Swallow

Like another reviewer I imagined this was going to be about Pill addiction - a glimpse at the poster, the only thing I allowed myself or rather couldn't avoid seeing - other than that I did not read anything about the movie. So that looked like a pill thing ... and it turned out this is a different beast.

Now I imagine that most people who want to watch it (and of course those who already have) read up on the plot and are not like me avoiding any information at all costs. So you don't need me to tell you anything about that. What I will tell you, is that the movie is quite the tough and harrowing watch. And all the focus lies on the main female character. Everyone else is quite flat from a character standpoint. A bodyguard sort of type may have the most personality of them all.

But that did not make the movie any less intriguing. And while it seems impossible to have any sort of final resolution here ... you may agree with how the movie decides to end ... even if most likely you may not be able to really get a grip on everything she goes through, we do feel for her ...

An extremely self-aware A-to-Z psychological thriller about taking back your life through rituals of control, complete with patriarchal caricatures and metaphors of intrusion left and right (think Aronofsky's "mother!"--but a dark comedy).

Approaches the level of Snakes on a Plane or Teeth on self-aware high-concept absurdity, yet manages to be taken seriously thanks to a great performance by lead actress Haley Bennett, lush cinematography, and a constant stream of creative ways to push the autonomy message over the top (the first frames of the film are close-ups of farm-to-plate preparation of lamb meat).

Swallow is destined to be a cult-classic. It's the quintessentially bold, fun, and unique indie film festival offering (Anna and the Apocalypse was that film for me last year).

Highly recommended, but not for the squeamish.

An interesting take on a weird condition, Swallow is well-crafted, very captivating film. Yet it feels like it lacks depth, like it lacks a real vision of the world and the characters at its core beyond its aesthetic qualities. A film worth watching but in my opinion it is a bit vacuous.

On the plus side this is a well-made movie and the location on the Hudson River above NYC is very picturesque. For me the main reason to enjoy this movie is the performance of Haley Bennett as the afflicted young wife, Hunter. She is really good in the role.

There is a malady called "pica" and if you look it up you'll find all those things depicted in this story, eating ice, swallowing metallic objects, eating paper, eating dirt, etc. The story attempts to tie Hunter's behavior to aspects of her birth and upbringing, and includes some sessions with a therapist, but the sum of its parts is muddled. We see the story arc but it does not tie up neatly into a whole story.

Hunter's new husband is the son of a very wealthy family and he himself is head of a corporation. The whole family, son, dad, mom, treat Hunter as a curiosity, a mystery to be solved, dictating what she should do, even forcing her to have a male nurse follow her at home 24/7 to make sure she quits swallowing things that might yet again send her to the hospital.

Naturally she reaches a breaking point and has to get out of the situation, but where does she go from there?

A moderately interesting movie, I watched it at home on DVD from my public library, my wife skipped.

The acting and visuals are great. the story line lacked that punch that could have made this a 7 or 8.

the story is sad but just didn't connect with me and i was dissapointed with the end

6.1