Effigy: Poison and the City

In this gripping real-life narrative, two formidable women deliver compelling performances at the forefront.

The tale's authenticity lends credence to its chilling plot: in Bremen, a seemingly meek yet cunning woman, responsible for poisoning about 15 individuals over several years, truly existed. I viewed this film in a German cinema near Bremen, where locals are familiar with this historical incident.

The movie portrays the murderer as jealous of her adversary, Cato Böhmer, a young law clerk, reflecting on her motivations and psychological state, yet her actions largely remain enigmatic, leaving the audience with lingering questions. Why did she commit multiple murders while maintaining a facade of compassion?

The film stands out for its clear, enjoyable dialogue, a refreshing change from many modern movies that often use mumbled lines or drown conversations with loud music or background noise.

The original score, masterfully executed by a 40-member orchestra, beautifully complements the film's mood.

Set around 1830, the plot intertwines with the technological and economic progress of the time, including railroad construction in Northern Germany and historical settings. An intriguing aspect is the depiction of a mechanical copying device, unfamiliar to me.

This film is a must-watch, not just for enthusiasts of historical narratives. I eagerly anticipate Udo Flohr's next creation and hope for the continued casting of such dynamic performers.

The film's foundation in a true story significantly and it really impacted my admiration for it. Kudos for adeptly and artistically presenting the narrative with a robust feminist perspective. The custom-composed film score, executed by a 40-piece orchestra, is masterfully crafted and seamlessly aligns with the overall film ambiance. While not adhering to a modest budget, this isn't your typical Hollywood production, demanding your focused engagement. However, the investment is undeniably rewarding, even for those who aren't typically drawn to historical dialogues. Encountering films like this isn't a frequent occurrence, so I'm genuinely pleased to have come across it. I'll definitely make a point to recommend it to my family and friends.

It's astonishing that I only discovered this film today. "Effigy: Poison and the City" revolves around two formidable women who deliver incredibly convincing performances at the heart of this true story.

If the character of the murderess and her plot had been fictional, it would have strained credibility; it would have felt excessively dramatic. What makes it unsettling is that this seemingly mild-mannered yet cunning woman, who poisoned approximately 15 people over several years before her capture, actually existed in Bremen.

In the movie, the murderer appears to covet the talents and social status of her adversary, the young law clerk Cato Böhmer. While there are a few plausible interpretations of the killer's motives and psychological makeup, for the most part, her actions remain shrouded in mystery. This leaves you with plenty to contemplate afterward. It's a genuinely thought-provoking and highly entertaining experience.

I liked it because is is a psychological thriller. My husband liked it because of the detailed historical accuracy in costumes and set! It gives you a lot to talk about, with several compelling subthemes (progress, women's rights, psychology, crime investigation). It is also a beautifully filmed movie, with a strangely quiet feel and gorgeous scenery. The tension is on many levels.

The fact that this movie draws its inspiration from actual events significantly enhanced my enjoyment and appreciation of it. The filmmakers deserve commendation for their ability to present a narrative that not only engages but also incorporates a strong feminist perspective, executed both artfully and convincingly. The performances were exceptional, particularly those of the actress portraying the female serial killer and her counterpart, the nemesis character. Their portrayals were both compelling and immersive, adding depth to the storyline.

Additionally, the music score of the film was a standout feature. It complemented the mood and tone of the movie beautifully, weaving seamlessly with the narrative to enhance the overall experience. On the other hand, the subplot, which aimed to enrich the film by providing political context, fell somewhat short for me. Although it was an interesting addition, I found it somewhat elusive and challenging to fully grasp as an average viewer. This aspect didn't diminish my overall enjoyment of the film but was a noticeable contrast to the otherwise engaging storytelling.

Looking forward, I am genuinely excited and eagerly anticipating more work from the director, Udo Flohr. His unique approach to storytelling and his ability to bring complex characters to life are truly commendable, and I am keen to see how his future projects unfold.