Portrait de la jeune fille en feu

Whole movie is a piece of art. The development of the action is slow, as is the painting process. As with the picture, this film takes shape towards the end. It's a movie about love between a painter and her muse. I loved how much the gaze meant in this film. Citing the myth of Orpheus and Eurydice is not accidental. This outlines the characters. Marianne as Orpheus makes the decision of the poet, she chose a memory of Héloise. She goes to the Opera to see her beloved. She states that Héloise has not seen her. I think Héloïse felt her presence, but she did not look around, she makes a lover's decision.

To understand the beauty of that movie, you need to watch it. It might be boring film in the beginning, but it shows how real is it. Beautiful scenes, shots. I loved the landscape of the sea. The best part of it is also how art connects with the whole plot, story. There is no background soundtrack. The music becomes an important part of the story. Speaking about melodies and painting, two main characters are in fact speaking about themself. Héloise asks Marianne when she knows that she finished the painting, Marianne answers it and the same talks about their relation. There are many details that makes that movie even more beautiful.

Amazing cinematography and acting! Beautiful film! Minimal dialogue made up for with major body language and emotional expression.

"When you asked if I had known love. I could tell the answer was yes. And that it was now. "Marianne (Noemie Merlant)

No art form has struggled more to get the depiction of love just right than film. Portrait of a Lady on Fire gets it almost perfect, and it's Sapphic! All you modest types don't need to worry-writer director Celine Siamma stresses the longing and the dance of love much more than its physicality. Two young women spend most of this beautiful romance just getting to the first dance, and the journey is as exciting and anguishing as it was for us in those early years of exploring.

Late 18th century Marianne has been hired to paint young Heloise (Adele Haenel) for her wedding portrait. Not that you can't guess what is going to happen while the first portrait is being painted, but the film languishes long and deep on the glances between these two potential lovers. Those gazes encapsulate the truth of their affections and the high-mindedness of their intentions.

Perhaps the business of painting lends the ethereal quality to their love, which is born of the imagination and fleetingly put on canvas forever. It's just that the slow, loving pace of the camera and the conceit lend a mystery (Will they connect?) and a sweetness (how transforming love can be from a scowl to a smile).

The cinematography, especially of the rugged cliffs and the sea, is well-aligned with the power and danger of their tender love. Not even mother's (Valeira Golino) affection for her remote daughter pales next to the burgeoning passion of the leads.

Portrait of a Lady on Fire fiercely speaks to the fire, conventional or not, that can burn in all of us. Leave it to film to bring out the love in our hearts.

"To love pure and chaste from afar." Man of La Mancha

This film's cinematography is beyond perfect. Every scene appears as though it was taken out of a masterpiece painting. The only other work I recall even close to its visual poetry is Barry Lyndon.

Every actor, especially the two leads, have done their job amazingly. Watch it if you haven't. This movie is art at its finest.

Beautifully acted and technically sharp, Portrait of a Lady on Fire presents a tragic love story that feels familiar yet wholly original. The length can feel excessive, but by the time the credits roll you will be hard-pressed to find a single moment that felt wasted.