Rare Beasts

I loved this movies chaos, social criticism and honestly. I found it to be very authentic and raw, which is just what I needed today. A movie for day when you're love life, or just life, is just too much. Billie Piper is an amazing actress.

This is not easy to watch. I do not know if some of the misogynism is imagined or based on actual events. There is more self-criticism here than some people could tolerate. This is the worst situation, when you can see how a person is trapped, but they don't realise it. No angels or saviours inhabit this space. There is no redemption. Here is real life, and it is not pretty. I can't see this being popular, as it is disheartening. Nobody is cast in a positive light. That is realism. This reminded me of Mike Leigh's films, but this is bleaker. I believe that Billie Piper should continue directing. She is needed.

This was a very intriguing/bizarre film. I guess you can call it a dramedy of love, faith and atheism. I just felt that it was a bunch of rare scenes that were so unfollowable. Was this a play, was it a film, honestly I'm still not sure. I so tried to follow this story but I still don't know where I ended up. I will say this....it was definitely rare.

Mandy (Billie Piper) is a struggling single mom in the modern world with a bad job and a troubled son. Her mother Marion (Kerry Fox) has been living with her for the last six years after being abandoned by her father Vic (David Thewlis). She starts dating co-worker Pete (Leo Bill) who is against the modern feminist world and is frustratingly bitter. She figures that he's going to rape her on their first date and so of course, she continues dating him.

I wanted to see why this is described as an anti-rom-com. Tom is an ugly hateful character. Sometimes, those misanthropes can be funny characters. Tom is never funny. There is no reason for Mandy to date him. He's one of those bad blind dates in a rom-com montage. We can laugh at his one horrible line but we don't have to spend the rest of the movie with him. Mandy is the classic pathetic single gal in the big world character. She's a staple in TV sitcoms and various rom-coms. Billie Piper is an appealing actress and her charisma overpowers any flaws. I see what's she's trying to do here. She's an older woman who lost her youth and feels her beauty fading away. She's overwhelmed by all sides. The question is what she's going to do with that character. This is her debut as a writer and as a director. It's interesting that she's choosing to do a dark underside interpretation of the standard rom-com. I don't think it achieves what it wants. It tries to do surreal but it comes too late. There are undeserved turns. It's not truly dark enough to be shocking or somehow worthy of discussion. It's definitely not funny despite some quirky turns. Billie Piper may have some interesting ideas but she's not experienced enough to pull it all together in a black comedy which is often a tough genre to get right. My one big suggestion is to make Pete her horrible husband from the start. She's stuck in a bad marriage and she needs to escape. In this movie, she doesn't need to escape as much as she needs to never get trapped in the first place.

I had to watch this movie when I saw how polarized the IMDb reviews were. People either seemed to LOVE or HATE it. I really enjoyed the themes of this movie, the overall message, the acting, and most of the direction. The major problems came for me when the Director got a little too artsy-fartsy, which really only happened towards the end of the movie.

I think the opening scene was brilliant, not only for its candor, but because it will tell you if you will be able to enjoy the movie right then and there. A lot of people will probably turn it off right away, and that's probably for the best. If you don't like it, don't force yourself to watch it, it's a rough and uncomfortable journey.

I give the movie a 6 to say it's above average, worth watching if you're into that kind of movie, but not something anyone MUST see. I look forward to more from this filmmaker, if they can reserve their art school tendencies.