening; dalliance with politics is just as engrossing. It perhaps isn't a coherent film. The first half a meandering journey, and the last half a more traditional, docu-telling of Mafia trials and retributions.

Think4Yourself thinks... (2 stars). It looks to me from this documentary that Letizia was just the press agent for the Mafia. Rather than expose their actions as we're told to believe, it looks like she was just giving them the publicity they wanted. Her pictures of death just advertise what happens when you cross the Family and glorify their tough-guy image. You expose corruption by showing things they don't want known like meetings with politicians, deals with businessmen, payoffs to police. I'm sure the people of Palermo and Corleone already knew of the violence of the Mafia; this is not news to them.