Monrovia, Indiana

I DVR'ed this show on a whim and then found myself captivated by this snapshot of Middle America. It gives an accurate representation of the 'Flyover Country" of the United States, on almost every level of life, from the farmer, high school, church, barber shop, etc. There is something compelling about the photography and story presented, and yet there is no narration.

The film Monrovia Indiana is a truly remarkable achievement in that just when you think it cannot possible go on any longer, it just keeps going, much like the Great Crossroads itself. This is a shame.

Contrast with Hale County. That film too turned the camera on an overlooked slice of America, and yet it transcended the typical narrative to reveal something more, something unexpected. A conversation with a man burning leaves turned into the sublime. It provided space for you to think and reflect. Mr. Weisman on the other hand seems to believe that shots of coke in the supermarket are quite subversive, and that it is dreadfully important that viewers experience a full length Masonic ceremony, stumbling and stammering and all. Even Gopher Prairie is a more flattering portrait of small town America than this.

Oh and here's a shot of a field. Wow that sure is a field! And oh here's a shot of a building. That's sure some building there! It all literally looks like google street view.

And oh and now they've been talking about a bench for five minutes. And now a dog is getting its tail amputated for who knows why. And now we are at the mattress store. And now we're in church. Just kill me now.

I refuse to believe that America can possibly be as dull, as small, and as ugly as it is presented as here. There is no profound insight in debating a bench! There is nothing to reveal in a mattress warranty! This is not art but a caricature that has the gall to try passing itself off as an auteur's quietly documentary of real America.

In short: this is a film we've all seen before and do not ever need to see again. It's amazingly boring both visually and narratively, and conceptually bankrupt. The best that can be said of this self indulgent mess is that it quickly and unknowingly descends into self parody.

Although Monrovia is a boring small town in mid west I'm sure some people there have interesting things to say or have deep inner lives but Wiseman didn't reach this and so this was the most boring film I've seen in ages.

Here's an inside look at the workings of a town in the U. S. heartland. We see the people of Monrovia at their feedlots, corn fields, municipal hearings, schools and places of worship - a great panorama of life in this good place. Some Midwestern stereotypes are knocked down here, not on purpose but as revealed by the responsible way these people act. As a viewer I thank the people of Monrovia - and it's an impressive cross-section of people - for granting access to so much of what matters in this community. There is a bit of self-deprecation, people of Monrovia acknowledging they live in a small town. But in fact it's a big place, in civic spirit and caring for others.

In my opinion, Frederick Wiseman is the greatest documentary film maker of all time and here he looks at life in Monrovia, Indiana a small town farming community.

As in other Wiseman films, there is no narration, interviews or leading questions. He simply allows us to get a glimpse into the lives of people living here. He starts off with some beautiful shots of blue skies, breezes blowing through the trees and fields. Then we see towns folk going about their business in their jobs and everyday life. Only Wiseman could make working in a pizzeria or a supermarket seem fascinating. The early scenes shows the Monrovia High School, showing a teacher proudly talking about Indiana basketball players, there is also a quick scene of students rehearsing a musical revue. There is no scenes of any trouble at the school, unlike Wiseman's 1968 classic "High School". One of the funnier moments is a group of older men at a diner talking about diet food and drinking a lot of beer to get it down. We see a pig farmer getting his pigs ready to be sold. Wiseman spares us from seeing them slaughtered which I thought was unusual for him since he normally shows us everything. However later on, we get to see a veterinarian operating on a dog's tail reminiscent of the operation we got to see in Wiseman's 1993 "Zoo". There are a few long sequences of the town council discussing new houses being built and lack of fire hydrant inspections. A wedding is shown in a Christian church with nice singing of the old song "Always". There is a scene in a gun shop where owner and customer talk about rifle scopes for deer hunting and about a friend with gall stones. The final sequence is the funeral of a beloved wife and mother. Wiseman is always great at giving a well rounded picture of his subjects. The last scene of the coffin being lowered is very moving. It is often the last scene of a Wiseman film that hits you the hardest, and that is what happens here.

While this is not one of Wiseman's best, it still is a worthy addition to his collection.