Scrapper

You can tell "Scrapper" is heartfelt, and it has what could have been a heart tugging premise if it had been better made. But the movie is anemic and undercooked. It doesn't build out characters enough for you to feel any of the things the movie clearly wants you to be feeling about them.

It also doesn't help that there's not a lot of rooting interest in these people. The dad played by Harrison Dickinson is kind of a jerk, and I think we're supposed to see that he's grown by the time the movie's over and see is reentry into his daughter's life as a good thing. But he remains a jerk, and doesn't grow, and encourages his daughter to steal bikes and get away with assaulting other kids. The happy ending this movie forces on us didn't feel all that happy to me. I've known dead beat dads in real life, and the movie was more convinced than I was that this guy was going to stop being a dead beat.

Grade: C.

Saw this at the 2023 Sundance Film Festival

"Scrapper" is a film about Georgie, a dreamy 12-year-old girl, lives happily alone in her London flat, filling it with magic. Suddenly, her estranged father turns up and forces her to confront reality. Being director Charlotte Regan first feature, the film is strong.

Throughout, the presentation, camerawork, colors, soundtrack and setting is pretty colorful and professional. The main story is pretty simple and certain elements remained me a lot of The Florida Project. While this film does offer some good insights on the poor areas of the UK, the themes isn't as strong as I think it is.

The performances from the cast are pretty good and the characters were interesting to observe from start to end. The dialogue moments had some funny and clever words, although some felt really fake and not believable. "Scrapper" is a type of film that fees familiar and basic but the overall experience was pretty interesting as there is good humor and chemistry between.

Rating: B.

Lola Campbell carries this movie as Georgie. She is such a good actress for her age. This is my first time seeing her in a movie and I'm hoping to see her in many more.

As for the rest of the movie, I think it has quite good depictions of how people deal with grief and loss. Georgie's dad in the movie has a particular good little arc and becomes very likeable by the end of the film.

Alin Uzum as Ally has some great comedic moments and lands all his jokes very well. There is also a great little comedic moment with Georgie and her dad in around the mid point of the movie which got a big laugh out of my audience.

I watched this on my BFI subscription and, after a couple of minutes, was wondering if it was going to go anywhere other than the artful cinematogrophy. I'm so glad I kept watching because, very soon afterwards, as soon as Georgie and Ali are introduced to us, and as soon as I heard the first lines of script, it was evident that this was special.

What stands out about it? Well, on the surface, the cinematography, acting, script and, of course, direction, is not only individually outstanding but is also cohesive. In the background, the sound, music, production design are all major factors in making this film so special. The colours are incredible.

The script is clever. It's playfully minimal (is that a thing?) with some choice lines. The range of close and wide shots gives the actors a many possibilities to play with, which they do with aplomb.

It's a film about adversity, loss, trust, and love...maybe in that order too.

SCRAPPER has so much potential but unfortunately quickly falls apart.

What Worked: The characters were authentic and grounded and the acting was strong. Some of the magical realism was done well. There was heart. The way the characters in Georgie's neighborhood and life are explored is creative, as is the use of color. I also appreciated that even though Georgie had a hearing aid, it was just part of her world and never really spoken about. It just was normalised.

What didn't work: The story was trying too hard to pull at your heartstrings and often took itself too seriously. Not much happens, it's slow and repetitive and the whole story could have been told in a 25 minute short film with the same emotional arc. The emotional investment that is established in the prologue is promising but it then you're living in that same space for what feels like a 2hr film (even though it was 84 minutes it felt like it never ended). The script wasn't tight and some plot points were left unanswered.

Overall it's definitely what you would expect a Sundance film to look and feel like (hence why Sundance is becoming more and more irrelevant and tone deaf).

If you wanna watch a great movie about poor white single-parent family, I much prefer THE FLORIDA PROJECT as it was more restrained in its request for your heartstrings and yet manages to tug at them harder. Watching THE FLORIDA PROJECT I was moved to cry, watching SCRAPPER I kept think wow, they're really wanting me to feel this certain way at this moment in the story, when will this be over?