Dachra

Horror films aren't expected to be highly rated, and this wasn't a bad effort in this genre. The one fault I would say is the character development. What little there is of it just made the characters seem like they don't really get along very well, but they are supposed to be close.

Also, as pointed out by many reviews, it's just lazy to have the characters in a horror film always make poor decisions, or be oblivious to danger.

If the characters would have been better developed, and seen as getting along very well along with some jovial insults, instead of constant annoying bickering, the twist at the end would have had more impact.

Witchcraft is a thing in Africa, and it is scary. Tunisia is in North Africa, so it means something different to them. In the West, this type of thing is usually portrayed as devil worship.

All the other aspects such as atmosphere and cinematography were very good. I'd watch this film maker's next effort, he has promise.

Excellent movie. Very tribal references very different from what we used to see In that sort of movies.

Wonderful movie.

The dark scenery and the general theme of this movie are just epic, pretty dark and uncomfortable. Visually immersive and captivating, the camera skills are something between video games movies style and solid original cinematography.

The plot is well written and have good twists, love it.

I highly recommend it, a unique Tunisian horror movie.

Dachra is unique in that it is the first Tunisian horror movie I've seen and particularly in the first couple of acts, that in itself is almost enough recommendation to see the film. It is rather intriguing watching this slow-building, creepy piece, whilst at the same time hearing lines of idiosyncratic dialogue such as "May the blessings of Allah be upon you." Director/writer/and just about everything else except popcorn vendor Abdelhamid Bouchnak, should be congratulated over this, his debut feature. The next best thing I can say about Dachra is that Bouchnak excels at building an atmosphere of eeriness concerning the story of a trio of journalism students, attempting to build a video news story assignment around a gruesome criminal case over 20 years old. Unfortunately in presenting his finished product, one finds that he hasn't been able to restrain himself from overindulging his borrowing of too many tried and tested horror tropes.

Visually, the film initially proves interesting, with Director of Photography: Hatem Nechi demonstrating he is more than prepared to adopt a variety of unusual angles to lens proceedings, using a very much desaturated black-and-white look to underline the stark, bleak nature of the story. But one does eventually tire of massive numbers of shots approached with Dutch angles, with quite a few seemingly deliberately out of focus. Towards the end of the film we even get the good old, nausea-inducing, spinning head in the kaleidoscopic panel, just for good measure. It's almost as if director Bouchnak was apologetic over not presenting a found-footage film and decided to dazzle us with visual tricks as the next best thing.

Character wise it's very much run of the mill. A trio of loud, almost obnoxious and therefore largely unsympathetic personalities who consistently make (really) dumb decisions and thus, unsurprisingly end up in a life and death situation in a rural village with the title name. I should add there is a very late, very contrived twist to somewhat explain their constantly, chaotic, unrealistic behaviour, but I just didn't buy it and it really didn't make a lot of sense. The central protagonist Yasmine transitions from attempting to be portrayed as a plucky, feisty heroine, to an annoyingly, blubbering, screeching damsel in distress, all in the space of a few seconds. And I still haven't worked out how her grandad, who has a tenuous connection to the main thread, knew she was in Dachra. I don't recall her, or anyone telling him.

Narratively, Dachra feels about 15 minutes too long. Stuff occurring in the village just seems to be repeated (literally) ad nauseam. One feels the conclusion is just dragged out too far and this, combined with the illogical actions of our three main characters, brings a frustrating end to proceedings, rather than a frighteningly good climax.

Still, even though I found Dachra ultimately unsatisfying, I would like to see some follow-up work from Abdelhamid Bouchnak. The guy definitely shows some promise. 5.5/10.

Given the review score, I went into this movie rather intrigued, but there are essentially no original ideas here. Every plot point and revelation is one you've seen before, and nearly every character is dumb to a point that not even the suspension of disbelief can justify it. The film's cinematography is noteworthy but brought down by the color grading and lack of budget for real sets. I did like the grandfather character, as each of his scenes were unique and striking compared to the rest of the by-the-numbers story beats and visuals.

And just to take up the last few characters to meet the review criteria, what kind of genius character would put their face near a pot of offal and hooves and expect any other smell beyond utter wretchedness?

Also, the number of perfect scores for this movie strikes me as very suspicious.