First Cow

The film's visual style is impressive but it's story and pacing is what really drags this film down for me. The cinematography is the one aspect I found to be excellent. The framing is on point and impressive and it adds a lot to the film's style. The production design and costumes are also really good here too. These characters look and feel as if they in the 1820s. The performances are also great too. Each character feels believable and works to help tell the story of the film. Although I like all that, the pacing is not very good. It feels incredibly long and tedious without any real majorly satisfying payoff. It's a 2 hour movie that feels like it goes on for 2 and a half hours. If they had cut down some of the scenes, this issue wouldn't be as major as it is. There were some elements of the story I enjoyed and some I found to be pointless. If you like A24 then check it out but don't have your hopes incredibly high for it.

Thanks to constant mental stimulation due to social media, cell phones, and online content always being available, the majority of people now have an extremely short attention span. If that sounds like you, then don't watch this.

I personally consider myself to be a very patient person, and if you are willing to just be patient and actively appreciate the film you will find this film to be a rich cinematic treat. The cinematography is exquisite, meticulously framed in a 1.33:1 aspect ratio. The performances are extremely watchable - these characters could easily have been rather dull or boring but the brilliant actors elevate them to near-mythological status. The plot, while cliched, is supported so well by the aforementioned elements that it feels like a completely new experience to the other films that have similar plots.

If you only watch films for a quick dopamine hit, this is not the film for you. In order to get anything out of this film, you must put in some of your own thought. Under the surface, the film is rich with ideas about capitalism, the American Dream, and especially male friendship. It's left up to the viewer to interpret the work for themselves, which is what I appreciate most about Kelly Reichardt - she doesn't try to force a message down your throat, she just lets you interpret her films however you want to. But you need to be patient if you want to get a good experience, which many people, especially on this website, don't quite seem to understand.

A positive surprise. At first the film feels that it doesnt know where it goes and shows a VERY detailed introduction of its two protagonists. But detail is the key word for this newest feature by Kelly Reichardt. The visuals are extremely detailed and so are the characters in general. We get a lot of information just by watching them in their daily lives and slowly the plot thickens and has some unexpected turns. Kelly Reichardt really did a fantastic job telling that story. She proves a fantastic eye for visuality, showing off some fantastic nature shots that really add a lot to the atmosphere of the film. She did everything right with this film, although she might once in a while loses herself a little bit too much in her details. The actors were wisely chosen and the leading roles filled with rather unknown actors who are usually in secondary roles. First of all there is John Magaro who is very subtle and effective. The better performance came from Orion Lee who is extremely charismatic and does a lot with the role given to him. I think he might have a very interesting future. I loved how he handled that role and gave it many different facettes. There is a good supporting performance by Toby Jones who does wonders with his rather one dimensional character. Ewen Bremner is a bit wasted, but not as much as Lily Gladstone which was insulting. Gladstone was brilliant in Reichardt's previous film, and ended up in my Top 5 Supporting Actresses so I was shocked how misused she was in this film. But thats just one of the very few flaws the film that. Another very positive note goes to the score, which is fantastic and as mentioned before the cinematography. Give it a try and try to read as less as possible about it so you have the chance to perfectly soak into it.

Not to put too fine a point on it, but Director Kelly Reichardt doesn't do plot driven movies. Still, FIRST COW is a feature where one has to be observant from the very first shot to the final one.

Reichardt's method of expression is to create a setting and fully immerse the viewer in it. Even though it's based on a novel by Jonathan Raymond (who also co-wrote the screenplay with the Director), FIRST COW isn't concerned with telling a tight knit tale, indeed the characters themselves seem to be exploring and creating their own "plot". They're own history. It's 1820s Oregon and two drifters, Cookie (John Magaro) and King-Lu (Orion Lee) end up in a small town with little at their disposal but some vague hope to keep on moving until they find themselves. The title animal comes to town and the pair find some short-term opportunity to use it's precious milk. Toby Jones is the owner of the Cow - and the richest man in the hamlet.

As is Reichardt's manner, the pacing is deliberate, her camera mostly steady (the movie is framed in the old fashioned 1:37 ratio) and the editing stately. She seems averse to making even the most intense situation palpable to the audience (her previous film, CERTAIN WOMEN, probably had cinema's least dramatic hostage sequences). Reichardt depicts the situation, and the viewer must create their own drama. It doesn't always work (WENDY AND LUCY), but, here as in OLD JOY, there is a vividness in the depiction that makes it worthwhile, if still not entirely satisfying.

Reichardt is an interesting talent and FIRST COW is an immersive dive into the old frontier (there is talk of going south towards the promised land of California and its emerging cities) even if it never quite strikes deep enough.

For those viewers who believe the pace of the film is "slow", yes, there are no car chases. Instead, this film has a depth of character and original development that creates a mood so beautifully of the time and place. It is refreshing to have a plot that keeps the viewer's interest throughout. When the majority of movie offerings out there are pure trash, this film is a real treat.