Flee

At this point it's going to be so hard to top Flee. It tells the extraordinary true story of a man, Amin, on the verge of marriage which compels him to reveal his hidden past for the first time. Rather than a typical documentary style, it goes for an animated approach in the for of mockumentary. Never does it feel like a documentary which is extraordinary. The animation is simplistic yet looks so dynamic. It also blends archive footage to remind us the realness of it all. The story is tragic and amazing. We're told of Amin's experience fleeing country to country in hopes for a better life. It's a thrilling ride from start to finish. I'm not sure how anyone couldn't like it. This is the best of the festival and one of the best of the year!

Before I watched this movie, I thought I was going to hate it. Why is that ? Because this movie looked like a movie that was made just to get awards. Isn't it a prize-winning subject ? A gay muslim Afghan men, war, flee, bad situations, family, drama. But after watching the movie, I saw that it wasn't like that. I was particularly impressed by the fact that it was a true story, and I understood and appreciated that it was told via animation. It was a very different and good experience. Reminds me of the movie "Persepolis". I like it.

Fleeing Taliban's Afghanistan in the latter part of the last century would seem the proper subject for film or video, capturing the reality of flight from oppression to freedom. Actually, in Flee, a documentary-animation with shades of color and earth tones works even better because the reality is in the narration of unspeakable horrors lived by protagonist Amin Nowabi at several stages of his life and experienced by the viewer not distracted by film's visual reality.

Amin's quarter-century friendship with director Jonas Poher Rasmussen helps him confess honestly to the single camera about long suppressed hurt. The animation objectively captures the pain he suffers recounting the journey to freedom and recapturing his love of life.

Young Amin travels with his mother, brother, and two sisters with unscrupulous traffickers and corrupt police for months to arrive in freedom physically and psychologically damaged, separated from each other for years to come. The narration is impeccably understated as it lets the story collect the audience's grief and pity out of the documentary's reality.

Amin's story moves from idyllic, brightly lit youthful days in Kabul (similarly sketched in Kenneth Branagh's recollection of his youth in Belfast) through the darkly harrowing journey on land and sea to land his life finally now in Copenhagen, buying a house, and coming out with his partner to family and the world in a salutary note of hope for refugees everywhere at any time. The price has been enormous in lost lives and lost youth.

All is not animation because interspersed is library footage of the Russian Afghanistan invasion and speeches by former President Mohammad Najibullah. Such reality checks make sure audience is not lulled into animation's chief compromiser-its own unreality.

Amin himself may be experiencing fictionalized reminiscence even though events seem to reflet a terror that did happen and can only be imagined years later.

Flee is a masterful amalgam of animation, real-live photography, and history recounted partially from a terrible journey's reality and a hero's struggling memory and imagination. You'll understand our collective confusion about Afghanistan and our abandoning it. You'll also understand if Flee is Oscar nominated in categories such as animation and international. It's all good.

Jonas Rasmussen's animated Documentary is an ultimately rewarding docu-drama concerning a young man, Amin, who's life was upended when the Soviet Union's war in Afghanistan collapsed and his native country was plunged into civil war. He is living in Denmark as the Documentary takes place.

Rasmussen has created a complex telling of the tale. Most of the movie is animated, but there is significant newsreel footage as well - mixed-media may be a more accurate description than pure animation*. Further, the movie begins as an interview of the now 30-something Amin, but blends in recreations of his life story with 'behind the scenes' (animated) footage of the Documentary's progress. Add, in the stock footage and it's a heady construct. Fortunately, it all works, and creates some suspense since the story-telling isn't fully linear.

At it's core, FLEE is a survival tale. Amin and his family escape Afghanistan only to end up in Russia where they once again have to run away in order to seek true freedom. The title has a dual meaning - both the physical act and a psychological one. It i the latter definition where Rasmussen excels in depicting how Amin's struggles have affected his emotional well-being and personal relationships. It's a difficult movie to watch at times, but, it is extremely well done accomplishment whatever the form.

* Some have mistakenly termed FLEE the first animated Documentary. There are others including the exceptional WALTZ WITH BASHIR which was nominated for Best Foreign Film in 2009. BASHIR also was set in the Middle East and included a bit of real documentary filmed footage (although significantly less than in FLEE)

A far too familiar tale of persecution and corruption, as Amin generously reveals the trials and torments that saw him and his family flee Kabul because of victimisation, alongside his personal story that saw him make a life in Denmark and how he's been able to live his life the way he wishes, with who he wants - heart wrenching stuff indeed.