What/If

I found this series pretty gripping with lots of twists and turns. People are complaining that there are three plots going on, why is that such a problem? All the plots and characters intertwine and form part of the whole. I usually prefer horror and science fiction, but this kept me interested until the end. I noticed that people who are criticising this say they kept fast forwarding through the bits they didn't like. Maybe people don't have the patience to watch complex plots anymore. Ok, some of it is a bit unbelievable at times, but aren't most things on tv nowadays. I enjoyed it anyway, not saying it's the best thing on tv or anything, but it certainly kept me wanting to watch the next episode. I fail to see why some people disliked it so much. For me, it was a pretty decent thriller.

I wanted to like this but unfortunately I've wasted nearly 10 hours of my life. As someone else wrote, you feel like you're watching three different shows and none of them were worth watching. This show should have focused on the biotech story rather than branching off into tangents thinly held together by minor actors.

Think of all the amazing things you could do with 10 hours, and then do those things instead.

It's one of those so-bad it's... enjoyable shows. The way it's shot, the dialogue... it's all so cringeworthy. Some characters are followed for no reason at all, and they all feel shallow and unreal. Still, if you watch this as a parody of bad soap-opera like television, it could be a load of fun.

This started out promisingly enough but went straight downhill around the third episode. Being the masochist I am I watched the entire season, but it got worse and more preposterous as it unfolded.

The writing and acting are awful. Jane Levy, who I remember fondly as the daughter in Suburgatory, is simply dreadful in the lead. The others are all similarly awful. That includes Renee Zellweger.

The writers also wove in way too many subplots. This hot mess was all over the place.

Everyone looked good and the locations were nice, but overall this was a miss. I still give it five stars for effort. What was Netflix thinking?

When Zellweger's not on screen, What/If is a mostly empty, broad strokes neo-noir soap, frothy and forgettable. When she appears, it's still all of those things-- but dear lord, please pass the popcorn.