L'Adieu

I don't really know how I can describe the feeling I felt at the end of the movie. It is heartbreaking especially one of the later shots but you kind of feel like you need more resolution or more of an end.

And I know films don't always need a clear cut beginning and end but I just felt like the characters didn't really grow or change. Like I felt we ended exactly where we started the film. Like nothing changed.

One more negative thing was the tone seemed a bit all over the shop. Very sad scenes would play out and then it would drop the dramatic effect for comedy and it just didn't seem to flow very well into each other. And some sequences just seemed like they belonged in entirely different movies like The Hangover or something. It was kind of strange.

I actually enjoyed this movie believe it or not. You could tell it was lovingly made and was so personal. Awkwafina was great and so was Shuzhen Zhao. The films was best when them two were sharing scenes together. They made you feel how much the characters cared for each other.

The score was also quite haunting. It fit the sombreness of the movie.

So I would say you could watch it but you need to be in the right mood as it can get pretty sad.

'The Farewell (2019)' is proudly based on an actual lie, one told (and apparently maintained to this day) by director Wang's own family. It's perhaps no wonder, then, that the film feels so thoroughly realistic, despite its somewhat outlandish central conceit. It's, essentially, a slice-of-life drama concerning a worldly Chinese family's attempts to grieve in secret, focusing specifically on Chinese-American Billi as she tries her best to conflate her 'westernised' ideas with her family's 'eastern' wishes. This theme is delicately explored and its conclusions are wonderfully accepting, but it sits firmly as the backdrop for the sometimes strained, yet always loving, family dynamics on display. Everything just seems so grounded, with relationships that feel so lifelike you could almost swear they were real. This makes the experience subtle yet stirring. Often, it mirrors everyday life all too closely. The piece isn't always riveting, or ever conventionally exciting, but it's always enjoyable and often emotionally resonant. By its end, it's hard not to have been moved. In fact, you may not realise just how much it has touched you until just before its credits roll. 7/10

The Farewell is a tribute to family and an exploration of what sets Chinese culture apart from our own. Writer/Director Lulu Wang drew upon the true story of her own grandmother to inspire this film, and the authenticity of the story shined through. There's something special going on in The Farewell, because I went through an emotional journey with the main character. It's strange how you can start the film feeling that this entire idea and the pretense of their trip to China is so wrong, and then end up seeing the value of it to the point that you don't want the charade ruined. I can't even point to a particular moment or event that was the tipping point which changed my mind, and I don't know if our main character could either. She is clearly transformed by this time with her family, and begins to see that the way of life in China is different, but that doesn't mean it's wrong. The other thing that was magical about The Farewell is that it managed to find humor in the darkness. It's not a big goofy and hilarious comedy, in fact I probably shed more tears than I laughed, but considering how this whole film could feel because of the subject matter, the fact that I was able to find joy in some moments was great.

There were a number of great performances in The Farewell. I absolutely adored Shuzhen Zhao as the grandmother Nai Nai. She has such a delightful joy in her performance that you instantly fall in love with her. I think Awkwafina did a fine job as Billi, the protagonist. I did question some times if she was capable of portraying the layers of emotions that would be going through her character's mind, but she was good enough that she didn't take me out of the film. I also thought that Tzi Ma and Yongbo Jiang were marvelous as the two brothers who are trying to be the emotionless rocks for their family, and sometimes find that they too can't hide their feelings indefinitely. The Farewell also has a beautiful visual aesthetic, and I loved the way some of the shots were framed. There are a few scenes where just the staging and the way they cut to a shot made me laugh out loud. It's one of those movies where I felt there was a lot of thought and intention in the way things looked. Perhaps that comes from Lulu Wang visualizing these events so vividly from her past, and knowing how they needed to look and feel on the big screen. The Farewell is a heart-warming film that made me think about what I would do in the same situation, and made me cry a lot too. Getting me both emotionally and logically invested in the plot is an impressive feat.

A beautiful portrayal of a long farewell and an insight into the difference between western an eastern culture. Powerful performances through and well worth a watch.

Billi (Awkwafina) is a 30 year old pianist in New York City. She's struggling after being rejected for a scholarship. She and her parents moved to America when she was young. She is mostly Americanized. News come that her grandmother is dying of cancer. Her family agrees to go the traditional route of hiding the diagnosis from the dying grandma. They are going home to China to fake a wedding celebration. Billi is reluctant to go with the lie.

This is a great cultural story. It's the Chinese culture but also the influence of Western culture. It's a family story. It's also Awkwafina's best acting performance yet. Her inner conflict and her family conflict are both very compelling. There are funny little insights. It's a very touching film. I would modify the ending a little. Looking back at Nai Nai as they drive away is such a powerful scene. The movie should probably end there. The scream is not a good way to end especially with the text reveal in the closing credits. If they want to go back to Billi for the ending, it should be something more positive considering what Nai Nai tells her during the banquet.