Soyuz spaseniya

It's a well-done film, perhaps better if shot as a TV mini-series. I didn't get enough time to connect to all the characters essential to the plot but I did most especially with Emperor Nikolai and Sergei. The movie assumes you already know the backstory of the Decembrist Revolt and doesn't go in-depth with the issues and ideologies it presents. Nevertheless, it is well-shot and directed with beautiful locations and uniforms. Just a step below the BBC mini-series War and Peace. That sort of treatment is what was needed here. The score also felt out of place with the heavy and emotional scenes. Still a recommended watch for Napoleonic buffs.

I purchased this as a blue ray when it first came out because I love this period, and it wasn't disappointing. The only problem was the subtitles were really bad, incomplete, and sometimes would just vanish.

There is now a new version of it on YouTube with really good subtitles and scenes that were not in the first release. It is way better because you can follow the story. It is a great movie, and way more than a 5 and it is not propaganda, it is inspirational, unless of course you are a Russophobe.

Ask yourself, when all the rest of the countries have descended into a total mishmash of anarchy and mixed and competing cultures and races, what country will still exist in its purity. Russia, it is already a 1,000-year-old country, discount and disrespect it at your peril.

The plot of the film takes place over several decades of the 19th century. Russian troops managed to fight back Napoleon and took over Paris. It was not an easy time, young officers believed they could change the whole world for the better. Idealists look into the eyes of the enemy courageously without fear. Who can achieve the desired and show the will and power if not they?

To begin with, they decided to put an end to injustice at home and decided to establish a constitutional monarchy. But despite all the ideals and faith in their truth, it was not easy to fulfill their plan.

Andrei Kravchuk's film "The Union of Salvation" is a large-scale historical study that describes some of the most difficult pages of the Russian Empire history. The revolt of the Decembrists had to show the emperor that the old rules and laws were no longer able to restrain the empire from collapse, and although the rebellion was suppressed, it became a special precedent that brought the country under global historical changes.

The story turned out to be stunning, with rich scenery, costumes, large-scale battle scenes. We can see what all the money was spent on, rather big amount of money. Nothing of the kind I have ever seen in Russian cinematography before. The film was made by people who definitely knew their job.

TO sum up: "The Union of Salvation" turned out to be a strong historical picture, in which real heroes of the past appear, capable of fighting against the system in order to raise the state from its knees. The film deserves attention.

Director Andrei Kravchuk has made so far such interesting films on historical subjects as "Admiral" and "Viking". Now he took up the Decembrist revolt in the film "Union of Salvation." Personally I think that in this impromptu trilogy, Kravchuk's latest work is the most powerful.

It tells us about young Russian officers who returned home after the war with Napoleon. Having managed to defeat such a dangerous enemy, our heroes decided to make their own country better. Now they need to change the existing monarchical order. Gradually, the plot fits the events on the Senate Square and it is worth seeing with your own eyes ...

Some of the scenes in the film scared me very much, others are admirable. And the most interesting thing is that most of the material was taken by the authors from documentary sources. There is no special fiction here.

It's not easy to watch such a movie. On the one hand, it's very beautiful, on the other hand, it describes complex historical moments, sacrifices and the collapse of hopes, but that's the life - you need to describe it as it is, or not start the movie at all. Fortunately, Andrei Kravchuk knows his business and gave us a unique opportunity to see on the screen what we previously could see only in books.

The Union of Salvation is worth watching. The film came out confident and ambitious. You may sense the hand of a master in it, and if you want to learn a little more about Russian history, then you should definitely take the "Salvation Union" into account.

I have no idea what the filmmakers were assuming. That Decembrist revolt is widely known to moviegoers, or that omitting the bulk of the details, cramming everything into two hours, and just bombarding the viewer with narration, time skips, and name inserts is going to immediately clue everyone in as to who is who, what they wanted, or even what side they are on. Or maybe they already knew that they would be commissioned to make a miniseries for TV out of what was left on the cutting floor.

Oh, would you look at that? The series came out in 2022.

Despite the fact that the standoff and subsequent suppression of the crowd are masterfully done, beautifully blending CGI and practical effects, the movie is lacking in everything else. Everyone besides Nicolas I is either bland or a caricature. Muravyov-Apostol gets a shoehorned, fictional love story that goes nowhere, adds nothing, and makes it all feel like studio encroachment because they knew that this was the only way they could make you root for the guy. The same mass appeal can be implied by a soundtrack featuring unfitting edits of rock music.

Obviously, the most prevalent topic of discussion is whether this movie is state-funded propaganda appealing to the masses to not "revolt," as inferred by all-knowing Russian liberals. What history books have they been smoking? If Kravchuk wanted, they could've leaned in so many directions to absolutely besmirch these people. From outlining what their actual bloody plan was on how to prevent counter-revolution to simply showing how Muravyov-Apostol tried to escape only to be stopped by his own soldiers angry at him for leading them to treason. If nothing else and truly almost nothing else is shown, the movie paints them as unscrupulous patriots and not as French-speaking, Voltaire-quoting, loathsome cowards who couldn't even shoot the tsar despite ample opportunity. They even presented Trubetskoy as not a miserable craven who just didn't want to come out, but as someone who thought he wouldn't need to because he saw Nicolas as weak, that he sees what direction the wind blows, and that he is going to fold any second. Which is so much more credit than even the Soviet interpretation of his action has ever given him.