Atlantic Crossing
- TV Series
- 2020
- Tous publics
- 55m
Based on the true story of how the Norwegian crown princess steals the heart of President Franklin D. Roosevelt during World War II and changes the face of world politics.Based on the true story of how the Norwegian crown princess steals the heart of President Franklin D. Roosevelt during World War II and changes the face of world politics.Based on the true story of how the Norwegian crown princess steals the heart of President Franklin D. Roosevelt during World War II and changes the face of world politics.
- Awards
- 2 wins & 1 nomination total
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Featured reviews
There has been a lot of controversy with this series about whether the events are historically correct. What was said between the princess and Roosevelt is not known. Most of the series is based on rumors and speculation.
The Norwegian royal family was related to the English royal family when Haakon's wife was an English royal.
It was therefore natural that they would support England, but the Norwegian people were more divided on whether they should support Germany or England. Most chose to be indifferent. As a historical series, I think it is exciting and emotionally engaging. Much better than others Norwegian series that have described the war, which are mostly heroic epics.
We could need more World War II series about those who sided wrong, and why they acted as they did?
I just watched Episode 6 of Atlantic Crossing. It has gotten worse each week.
This takes "inspired by true events" to a level of fantasy that is beyond ridiculous. I am now finding it truly appalling. I feel like I am watching a bad Hallmark TV movie, but this disaster wants to style itself as somehow based on facts when it is preposterous.
Really, who at Masterpiece thought THIS was a good idea? It cheapens WWII and FDR into a dime store romance novel and is an insult to anyone who actually learned about the Roosevelts by watching Ken Burns' true masterpiece documentary, "The Roosevelts: An Intimate History", also on PBS.
I would say it is almost funny in its absurd depiction of FDR, Eleanor and Missy LeHand - but I found it stupid, offensive and bordering on the bizarre.
I'm done with this drivel. Just makes me wonder why Masterpiece and WGBH had anything to do with this disappointing fiasco.
This takes "inspired by true events" to a level of fantasy that is beyond ridiculous. I am now finding it truly appalling. I feel like I am watching a bad Hallmark TV movie, but this disaster wants to style itself as somehow based on facts when it is preposterous.
Really, who at Masterpiece thought THIS was a good idea? It cheapens WWII and FDR into a dime store romance novel and is an insult to anyone who actually learned about the Roosevelts by watching Ken Burns' true masterpiece documentary, "The Roosevelts: An Intimate History", also on PBS.
I would say it is almost funny in its absurd depiction of FDR, Eleanor and Missy LeHand - but I found it stupid, offensive and bordering on the bizarre.
I'm done with this drivel. Just makes me wonder why Masterpiece and WGBH had anything to do with this disappointing fiasco.
This could have been a masterpiece of historical storytelling with a script that focused on the Norwegian peoples' suffering under Hitler and the Royal family's many efforts to free them. But after the first riveting episode, the script becomes stuck inside Sweden's politics, Buckingham Palace and Washington DC with boring storylines that go nowhere. Honestly, I was insulted for the brave Norwegians and their Royal Family. They deserved far better, especially from Masterpiece Theater.
I've read that Shakespeare's Hamlet and Macbeth have little to do with the actual historical characters and events on which they are based. Still, I've never met anyone who cared about that in deciding whether they liked those plays.
The same approach should probably be taken to this series, which plays fast and loose with World War II history. But that's hard to do, because we're so much closer to the real events that this series rewrites than Shakespeare's audience was to minor figures in Medieval Scottish and Danish history. (Did they know anything about those fields at all?) It was very hard for me to sit through the depiction of the female lead, the Crown Princess of Norway, inspiring Lend-Lease, for example. I can imagine that Swedes don't particularly enjoy seeing their former king portrayed as a Nazi sympathizer. But if you don't know anything about World War II history, then I guess that wouldn't bother you. Just as I am not bothered, in reading Hamlet, by the discrepancies between the play and Medieval Danish history.
What we are left with is imitation Downton Abbey - lots of nice-looking aristocracy and their homes, not too much concern with unglamorous commoners.
Also a story to inspire timid women: a timid young princess - think Princess Diana - comes into her own and eventually grows a backbone. She even helps to save Western civilization. A story lots of timid women could relate to.
If you're a World War II history buff, or a guy, or a woman who does not need fantasy history to feel inspired to develop her potential, this will probably seem like a long-winded costume drama, which is what it actually is.
But if you're part of the intended audience, you might enjoy it. And so long as you don't mistake what happens for history, I don't know that there is any harm in that. George Washington didn't chop down that cherry tree, after all, yet Parson Weams' tale of how he did but then did not lie about it provided moral courage to countless young Americans of a previous era. If this series helps timid women develop moral strength, that wouldn't be a bad thing.
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I just watched Episode 6. When FDR, having learned of the Japanese attack on Pearl Harbor, goes first to see the Crown Princess to find courage to deliver an address - what becomes the *A day that shall live in infamy* address to the joint houses of Congress - I almost puked. The rest was pretty much the same thing. FDR turns out to be a lover who finds strength and inspiration in an initially timid Norwegian princess. It's sort of like bad old-fashioned Disney applied to World War II history. Bad imitation old-fashioned Disney.
The same approach should probably be taken to this series, which plays fast and loose with World War II history. But that's hard to do, because we're so much closer to the real events that this series rewrites than Shakespeare's audience was to minor figures in Medieval Scottish and Danish history. (Did they know anything about those fields at all?) It was very hard for me to sit through the depiction of the female lead, the Crown Princess of Norway, inspiring Lend-Lease, for example. I can imagine that Swedes don't particularly enjoy seeing their former king portrayed as a Nazi sympathizer. But if you don't know anything about World War II history, then I guess that wouldn't bother you. Just as I am not bothered, in reading Hamlet, by the discrepancies between the play and Medieval Danish history.
What we are left with is imitation Downton Abbey - lots of nice-looking aristocracy and their homes, not too much concern with unglamorous commoners.
Also a story to inspire timid women: a timid young princess - think Princess Diana - comes into her own and eventually grows a backbone. She even helps to save Western civilization. A story lots of timid women could relate to.
If you're a World War II history buff, or a guy, or a woman who does not need fantasy history to feel inspired to develop her potential, this will probably seem like a long-winded costume drama, which is what it actually is.
But if you're part of the intended audience, you might enjoy it. And so long as you don't mistake what happens for history, I don't know that there is any harm in that. George Washington didn't chop down that cherry tree, after all, yet Parson Weams' tale of how he did but then did not lie about it provided moral courage to countless young Americans of a previous era. If this series helps timid women develop moral strength, that wouldn't be a bad thing.
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I just watched Episode 6. When FDR, having learned of the Japanese attack on Pearl Harbor, goes first to see the Crown Princess to find courage to deliver an address - what becomes the *A day that shall live in infamy* address to the joint houses of Congress - I almost puked. The rest was pretty much the same thing. FDR turns out to be a lover who finds strength and inspiration in an initially timid Norwegian princess. It's sort of like bad old-fashioned Disney applied to World War II history. Bad imitation old-fashioned Disney.
So much of this story is genuinely interesting, especially to an American audience that most likely is not aware of Norway's history during WW II. Or knowledgeable about the friendship that developed between the Crown Princess and FDR. The sets and locations are great (except the production team seems to think it snows a lot in WDC, which it doesn't), the costumes have been done well and, as I mentioned in the title, the acting is superb. However, if someone were to watch this and not know much US history they would think all FDR needed to run the country was one advisor, one girlfriend, his wife and the Princess who got together at cocktail hour for a laugh. The way he is depicted borders on the ridiculous (and I'm not referring to his roving eye). Our country was in the middle of a depression and, eventually, at war and all we see FDR do is eat, drink and be merry as if he had no responsibilities or a care in the world. I've just finished E.6 and we've seen FDR in exactly one Cabinet meeting (that lasted a nano-second). I think the moment that really strained credulity was FDR being driven 30 minutes out of WDC to see the Princess on the evening of Dec. 7, 1941. Really?! The US is attacked by the Japanese that day and FDR is having drinks with his lady friend instead of being in a cabinet meeting?! I realize the focus of this limited series is more human than political (although we're seeing an awful lot of political meetings in Norway and London) but the 'lighter' side of FDR should have been balanced with at least some gravitas. He didn't win four elections because he knew how to flirt and drink Scotch. Where are the producers at Masterpiece?! Am I the only one seeing how this one-dimensional depiction of our wartime President diminishes the whole series.
Did you know
- TriviaThis marks the third role Tobias Santelmann plays which has received The War Cross. The other two are Knut Haugland, "Kon Tiki" (2012), and Joachim Rønneberg, "The Heavy Water War" (2015).
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- Перетинаючи Атлантику
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