A fantasy retelling of the medieval story of Sir Gawain and the Green Knight.A fantasy retelling of the medieval story of Sir Gawain and the Green Knight.A fantasy retelling of the medieval story of Sir Gawain and the Green Knight.
- Awards
- 22 wins & 123 nominations total
Anaïs Rizzo
- Helen
- (as Anais Rizzo)
Tara Mae
- Middle Sister
- (as Tara McDonagh)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Before I viewed this movie I was aware of the polarized reviews and ratings, some think it is great while others consider it a complete miss. So I was curious.
It is a lesser-known story on the fringes of King Arthur and the Knights of the Round Table. Sir Gawain (they pronounce it 'GAW-in') is the King's nephew, it is Christmas, and a mysterious Green Knight shows up, inviting a challenge. None of the Knights step up but Gawain does.
Then a year later, on Christmas, he must travel 'six days north' to meet up with the Green Knight again, to settle the score.
My wife and I viewed it at home on BluRay from our public library. At just over two hours it was a fantastical, mystical movie. It has very accomplished actors who play their roles well. The locations (shot in Ireland) and cinematography are excellent all the way through. The sound track is really great. That's all the good stuff.
The not-so-good is that the story is very obscure much of the time. Things happened (like, what was up with the blindfolded woman who never spoke?) that cannot easily be interpreted as part of the story. So what we end up with is a pretty good viewing experience that leaves you figuratively scratching your head and wondering, "What was that all about?"
I am glad I watched it, I doubt that I will ever want to watch it again. The "making of" extra on the disc contains lots of discussion for those wanting to dig deeper into it. I viewed some of it. The cast and filmmakers clearly had a good time making it.
It is a lesser-known story on the fringes of King Arthur and the Knights of the Round Table. Sir Gawain (they pronounce it 'GAW-in') is the King's nephew, it is Christmas, and a mysterious Green Knight shows up, inviting a challenge. None of the Knights step up but Gawain does.
Then a year later, on Christmas, he must travel 'six days north' to meet up with the Green Knight again, to settle the score.
My wife and I viewed it at home on BluRay from our public library. At just over two hours it was a fantastical, mystical movie. It has very accomplished actors who play their roles well. The locations (shot in Ireland) and cinematography are excellent all the way through. The sound track is really great. That's all the good stuff.
The not-so-good is that the story is very obscure much of the time. Things happened (like, what was up with the blindfolded woman who never spoke?) that cannot easily be interpreted as part of the story. So what we end up with is a pretty good viewing experience that leaves you figuratively scratching your head and wondering, "What was that all about?"
I am glad I watched it, I doubt that I will ever want to watch it again. The "making of" extra on the disc contains lots of discussion for those wanting to dig deeper into it. I viewed some of it. The cast and filmmakers clearly had a good time making it.
I really wanted to like this film, but other than the obvious care towards its execution, everything else is basically slow, pretentious, referencing stuff important to the writer/director and metaphorical. This is one of those movies that you have to research after watching it, trying to understand what it wanted to say. In short: a boy's rite of passage to becoming a man by facing his own death... stretched to more than two hours.
It certainly helps to know the 14th century poem the film is based on, its various interpretations and associated folklore, including the French versions. Not ready to do that? Well, you're out of luck! Because the film is purposely vague, explaining nothing, making no sense and adding stuff from poems from the same era as filler. In short: Gawain was this noble and kind knight, unless you read the French versions where he was a total dick or the later rewrites which feature Lancelot as the top good guy.
The film is slow, methodical, making you want to watch it at 1.5x speed, only you can't because you need to see every detail and divine its meaning. For example: King Arthur's coat has these little metal badges on it, which are references to previous projects of the writer/director and of other people in the team. What? You didn't get that while Arthur is walking around in a dark room and scenes are interspersed with scenes of Morgana Le Fay doing pagan magic? Well, I can't understand how, because the writer/director spent more than a year perfecting the scene until it was just right! And yes, I am sarcastic.
The only reason why I rated this so high is because the sets were nice and the actors did great work. However, this is one of those obscure works that carry meaning only to the creator and can't possibly bring any joy at the first viewing. Do I care about old British folk lore and how the writer/director wanted to tell the story so I would research all of this and then rewatch the film so I can revel in the details? Hell, no!
It certainly helps to know the 14th century poem the film is based on, its various interpretations and associated folklore, including the French versions. Not ready to do that? Well, you're out of luck! Because the film is purposely vague, explaining nothing, making no sense and adding stuff from poems from the same era as filler. In short: Gawain was this noble and kind knight, unless you read the French versions where he was a total dick or the later rewrites which feature Lancelot as the top good guy.
The film is slow, methodical, making you want to watch it at 1.5x speed, only you can't because you need to see every detail and divine its meaning. For example: King Arthur's coat has these little metal badges on it, which are references to previous projects of the writer/director and of other people in the team. What? You didn't get that while Arthur is walking around in a dark room and scenes are interspersed with scenes of Morgana Le Fay doing pagan magic? Well, I can't understand how, because the writer/director spent more than a year perfecting the scene until it was just right! And yes, I am sarcastic.
The only reason why I rated this so high is because the sets were nice and the actors did great work. However, this is one of those obscure works that carry meaning only to the creator and can't possibly bring any joy at the first viewing. Do I care about old British folk lore and how the writer/director wanted to tell the story so I would research all of this and then rewatch the film so I can revel in the details? Hell, no!
It's a good film, but modern filmmakers seem a little too obsessed with deconstructing characters and de-romanticising the hero's journey, and it's starting to become a cliche that is overplayed and almost insulting to the audience. The filmmakers seem to think that by making all the protagonists anti-heroes who are not as heroic as we think that it's intelligent storytelling, but it really isn't.
I find myself regularly asking, "Where have all the good guys gone?" and "why isn't there romance in films anymore?"
Is it a little too much to ask for a righteous protagonist and a little love in films?
The modern landscape of cynical filmmaking that creates nihilistic stories has become very tedious.
I find myself regularly asking, "Where have all the good guys gone?" and "why isn't there romance in films anymore?"
Is it a little too much to ask for a righteous protagonist and a little love in films?
The modern landscape of cynical filmmaking that creates nihilistic stories has become very tedious.
I thought the story was slow and confusing. I didn't understand what happened in the film at all.
Did you know
- TriviaEssel (Alicia Vikander) wears bells on her shroud because during the Middle Ages, it was common for people who were considered unclean, such as prostitutes, to be forced to wear bells on their clothing to warn others of their presence. She has her hair cropped for the same reason; in medieval London and many other places, prostitutes had their hair cut short as a public humiliation and punishment.
- GoofsThe woods that Sir Gawain goes through are clearly modern plantations of Sitka spruce (a tree that did not reach Britain until the 19th century), all planted at equal distances apart and all grown to the same size; they look nothing like the old-growth deciduous forests that would have been in medieval Britain.
- Crazy creditsThere is a short scene at the very end of the credits.
- ConnectionsFeatured in La 93e cérémonie des Oscars (2021)
- How long is The Green Knight?Powered by Alexa
Details
- Release date
- Countries of origin
- Official sites
- Languages
- Also known as
- La Leyenda Del Caballero Verde
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $15,000,000 (estimated)
- Gross US & Canada
- $17,173,321
- Opening weekend US & Canada
- $6,790,917
- Aug 1, 2021
- Gross worldwide
- $18,887,953
- Runtime2 hours 10 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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