Saint Clare

A good movie with some decent performances. For once a movie on a theme like this without any nudity or gore.

I was worried that the movie will probably be ruined in the final act, but thankfully the director held her vision and the movie was a great watch to the end.

By the way, this is not a horror movie, unless you consider having a ghost should label it as a horror, that is!.

Worth your time, do watch.

This movie can't get out of it's own way. The story had some potential, but had so many glaring plot holes, it made very little sense.

Throw in some really wooden, uninspired performances, choppy dialogue, and lack of any relevant back story, and this film is a complete disaster.

On the bright side, Frank Whaley was solid. He was the only I can say that about.

Wow went in with the lowest expectations but was extremely happily surprised. Would definitely recommend watching. Felt like I was watching an A24 movie. The pacing is fantastic, character development of Clare is unforgettable and the imagery with incredible editing and sound will make the stand out scenes stay with you. It's a mystery and you never know where it's going next. The fight scenes are very Luc Besson Lucy meets Fifth Element with the telepathic powers of Unbreakable. Yeah some of the acting is a bit cheese but in an era where movies fail to keep my attention, it's amazing to see such a cinematic take on a girl kicking ass and serving justice!

For this genre Saint Clare is a watchable movie but it's not a movie you will remember in the future, not even a day later in my case. For that it's just not good enough in many aspects. The twists and turns that should make this movie better were weak, maybe not predictable but weak nonetheless. The acting from some actors of the cast could definitely be better. All in all it's worth a watch if you don't set the bar too high.

Mitzi Peirone's Saint Clare is the type of moody, atmospheric, not always coherent yet always fascinating fright flick we might have seen crop up in the 90's, an in the vein of Dean Koontz type ethereal-pulp good time at the horror movies that, sadly yet a bit understandably, has been getting some bad reviews. Bella Thorne is Clare, a young woman born with a sort of divine clairvoyance that allows her to keenly identify predators, serial killers and evil folks of the same rotten pedigree, and viciously dispatch them with some sort of spiritual impunity ordained just on her. She's like an angelic vigilante and has focused her energy on the small town she lives in where apparent human trafficking murderers have been operating freely for decades with little investigation by the local cops. The film tries this "darkly whimsical" energy that doesn't always flow, but is an interesting aesthetic choice and Thorne, who has seemed in the past incapable of a performance that registers beyond a placid stare and not able to annunciate her lines any other way than a stoned valley girl, is actually pretty engaging and seems to have taken some actual acting classes, I quite enjoyed her character work here. She's joined by some yesteryear familiar faces including a weirdly intense Rebecca DeMornay as her anxious stepmother, Ryan Phillippe as a useless police detective and scene stealing Frank Whaley as the ghost of a distraught mailman she once tried to help and accidentally killed, who now benignly haunts her offering kindly advice and moral support. It's in these narratively kitschy, lovably kooky moments that the film truly shines and displays something memorable. This is after all a pretty straightforward supernatural detective story given the otherworldly arthouse treatment by filmmaker Peirone and while some elements skirt the silly and terminally unfocused, Thorne's winning performance, her lovely oddball chemistry with Whaley and a positively gorgeous, super eerie musical score by Zola Jesus/Phillip Klein make this well worth a look.