Boules de feu: depuis la nuit des temps
Original title: Fireball: Visitors from Darker Worlds
- 2020
- Tout public
- 1h 37m
IMDb RATING
6.9/10
4K
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A documentary from Werner Herzog about meteors and comets and their influence on ancient religions and other cultural and physical impacts they've had on Earth.A documentary from Werner Herzog about meteors and comets and their influence on ancient religions and other cultural and physical impacts they've had on Earth.A documentary from Werner Herzog about meteors and comets and their influence on ancient religions and other cultural and physical impacts they've had on Earth.
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- 2 nominations total
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Another documentary on Apple TV, shamefully this is the first Werner Herzog documentary that I've seen. If they're all as enjoyable as this one, I'll start hunting down a few more.
The Documentary sees Herzog and his scientific collaborator Clive Oppenheimer travel the world looking at the impact, physically, culturally and spiritually, that Meteors and Comets have had on the Earth. From scientific studies, both low and high tech, to the effect that Meteors have had on the storytelling of remote Pacific tribes, they explore with a sense of wonder and with Herzog's deadpan delivery of the voiceovers.
As Documentaries go, "Fireball" takes rather a scattershot approach to investigating all the ways that Meteorites and Asteroids have affected our planet, it's never less than beautiful though - as our heroes circumnavigate the globe meeting scientists, theologians and tribesman to hear stories, theories and facts about the subject. We see a wide range of vistas and landscapes all wonderfully caught on camera and occasionally with the excellent use of a drone.
A little of the documentaries style takes some getting used to. Herzog likes to hold uncomfortably long shots on the interview subjects, whilst he explains in voice over who they are and why they went to see them. Oppenheimer actually conducts most of the interviews, in a light chatty fashion which I think helps to put a few of the more awkward subjects at ease, there's also a lovely moment towards the end when he finds a large Meteorite in the polar icecaps. Herzog's Bavarian brogue takes a little getting used to, but once I was, I really loved it and he's really very funny, with odd little asides and descriptions of the action that genuinely made me laugh out loud a few times.
It's not quite as deep in some areas as I might have liked, but it's as enthusiastic and enamoured with its subject as any documentary I've seen in a long time.
The Documentary sees Herzog and his scientific collaborator Clive Oppenheimer travel the world looking at the impact, physically, culturally and spiritually, that Meteors and Comets have had on the Earth. From scientific studies, both low and high tech, to the effect that Meteors have had on the storytelling of remote Pacific tribes, they explore with a sense of wonder and with Herzog's deadpan delivery of the voiceovers.
As Documentaries go, "Fireball" takes rather a scattershot approach to investigating all the ways that Meteorites and Asteroids have affected our planet, it's never less than beautiful though - as our heroes circumnavigate the globe meeting scientists, theologians and tribesman to hear stories, theories and facts about the subject. We see a wide range of vistas and landscapes all wonderfully caught on camera and occasionally with the excellent use of a drone.
A little of the documentaries style takes some getting used to. Herzog likes to hold uncomfortably long shots on the interview subjects, whilst he explains in voice over who they are and why they went to see them. Oppenheimer actually conducts most of the interviews, in a light chatty fashion which I think helps to put a few of the more awkward subjects at ease, there's also a lovely moment towards the end when he finds a large Meteorite in the polar icecaps. Herzog's Bavarian brogue takes a little getting used to, but once I was, I really loved it and he's really very funny, with odd little asides and descriptions of the action that genuinely made me laugh out loud a few times.
It's not quite as deep in some areas as I might have liked, but it's as enthusiastic and enamoured with its subject as any documentary I've seen in a long time.
When you watch a documentary by Werner Herzog, what you get isn't just your traditional well narrated documentary. It's a journey. A journey through the world and through different cultures with a specific theme. This time, this specific theme are Meteors and it's origins. Werner Herzog behind the camera and also serving as the narrator, he again comes with support, and like with "Into the Inferno " (2016) this support is the charismatic Volcanologist Clive Oppenheimer.
Calling "Fireball" a traditional documentary isn't the right term. It's a mesmerizing mixture containing the power of science, spectacular pitctures and music. Combined with Herzogs relaxing voice, this documentary works more like a lucid dream than a simple documentary about Meteors. If you watched Into the Inferno on Netflix, you kinda know what to expect. Into the Inferno is also brillant and I cannot recommend it enough. If you have watched Fireball on Apple TV before and now wanna dig deeper into this Arthouse-Documentary style, go for it.
If you plan to watch Inferno, relax, enjoy it with a good Whisky or Whine and let it absorb you. In my opinion, only Werner Herzog is capable of grabbing the viewer in such a way.
Calling "Fireball" a traditional documentary isn't the right term. It's a mesmerizing mixture containing the power of science, spectacular pitctures and music. Combined with Herzogs relaxing voice, this documentary works more like a lucid dream than a simple documentary about Meteors. If you watched Into the Inferno on Netflix, you kinda know what to expect. Into the Inferno is also brillant and I cannot recommend it enough. If you have watched Fireball on Apple TV before and now wanna dig deeper into this Arthouse-Documentary style, go for it.
If you plan to watch Inferno, relax, enjoy it with a good Whisky or Whine and let it absorb you. In my opinion, only Werner Herzog is capable of grabbing the viewer in such a way.
Definitely not as juicy as some of Werner Herzog's other documentaries. Maybe it was the effect Oppenheimer had on the interviewees; maybe he couldn't get as much out of them as Herzog might have. The subject matter is infinitely intriguing but Fireball just didn't get out of 3rd gear.
As a long-time admirer of Herzog, I wouldn't describe myself as free from bias. I approached this documentary with caution, given my recent experiences with some of his latest work (Family Romance Inc, et al). Without ruining your experience, there is one thing I could say about this documentary: it transmits the passion and drive of Herzog's golden days. Many of the clichés are still there (the soundtrack, for instance), but in a good way. Herzog meets an old friend and together they explore a fascinating topic: meteorites. In the long, silent shots of human faces, the Herzog magic of old re-emerges. As in the old days, Fireball is ultimately a human look no other director could provide. It doesn't have the slow pace of ol'; Herzog's interaction with Hollywood probably has a lot to do with that. But in the end, Fireball deserves to be seen. It is an intimate and colourful exploration of us and the rocks and dust that makes us.
Just a rambling montage of bits of information that never seem to have a distinct direction or point. Random. Really disappointing. Was expecting so much more. A solid through line with a cohesive vision, but no, not what this is. It's a mess of a documentary by one of the most renowned documentarians of all time. Sad.
Did you know
- TriviaWill mark the third collaboration between Werner Herzog and Clive Oppenheimer after Au fin fond de la fournaise (2016) and Rencontres au bout du monde (2007).
- ConnectionsFeatures Deep Impact (1998)
- How long is Fireball: Visitors from Darker Worlds?Powered by Alexa
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- Release date
- Country of origin
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- Also known as
- Fireball: Visitors from Darker Worlds
- Filming locations
- Mecca, Saudi Arabia(Kaaba Black Stone)
- Production companies
- See more company credits at IMDbPro
- Runtime1 hour 37 minutes
- Color
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