Storia di vacanze

Is an expression ive heard , but flat italian is so insanely impossible, due to the alps dividing the blood and temper of culture, but believe it or not, this was a c-flat inemotional horizontal coaster ive ridden for a few years.

Its a couple of family sagas thats the main subject, loads of bad and misunderstood parenting, children that react on reflexes rather than sane decisions, where the incestous sides are very close, and the love and hate aspect rigid but crucial.

But its boringly plotted and written the child cast do above, the adult cast a bit below average, there are long on distance shoots that doent at all switch on one imagination, and if you have that, then skip it, itll ruin your ability. Its saggy and slow, there are twists in the bodybag but they seem rather unrealistic and may happen 1/100000000 timesm a year.

No this was a messy wannabe hunky stroll at the hypercultural mainstream of socialrealism to shock us all, but it wont. I believe youll have to be italian in soul and spirits to contain something outta this. The grumpy old man gives 4 outta 10 stars, not recommended.

Seen at Berlinale 2020, it is a film that looks at the relationships between parents and children. There is a lot going on in this little Italian suburb, but one thing is for sure, the parents make much more noise than the children. It is a story about growing up or never managing to do so. Worth seeing.

This movie stages action in a domestic and familiar environment, where violence never explodes, because violence is not a disturbance of that social order, but a pillar: it's behind every gesture, every word, every thought, it's something sinister always lurking inside the grownups (in a minor but important scene, during a birthday party the adults say horrible words towards a mother - but in whispers, like if they were haunted).

Parents shows and expose their kids as trophies, not caring for them but for themselves: in another scene a young father is pleased by the driving skills of his own son and proudly screams "You are like me!" - something that the kid is obviously not willing to be. Generations basically ignore each other's feeling: and ignorance is the trigger of silence, silence is the trigger of despair, and despair the trigger of violence.

Thanks to silence, conflict is invisible, and for this reason it becomes eventually inescapable: and the surprising epilogue is the only moment when peace is restored in the families, as the parents for the first time looks like they are actually caring for their children. We hear from the narrator at the beginning that everything in this story is at the same time true and false: and eventually we understand that this mix creates a scaring thing, called reality. This movie is good cinema and great advice, you should see it.

Co-directed by brothers Damiano and Fabio D'Innocenzo "Bad Tales" is a dark, downbeat and really rather unpleasant film seriously lacking in the 'feelgood' factor. It's also rather good in a horrible, queasy kind of way; a film to admire for the obvious skill the filmmakers demonstrate but certainly not a film to like. Set during one summer in a suburb ouside Rome it looks, somewhat forensically, at a couple of very dysfunctional families much in the style of Yorgos Lanthimos. The brothers never quite reach the heights that Lanthimos does but we are definitely in the same perverse ballpark.

Both adults and children are treated with the same off-hand cruelty while their actions are never really explained. There's something almost surreal going on here and not in a good way but then the film is called "Bad Tales" so don't say you weren't warned. I doubt if I'll be returning to it anytime soon but while the brothers may not be the Coens I will certainly be interested to see what they do in the future.

In an atmosphere shrouded in the gray banality of the Roman outskirts, "Favolacce" by the D'Innocenzo Brothers offers a raw and uncompromising look into the lives of some families grappling with their own frustrations and contradictions. It's not a masterpiece, but rather a film that manages to capture some peculiarities of the human condition with a certain degree of effectiveness. The portrayal of family dynamics, laden with tensions made palpable by tight dialogues and direction unafraid to explore the darkest corners of the human psyche, is one of the film's most intriguing elements. Despite their evident dysfunctionality, the characters manage to evoke a certain empathy in the viewer, thanks also to the strong performances of the cast. However, "Favolacce" is not without its flaws. The narrative, while incisive and direct, risks at times to be too raw and lacking in nuances, leaving little room for the complexity of the characters and their relationships. Some scenes, moreover, might come off as overly verbose or repetitive, diluting the emotional impact of the situations depicted. Nevertheless, the film still manages to keep the viewer engaged until the end, thanks also to its ability to provoke reflections and debates on universal themes such as love, family, and the very meaning of human existence. While not a perfect work, "Favolacce" stands out for its audacity and frankness in depicting the brutality of everyday life, without seeking easy consolations or pre-packaged solutions."Favolacce" proves to be a good film, with its peculiarities and its flaws. Despite not reaching peaks of excellence, it still manages to offer an interesting and provocative look into human nature, inviting the viewer to reflect on their own choices and relationships. A must-see for those in search of an intense and stimulating cinematic experience.