When the Taliban puts a bounty on Hassan Fazili's head, he is forced to flee with his wife and two daughters. Capturing the journey, Fazili shows the dangers facing refugees seeking asylum a... Read allWhen the Taliban puts a bounty on Hassan Fazili's head, he is forced to flee with his wife and two daughters. Capturing the journey, Fazili shows the dangers facing refugees seeking asylum and the love shared between a family on the run.When the Taliban puts a bounty on Hassan Fazili's head, he is forced to flee with his wife and two daughters. Capturing the journey, Fazili shows the dangers facing refugees seeking asylum and the love shared between a family on the run.
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Around the world opinions about immigrants and illegal immigration are thrown around so casually by the common man. Those who have them coming into their countries despise them, mostly. This film gives you an inside view of the entire process. Such a beautiful film for more awareness about what it really takes sometimes, for immigrants to escape and what the leave behind. The kids and the life is beautiful esque relationship between the father daughters was the nicest part of the film for me.
Midnight traveler haunts me. It confronts me with the brutal reality of the suffering that is experienced by countless people fleeing from violence and chaos because of war. But that is only one side of the violence.
Ironically as the family fled to other nations's refugee camps, another form of rejection and violence erupted. The local people protested with violence against the refugees and it reveals the our human response of apathy and hostility towards the refugees. The director didn't have to plan this as the film simply captures the universal human problem of self-interest, tribalism and selfishness and it is reflected right back to ourselves.
Ironically as the family fled to other nations's refugee camps, another form of rejection and violence erupted. The local people protested with violence against the refugees and it reveals the our human response of apathy and hostility towards the refugees. The director didn't have to plan this as the film simply captures the universal human problem of self-interest, tribalism and selfishness and it is reflected right back to ourselves.
This is a good film.
Some strengths are: It gives a raw view into the difficult life of refugees by using real footage. It draws an interesting parallel between the innocence of the daughters and the knowledge of the parents. It manages to take footage shot completely on mobile phones and turn it into a coherent film. It effectively develops relatable characters who the audience can empathize with.
Some failures are: Sure, this movie is only 90 minutes long, but somehow the editor made it feel like 90 years long. I get that it is based on true events and real footage, but that's no excuse for boring editing. There's nothing wrong with making this a 65 minute film at the expense of empty scenes. The music is nauseating. Every scene ends with an obnoxious crescendo, leading to a jump cut into a new scene. Oddly enough, in a Q and A with the editor of this movie I attended, the editor herself said that the music and sound design were her favorite aspects of the movie. Yeah, the sound design is ok, but the music is trash. Nobody will be looking up the soundtrack and vibing to it. It's trash. The sound design is mediocre. Scenes that feel like they should be the same volume constantly shift volumes. The narration is forced, and it feels like propaganda which is a shame.
In all, it is worth seeing if you have nothing else to watch.
Some strengths are: It gives a raw view into the difficult life of refugees by using real footage. It draws an interesting parallel between the innocence of the daughters and the knowledge of the parents. It manages to take footage shot completely on mobile phones and turn it into a coherent film. It effectively develops relatable characters who the audience can empathize with.
Some failures are: Sure, this movie is only 90 minutes long, but somehow the editor made it feel like 90 years long. I get that it is based on true events and real footage, but that's no excuse for boring editing. There's nothing wrong with making this a 65 minute film at the expense of empty scenes. The music is nauseating. Every scene ends with an obnoxious crescendo, leading to a jump cut into a new scene. Oddly enough, in a Q and A with the editor of this movie I attended, the editor herself said that the music and sound design were her favorite aspects of the movie. Yeah, the sound design is ok, but the music is trash. Nobody will be looking up the soundtrack and vibing to it. It's trash. The sound design is mediocre. Scenes that feel like they should be the same volume constantly shift volumes. The narration is forced, and it feels like propaganda which is a shame.
In all, it is worth seeing if you have nothing else to watch.
Reminded me of the movie "Afghan Cycles" "The Taliban came with forced marriages, underage marriages, & honor killings; a girl could be killed just for riding a bicycle." I see the Taliban as playing our current president (USA), who seems not to support women's rights, and democratic foundations whether w/the Kurds or Afghans.
The Taliban pursue to kill an Afghan filmmaker, his wife & two daughters. This doc follows them as they drive, walk, hide and are detained for three years as they journey for freedom & safety in Europe.
Following the dual point of view from the filmmaker (- as a documentary director as well as a refugee), we, far from the war zone, are taken into a long journey named uncertainty, with the filmmaker's own family on the run towards EU. With its main characters full of love and determination, and regardless of the imbalance on the film's technical side, this docu-drama is simply so engaging not just because of the whole run/adventure being dramatic and suspenseful in nature, but because the filmmakers are deeply honest, reflective, and COURAGEOUS. A decent reminder to all of us --Life is hard, but let's be courageous!
Did you know
- TriviaShot using three different Samsung phones by director Hassan Fazili, his wife Fatima and their daughters Nargis and Zahra.
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- Also known as
- Midnight Traveller
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Box office
- Gross US & Canada
- $41,265
- Opening weekend US & Canada
- $3,549
- Sep 22, 2019
- Gross worldwide
- $50,336
- Runtime
- 1h 28m(88 min)
- Color
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