The Eyes of Orson Welles
- 2018
- Tous publics
- 1h 55m
IMDb RATING
6.7/10
1.2K
YOUR RATING
Mark Cousins dives deep into the visual world of legendary director and actor Orson Welles to reveal a portrait of the artist as he's never been seen before.Mark Cousins dives deep into the visual world of legendary director and actor Orson Welles to reveal a portrait of the artist as he's never been seen before.Mark Cousins dives deep into the visual world of legendary director and actor Orson Welles to reveal a portrait of the artist as he's never been seen before.
- Awards
- 3 wins & 5 nominations total
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
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A doc on Welles that focuses on his drawings? Sounds about as interesting as one on Warhol that centers on his films. And as a number of previous reviewers have observed the director/narrator's droning, second person Irish tones get old five minutes in.
I've found this documentary with its slow paced narration and editing quite apaising and somewhat poetic. I really enjoyed it, it's rather unusual in these times of fast cuts and over-feeding of information to adopt this counterpoint. I must confess I can not say I've seen a lot of Orson Welles' movies but after seeing this documentary I definitively plan to watch more of them. I also was impressed by how good he was at drawing, in summary a great all-around artist.
A director described by his portraits, his direction discerned from sketches of memories and memories of sketches. Light is explored in painting and set design, all in an effort to paint Orson Welles in a new light, or figure what light he saw himself in as he positioned figures on a stage. I figure this film goes far enough in capturing the expanses allowed us from Welles' mind and how his lines frame future films. However, I'm a little lost in the repetition of the particular picture with sideburns.
I suppose I am led to see it differently in the different "acts" of this exploration. It feel youthful, then classy, then a marketing shape cut out of virgin clay, then fringe, then cool, then something else entirely. Self-obsessed? Not in a selfish way.
The bee will always make honey.
I suppose I am led to see it differently in the different "acts" of this exploration. It feel youthful, then classy, then a marketing shape cut out of virgin clay, then fringe, then cool, then something else entirely. Self-obsessed? Not in a selfish way.
The bee will always make honey.
This documentary had potential, but it was ruined by the dull, never ending narration. Very boring, IMO. What a waste.
A British documentary film; This is a compelling analysis of the creative output, sketches and paintings of the American actor, director, writer and producer who is remembered for his innovative work in radio, theatre and film. The film critic Mark Cousins regales us with a colourful and insightful account of his motivations. It is gushing as a tribute, but it is heartfelt. It dovetails image and voiceover very well.
Did you know
- Trivia'Orson Welles's daughter, 'Beatrice Welles' acted as a consultant.
- GoofsCousins says that Joseph McCarthy was elected in 1947. Although his term in the Senate did indeed begin that year, the actual election was in 1946.
- Quotes
Orson Welles, Himself: A stick was straining. What happens when it breaks? Absurdity becomes the norm.
- ConnectionsFeatures L'oiseau de paradis (1932)
- SoundtracksAdagio per archi e organo in sol minore
Written by Remo Giazotto (Tomaso Albinoni)
Performed by Capella Istropolitana
Conducted by Richard Edinger
Published by G. Ricordi & Co (London) Ltd on behalf of Casa Ricordi Srl
Licensed courtesy of Naxos Rights US, Inc.
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Details
Box office
- Gross US & Canada
- $10,253
- Opening weekend US & Canada
- $2,372
- Mar 17, 2019
- Gross worldwide
- $68,328
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By what name was The Eyes of Orson Welles (2018) officially released in India in English?
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