The Tunnel

It starts a little slow, but then something happens inside the tunnel. In the beginning the movie works well, but then the rescue begins. Orders are given from people in charge, but everybody is doing the excact opposite! I mean EVERYONE!!! Its just completely destroying the movie, because its so annoying. And the "hero" is way over the top.... One scene where he ends up crawling... Oh my god! Many many people dies in the tunnel...... But who cares? The people we follow only cares for themselves... Bringing a lot of people in great danger, and deaths, because they disobey orders. Its just stupid and annoying because the story is good.

This film had promise with the beautiful snowy Norwegian landscapes and claustrophobic tunnel setting but unfortunately it's just incredibly dull. Looks like Daylight will continue to reign supreme in the niche tunnel-based disaster genre.

After watching the recent, magnificent disaster movies Bølgen (2015) and Skjelvet (2018) I was expecting a lot more from this than what was given.

It is rather slow, has some poor dialogue and acting and does not attain the level of the previously mentioned disaster movies when it had the potential but too much was spent on character interaction and not enough on thrills and spills which is essential for a disaster movie!

In any incident it is critical that there be a clearly established chain of command and that that chain be respected and followed. This movie glorifies the opposite - a bunch on individual first responders who act like cowboys, free-lancing and disregarding orders and protocols. As an occasional first responder myself, the more I watched it the angrier I got. The type of individual actions glorified in this film would, in any well-run emergency unit, result in immediate suspension if not termination - or at least I hope they would.

Technically this is not badly done; lighting, pacing, acting, effects are all good value for the budget.

BUT honestly it feels like a movie put together by an AI... Take the formula for this sort of movie since at least the 70s (various disparate individuals in trouble, some family conflict, some stupid behavior, some heroic behavior) and just transplant it to Norway.

It's raised ever so slightly above the average by the scenes of how traffic control works from the inside, but there are far too few of these. I kept thinking of how someone like Aaron Sorensen (for all his predictability) could have made it so much better, with constant small speeches and explanations between the various characters saying things like "we do it this because in the fire at xyx in 2006 such and such and happened." It's adding in this background texture, not just plot but a feeling that you understand some of why the system works as it does, that makes a movie like this better than a thousand similar movies...