A Working Man

If it says Statham on the outside, it's Statham inside. Minor inconsistencies are acceptable. It's always a joy to see him fire about 200 bullets from a 20-round magazine. And of course, he's invulnerable. I almost forgot. 😉. Very much in vogue: a young, smart and powerful woman who was placed at his side so that the male audience wouldn't fall asleep.

The only thing missing was for him to catch the flying bullets with his teeth. So, for a possible second part, one could add more. For the faint-hearted, the film exudes a fair amount of cultural pessimism. The theme of "I scare you, and then I'm the hero who saves you" is inherent in American films. As such, the plot is rather one-dimensional and not for people who prefer a more complex way of thinking. Nevertheless, we felt thoroughly entertained at the end of the film and deeply impressed by the many close-ups of Statham's heroic face.

I have a particular set of skills and sitting through this movie is not one of them. This movie tried so hard to emulate others of a genre, the classic revenge flick.... but fails miserabl. I didn't find myself attached to any character or empathetic, sympathetic, or even just rooting for anyone at any given moment including the star of the movie. The pacing is too slow. The action is almost comical. I'm guessing it was meant to be that way, but unlike DC movies that pull it off this was just laughable... I was so disinterested that even by the climactic end it was just going through the paces to see who lives and who dies. Hollywood forgets that great writing makes great movies.... and the writing for this was juvenile, not creative and simply not entertaining... I had higher hopes for something written by and produced by Sylvester Stallone, who knows action movies.

Original, exciting and intelligent! You've never seen Jason Statham in a movie like this before... is something I won't be saying about 'A Working Man' or probably any future Statham movie. You can easily fill in the all too familiar blanks. Jason is an ex____ who has put those days behind him. Now he must return to his old ways and rescue _____ while kicking the bad guys asses along the way.

The first act bolts out of the gate at a rapid pace, so fast in fact, I thought I was watching the trailer.

A lot of the dialogue was inaudible, maybe because of the British people doing bad American or Russian accents. Which would explain why most of the film was trying to pass off England as Chicago.

I was never sure if it was being played for laughs, with sudden dramatic head turns and theatrical musical stings. Making it all feel a bit camp - especially when the villains are dressed as vampires or like they've fallen into a lost property box.

Thanks to co-screenwriter Sylvester Stallone, you're pummelled with cliche after cliche, desperately trying to emulate the classic action movies of the 80's but missing the target by a mile. The unintentionally funny scenes do deliver some laugh out loud moments which make the experience more bearable. I wasn't expecting much, but I was expecting to be more entertained than I was.

So, If you enjoy Statham being Statham and aren't in the mood for something new, then by all means, knock yourself out and give this a go.

• Nick

@WatchItWombat.

Jason Statham plays the same character that he does in every other one of his movies, of course, but A Working Man is more of a Steven Seagal-like straight-to-video effort, i.e. An extra dumb plot, big plot holes, cartoonish characters, over-the-top acting, and of course Statham has to say things like "I don't want any trouble" before beating the crap out of everyone. I could probably write a book about all the dumb things that are said in this movie, but I'll just give one: When a mother's daughter is kidnapped by a Russian crime mob, the police tell her "they don't pursue these cases." Ok well, I guess vigilante justice is our only option then.

For full disclosure, this was the third film I watched at the cinema and having already sat through "A Minecraft Movie" I was flagging. A film this perfunctory and pedestrian was not what I was hoping for.

Levon Cade (Jason Statham) is an ex-Royal Marines commando, now working construction for the Garcia family. When their daughter, Jenny (Arianna Rivas) is kidnapped from a bar, Cade decides to rescue her. His quest takes him from low level drug dealers, all the way up to Russian mafia bosses, as he kills his way closer to his goal.

The problem is, whilst there's nothing particularly wrong with "A Working Man" there's also nothing particularly good, or perhaps better said, nothing particularly interesting about the film either. It feels like it's made on autopilot with a staid 'kill your way to the top' storyline and mostly rote characters. I say mostly because, as you might imagine, David Harbour is capable of making something relatively interesting out of a supporting role as a blind solder, who served with Cade, and helps him on his mission.

I wasn't surprised to see that the film was made in the UK. Jason Flemyng is particularly unconvincing and massively underused as a Russian mobster, you have Emmett Scanlan is a fairly major role and there is a key turn for British TV stalwart Kenneth Collard. Perhaps the most depressing aspect of the film is that David Ayer now seems to have settled into a rut of mid-price, mid-ambition, mid-quality action films.

Again, doesn't do anything notably bad - but less than 24 hours later and I can already barely remember it.