La belle époque

La Belle Époque poses the interesting question of which moment of your life you'd want to relive (if any). Victor Drumond (Daniel Auteuil), an aging cartoonist with a failing marriage with his wife Marianne (the elegant Fanny Ardant), definitely has one.. one where he first met the love of his life (Marianne, of course!). When Victor gets chucked out of their apartment one night by Marianne, he decides to make use of the voucher offered by his son to "return to his glorious '70s". This is made possible by Antoine (a childhood friend of his son's), who along with a bunch of sophisticated actors and authentic aesthetics (akin to elaborately done film sets), offers a service to let people relive their happiest moment(s).

Antoine (Canet) is going through a relationship struggle with Margot (a tough-to-take-eyes-off Doria Tillier), one of his actresses. When Margot is cast to play the role of Marianne in Victor's moment re-enactment (set in a cafe in Lyon, 1974), things slowly spiral out of control. Victor can't help but fall in love with this beautiful, trailblazing lady (who improvises her lines and situations) for real. In her, he sees traits of his wife, but with unique texturing of her own. As days progress, Victor finds that he's able to draw (i.e. create art) again.

Nicolas Bedos strongly projects how art is one of the few things that can stand the test of time - sometimes, even love tends to take a backseat. He also leaves a heartwarming message (for everyone who's been in love at some point) in the form of the climax scene. It's a nostalgia-filled ride too, into an imagined version of the 70s. Victor casually comments on the times when people used to smoke like they owned chimney lungs and notice other people passing by instead of staring into phone screens (like we do now!).

Plenty of sharp, cleverly written humor is also present for discerning viewers. Bedos can feel proud of the fact that he didn't overly sentimentalize the proceedings or overuse his unique rom-com concept. The writing here for each of the lead characters is solid and very Kaufman-esque in its world-building. I, for one, would love to visit Utopia as many times as possible. Also, I feel uber tempted to check out Doria Tillier's other works ASAP!

I really enjoyed watching this movie. It's fresh and keeps the viewers well connected with the characters. Exceptional acting. It makes the viewer appreciate the true power of performing a movie within a movie. A clever script, in my oppinion, with a blend of old and new to match. For me, though, it would've been even more gripping if the reenactment had taken place at Marianne's request, rather than Victor's choice. That way, he could've been unaware of everything going on behind the scene, so they can relive their happiest moments, as an attempt to save their marriage. Too cliche? Maybe. Anyway, that's just a thought. I like it all the same.

I'd thought of writing a long, involved review of this one, concentrating on the plot antecedents, but what's the use? It's so much fun watching this comedy with dramatic touches that my critical sense is forgotten. Daniel Auteuil is splendid as Victor, and he makes the comic transitions from scene to scene very well. Fanny Ardant changes from sourly critical to warmly emotional as needed--haven't seen her as good at comedy since 8 Women. That's all; I hope to see it again on video.

I adored this romantic and retrò movie! I think that many people can recognize themselves in the situation of the protagonists, especially couples who have been married for a long time. Through the past that comes back and becomes true, they find a new light in their life and love. The idea to create a set in which anyone could experience the era that he most likes is brilliant and I would be the first client if this would be really possible. The idea is smart and original. Many intense moments bring with them some tears, but also laughs and passion. It is definitely a movie to watch!

Aging Victor is down on his luck: he's unemployed and he has been kicked out of his own home as his wife has left him for his former boss, the man who fired him. Then he is offered a chance to recreate a moment in time and he chooses the moment in 1974 when he and his wife first met.

An interesting, entertaining and emotional film. Great in its application of nostalgia and our desires to relive our fondest moments. The central plot is quite basic and ends fairly predictably, though emotionally. However, some of the sub-plots are quite interesting, especially the Antoine-Margot-Victor relationship. There's also some very funny moments: the assistant director gets some great scenes and one-liners.

Not always engaging though. The plot does seem unfocused at times and some scenes and sub-plots go nowhere.

Can't fault the casting: the big names, Daniel Auteuil and Fanny Ardant, are great and nobody puts a foot wrong. Doria Tillier, as Margot, steals the show though.