Greed

Greed is a fine film and nothing more. It is very inconsistent in quality but it is a seriously enjoyable biopic on Sir Richard McCreadie

This is one of those films which wouldn't have been as strong without its lead actor Steve Coogan. He honestly stole the show.

I feel like the film feels half baked, so it is quite noticable uneven at times in tone. The political aspect doesn't always go well the stylish comedic aspects. Although the latter works more well than the former.

I don't have anything wrong with the whole message these kind of films put out but they did it in such a dull way. The scenes preparing for the party and at the party are a lot more well done.

Overall it is pretty average and feels like this was wasted potential in in this. It's damn entertaining and a lot of fun at times but needs more substance in the political side of the film. It just feels tacky and the subplot with they refugees doesn't exactly work 100%

Yes Steve Coogan is in this film but people need to just stop assuming it's going to be a comedy. Read all the negative reviews and they all complain about this not being a comedy.

It's not supposed to be a comedy. It's a mockumentary holding a mirror up to society allowing the rich to dodge tax and hire almost slave labour to sustain their empires, with people happily buying slave made products.

I went into this film without knowing anything about it and was pleasantly surprised.

So ignore the people moaning that this isn't a comedy and just watch it for what it actually it.

The overall message of the film about the fashion industry and its cheap overseas workforce is interesting. But as a comedy it didn't work for me.

If you like Coogan you're better off rewatching some of his other films or the series with Rob Brydon.

And waiting until this hits the TV / streaming services.

On the Greek island of Mykonos, British billionaire and fashion retail extraordinaire Sir Richard McCreadie (Coogan, in a role loosely inspired by Sir Philip Green) prepares to celebrate his 60th birthday. While preparations for a wild extravaganza commence, McCreadie is surveyed by Nick (David Mitchell), who has been tasked with writing his biography; a project that will hopefully salvage McCreadie's soiled reputation. Winterbottom's odd comedy is a satirical effort that examines the inequality present throughout the fashion industry. While it is evident that Greed is a film with a clear message to convey, it is somewhat frustrating to see it handled in such a clumsy manner. Greed tackles a myriad of themes, including wealth inequality, the refuge crisis and the superficial nature of reality television. Scattered throughout Winterbottom's screenplay are a wide range of characters, but very few of them actually feel fully realized. Coogan's McCreadie (an all-round unlikable man) doesn't even feel like a leading character in his own film, though Coogan makes do with the material he's given. David Mitchell is a welcome presence, for sure, and his portrayal of Nick, a mild-mannered, good man observing an otherwise seedy world within which he doesn't belong, results in one of the only likable characters in the film. Much of the comedy falls flat (save for a few chuckle-worthy one liners here and there), and the climactic scene takes a bizarrely brutal turn that feels tonally out of place with the rest of the picture. Greed certainly has good intentions, but the screenplay could have done with a few extra revisions to ensure a more cohesive structure. Mitchell is the standout here, but everything else is largely forgettable.

It's a pity that this ends with a slide-show of factoids apparently intended to give the issues raised by the film a 'men vs women' or 'third world vs first' slant. Actually, what the all-too-true-to-life story is about is money vs no money: the fact that most of it is scooped up by a few arrogant, entitled, savvy people, and the rest of us - men as much as women, west as much as east - are at their mercy. Haven't we just recently seen the way our former public water utilities have been given the Philip Green treatment by unscrupulous capitalists, 'leveraged' for billions while our rivers are choked with sewage? And similarly, there's a moment of moral clarity about how the amoral 'Green' fails to recognise the moral freight of what he does - 'in his mind, all he does is offer a price' - but the same does not extend to some 'good guy' characters whose actions are simply indefensible.

There's a pinch of amusement here, and a peck of anger, but none of it will have any effect on the Philip Greens of this world. They are too stupid and arrogant to be hurt by satire and, whatever devastation they wreak on others, they somehow always come out on top. Realising that, you can only come away depressed.