A plains-woman faces the harshness and isolation of the untamed land in the Western frontier of the late 1800s.A plains-woman faces the harshness and isolation of the untamed land in the Western frontier of the late 1800s.A plains-woman faces the harshness and isolation of the untamed land in the Western frontier of the late 1800s.
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This film may not be for every horror fan because it is slow paced and flashback oriented, which creates some confusion and boredom. However, the actors were convincing and the cinematography exuded a feeling of true desolation. Several of the scenes were nicely crafted without relying on overt gore or jump scares to frighten the audience.
I thought it was clever to blend an american western period piece with a demonic, neurotic tone.
I think this movie is definately worth a watch and is one of the more original horror films as of late.
I thought it was clever to blend an american western period piece with a demonic, neurotic tone.
I think this movie is definately worth a watch and is one of the more original horror films as of late.
Due to its non-linear storytelling, 'The Wind' can be a very difficult movie to follow. The film simultaneously plays in three different times. If you can wrap your head around these different times, it is easy to follow and it becomes very clear which period you're looking at.
'The Wind' grabbed me from the mysterious opening scene, and then became spine chillingly creepy and suspenseful. In the vein of 'The Witch' (especially) and 'Hereditary', this film is much deeper than meets the eye, and rather disturbing. The film takes us on a roller coaster ride of fear, deception, infidelity, and absolute evil.
Caitlin Gerard is very good as Lizzy, the film's heroin. Director Emma Tammi did an incredible job ensuring a constant foreboding atmosphere. (Interestingly enough, there's hardly any wind in the film...)
'The Wind' grabbed me from the mysterious opening scene, and then became spine chillingly creepy and suspenseful. In the vein of 'The Witch' (especially) and 'Hereditary', this film is much deeper than meets the eye, and rather disturbing. The film takes us on a roller coaster ride of fear, deception, infidelity, and absolute evil.
Caitlin Gerard is very good as Lizzy, the film's heroin. Director Emma Tammi did an incredible job ensuring a constant foreboding atmosphere. (Interestingly enough, there's hardly any wind in the film...)
A folkloric tale of madness, paranoia & things that go bump in the night, The Wind paints a menacing portrait of isolation, loneliness & their overwhelming nature with its desolate wilderness setting, ominous atmosphere, arresting camerawork, stellar sound design & excellent performances yet the story as a whole fails to deliver the maximum impact due to shortcomings of its own making, for its muddled narrative structure, inconsistent editing & overuse of flashbacks prevents it from realising its true potential.
Ok, that first review is a bit much to read and a bit over thought ... Don't let it detour you from giving this movie a chance if you like the slow burn psychological thriller type of movies (fast paced gore fans will probably find it dull). Its very well done in my opinion. Good acting, nice steady pace that keeps the suspense going. Along with a really good score, or lack of at times enhancing how completely isolated and alone she is. The few special effects it does have are done well and not cheesy. Definitely worth taking a chance on. I love the fast gore fest stuff as well if done right but this is definitely not that.
There are only a handful of actors and the main character is alone a lot of the time. You do need to make sure you can actually sit and watch it without doing other things as well because there are a lot of flashbacks and back and forth from past to present. So try and wait until you can actually kick back and let yourself get sucked into the story. The pieces fit together. Anyone that likes suspenseful, mysterious, slow burn phycological thrillers that make you think will love is. It is a very well done thought out story, the characters are likeable and you end up caring about what happens to them.
I am not saying anything about what actually happens story wise as I do not like posting spoilers if I can help it. Knowing too much can take away from the suspense of these kinds of movies. Its better to go in blind. So I am leaving it at that.
There are only a handful of actors and the main character is alone a lot of the time. You do need to make sure you can actually sit and watch it without doing other things as well because there are a lot of flashbacks and back and forth from past to present. So try and wait until you can actually kick back and let yourself get sucked into the story. The pieces fit together. Anyone that likes suspenseful, mysterious, slow burn phycological thrillers that make you think will love is. It is a very well done thought out story, the characters are likeable and you end up caring about what happens to them.
I am not saying anything about what actually happens story wise as I do not like posting spoilers if I can help it. Knowing too much can take away from the suspense of these kinds of movies. Its better to go in blind. So I am leaving it at that.
"The Wind" follows a young woman and her husband who attempt to make a settlement in New Mexico in the late 19th century. They are the only people on the plain until another young couple arrives and moves into an adjacent derelict cabin. Both women share a common experience: There seems to be something living in the surrounding land that is trying to destroy them.
First off, I am a major fan of Western horror films, and frankly believe there are not enough of them--this period in U.S. history is ripe for horror movies, but it doesn't seem to be mined nearly as much as it could--so from that alone, I was thrilled at the concept of this film.
Director Emma Tammi really nails it here in terms of mood and atmosphere; the film is impeccably dressed, beautifully shot, and evokes a consistent dread that seems to close in on the protagonist. The narrative is told in a fragmented, non chronological manner, which might frustrate some, but it allows for a few clever juxtapositions and plot developments that wouldn't be possible otherwise, so it serves a purpose. Caitlin Gerard delivers a great performance here as pioneer woman Lizzy, the tormented lead. Hers eclipses the other performances from the small cast, and Julia Goldani Telles, though decent, seems miscast here. There are a few minor inconsistencies here in terms of the characters' appearances, as they all look far too primped and pressed for pioneers living in brutal conditions--but that aside, the period is well-represented.
The final act is where the film's screenplay starts to show its cracks. The explanation behind the events, albeit ultimately vague, is not entirely satisfying--it feels in some ways arbitrary, and the mythos is not fleshed out enough for the audience to ultimately care; it feels like a tacked-on afterthought that has little to support it. Despite this, though, I still found the film entertaining and at times thrilling. As far as Western horrors go, "The Wind" is a fine (albeit flawed) entry. 6/10.
First off, I am a major fan of Western horror films, and frankly believe there are not enough of them--this period in U.S. history is ripe for horror movies, but it doesn't seem to be mined nearly as much as it could--so from that alone, I was thrilled at the concept of this film.
Director Emma Tammi really nails it here in terms of mood and atmosphere; the film is impeccably dressed, beautifully shot, and evokes a consistent dread that seems to close in on the protagonist. The narrative is told in a fragmented, non chronological manner, which might frustrate some, but it allows for a few clever juxtapositions and plot developments that wouldn't be possible otherwise, so it serves a purpose. Caitlin Gerard delivers a great performance here as pioneer woman Lizzy, the tormented lead. Hers eclipses the other performances from the small cast, and Julia Goldani Telles, though decent, seems miscast here. There are a few minor inconsistencies here in terms of the characters' appearances, as they all look far too primped and pressed for pioneers living in brutal conditions--but that aside, the period is well-represented.
The final act is where the film's screenplay starts to show its cracks. The explanation behind the events, albeit ultimately vague, is not entirely satisfying--it feels in some ways arbitrary, and the mythos is not fleshed out enough for the audience to ultimately care; it feels like a tacked-on afterthought that has little to support it. Despite this, though, I still found the film entertaining and at times thrilling. As far as Western horrors go, "The Wind" is a fine (albeit flawed) entry. 6/10.
Did you know
- TriviaThe character Emma seems to enjoy Gothic literature. Among the books from her collection that read aloud at various points in the film are Mary Shelley's Frankenstein and Ann Radcliffe's The Mysteries of Udolpho.
- GoofsThe double-barrel shotgun Lizzy uses requires percussion caps, but whenever she fires it or prepares to fire it by pulling back the hammers, there are no caps. Without them, the weapon is inoperable.
- Quotes
Lizzy Macklin: I don't suspect God has much business out here.
- ConnectionsFeatured in Woodlands Dark and Days Bewitched: A History of Folk Horror (2021)
- How long is The Wind?Powered by Alexa
Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- El viento
- Filming locations
- New Mexico, USA(location)
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $28,252
- Opening weekend US & Canada
- $14,138
- Apr 7, 2019
- Gross worldwide
- $130,974
- Runtime1 hour 28 minutes
- Color
- Aspect ratio
- 2.39:1
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