Ave Maryam

This movie is soooo good, top notch cinematography and performaces by Maudy as Maryam. Have a lot memorable scene like "the cafe", "spiegel", "beach", "stairway". I love the musicand the mood. I love the set so much too, i never knew Semarang can so romantic. This movie is beauty. Just go watch it.

The cinematography is good. But, i find a minus on this movie. The plot story is too simple, then unconsistence scene. Ave Maryam is win in cinematography and camera take. The acting is totallity.

This Film is so beautiful with excellent cinematography. The movie is not a religious film (like I thought before) but a love story, a forbidden one, a story of lust and guilt. Sometimes love can be complicated but stil it is Beautiful. The performaces of Maudy as Maryam is awesome. She is "the star" of the Movie😊 and I love the set.. Especially when Pastor Josef have his orchestra playing at Lawang Sewu Semarang. Beautiful..❤

While much of the hype around Ave Maryam talk about forbidden love between father and nun, within the 73 minutes of runtime, I found myself something higher than the acting and the screenplay. It's the power of visual and cinematography that able to speak louder than its dialogues.

The premise of the movie is quite simple. Sister Maryam who lives in a nursing home for old nuns as a caretaker must choose between her vow or love when she meets father Yosef, who shares the same feeling.

This movie's power relies on its cinematography that heavily utilize long shots, which capable of depicting Sister Maryam's feelings, her introverted self, about the rigidity, loneliness, and emptiness that fills the nursing home, to the audience. This narration is highly useful to replace Sister Maryam's words. Like a moving picture, most of the scenes play as a daily event but the shots able to be translated as our titular character's perception.

Another strong point in this movie is how tame the climax that goes with the slow and steady flow of the whole film. The climax isn't full of tears and music to usher the emotion, but the little or no music in the scenes along with few handheld scenes, able to convey how intense the situation is. I love how the director takes this direction, it's not everyone's cup of tea, but for me, it's a direction that this movie has to take to grasp its full potential.

While the story adds few interesting elements (like living in harmony with other religion, old nun's "jealousy"), the cinematography still unable to explain the resolution from the characters. My next question is the lack of authority that usually becomes the major antagonist in movies with a similar theme aren't shown clearly. Lastly, lots of episodes of multiple "philosophical" dialogues, were thrown awkwardly and make the scenes seem unnatural.

To sum it up, drama movies aren't new in Indonesia and how to seek audiences' tears aren't that new attempt. However, a drama that used multiple technical aspects in clever way to told a perspective and a story, gives Ave Maryam more than just a forbidden love tale people love to know. It's a living proof of a proverb that a picture is worth a thousand words.

Cutting off Maryam's background really affects the perception of her character dynamics and leaves some pieces missing, primarily since they intended to show her inner struggles at the monastery. While perhaps the crew wanted to have subtlety as the main element of this film within the performance, the cinematography, and the dialogues, it unfortunately resulted in a lack of cohesion. The main attractiveness that pulls Maryam and Yosef is practically non-existent, some of the scenes contained rather pretentious lines than reflections of the wisdom from the bible, and the emotions only peaked in the third act after the slow-paced first and second acts filled with misinterpretation of "ascetic" with stale. On a lighter note, I hope this film will bring more ideas amongst Indonesian filmmakers, that religion outside the majority religion as well as cities outside Jakarta and Bali, can be equally beautiful on screen.