French dancers gather in a remote, empty school building to rehearse on a wintry night. The all-night celebration morphs into a hallucinatory nightmare when they learn their sangria is laced... Read allFrench dancers gather in a remote, empty school building to rehearse on a wintry night. The all-night celebration morphs into a hallucinatory nightmare when they learn their sangria is laced with LSD.French dancers gather in a remote, empty school building to rehearse on a wintry night. The all-night celebration morphs into a hallucinatory nightmare when they learn their sangria is laced with LSD.
- Awards
- 8 wins & 15 nominations total
Claude-Emmanuelle Gajan-Maull
- Emmanuelle
- (as Claude Gajan Maull)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
This is the first movie I've ever watched that almost made me physically ill. It's nihilistic, ugly, erotic, and so devoid of humanity I almost screamed partway through the 40+ minute shot just to get some of the feelings out.
At the same time it's a beautiful tour de force with the most visceral dance sequences on film. There are moments of shocking beauty within the chaos. And, most surprisingly of all, it somehow manages to avoid exploitation in any form.
This is my first - and probably last - Noe film. I have purposefully chosen not to watch Noe before now. Noe is who Lars Von Trier wishes he could be: dark, subversive, and shocking to the core without cheap gimmicks or an ego visible in every frame. Noe sees brutality and finds beauty, not just because of but in spite of.
This isn't a fun movie. If you're unsure if you should watch it, don't. And if you do, watch it sober and with something light as an immediate chaser.
At the same time it's a beautiful tour de force with the most visceral dance sequences on film. There are moments of shocking beauty within the chaos. And, most surprisingly of all, it somehow manages to avoid exploitation in any form.
This is my first - and probably last - Noe film. I have purposefully chosen not to watch Noe before now. Noe is who Lars Von Trier wishes he could be: dark, subversive, and shocking to the core without cheap gimmicks or an ego visible in every frame. Noe sees brutality and finds beauty, not just because of but in spite of.
This isn't a fun movie. If you're unsure if you should watch it, don't. And if you do, watch it sober and with something light as an immediate chaser.
Gaspar Noé's 'Climax' is labelled as a "trippy drama horror musical." Not a lot of people read "trippy drama horror musical" and think "Now that's my kind of movie!" Indeed, most people will find the movie to be quite objectionable, but that certainly doesn't mean 'Climax' is devoid of artistic merit or accomplishment.
The film is a menagerie of dance, neon lighting, long takes, and astounding camera work, propelled forward by a pulsing EDM soundtrack that fills every scene with a frenetic energy. It may best be described as Kubrick's 'Eyes Wide Shut' ceremonial gathering scenes on bath salts. If 'Climax' were a painting, it'd belong in the Modern Museum of Art.
We're not quite sure which drug one should be on to see the film, but some drug is definitely recommended.
The film is a menagerie of dance, neon lighting, long takes, and astounding camera work, propelled forward by a pulsing EDM soundtrack that fills every scene with a frenetic energy. It may best be described as Kubrick's 'Eyes Wide Shut' ceremonial gathering scenes on bath salts. If 'Climax' were a painting, it'd belong in the Modern Museum of Art.
We're not quite sure which drug one should be on to see the film, but some drug is definitely recommended.
CLIMAX or how long can you stand watching boring dancers and average at best actors pretend to be on drugs? Zero story, lots of screaming, no surprises. I'd even say this film is pretty tame (for Noé). And it's neither radical nor inventive anymore to simply turn the camera upside down or to show the end credits first. Apart from big respect for some well done one-shot moments, I'm quite disappointed.
Had many expectations before watching this "art" movie...
However, I was left dumbstruck with the "salad" of shocker put all together in such a mainstream movie going for an arthouse movie.
Tackles and puts in your face too many taboos and (still?) controversial issues such as homosexuality, abortion, rape, incest, drugs and so on.
Lacks an intriguing story in my opinion. Visual mambo-jumbo and musical hysteria!
Watch it if you don't have anything else better to do...
Such a pity the soundtrack is so cool and rich in 70s and 80s electro and disco hits and wasted on such a flick!
The only good thing about this movie was the dancing. Literally, everything else about it is annoying. It's actually really boring. It has no plot and no point. The dialogue is puerile, at best, and you can't possibly empathize with the characters. If this is your first introduction to Noe, you'll likely never feel the need to watch any of his other films.
Did you know
- TriviaShot with a 5-page script.
- GoofsWhile the movie is supposed to be set in 1996, which is confirmed by the clothes, the music and the lack of smartphones, the French spoken in the film is very much 2010s, with many anglicisms or other recent verbal tics heard throughout the movie. This is due to the improvised dialogue from the cast working off of a five-page script.
- Quotes
Title Card: Life is a collective impossibility.
- Crazy creditsThe film title appears at the end of the film.
- ConnectionsFeatured in Half in the Bag: 2019 Movie Catch-Up! (part 1 of 2) (2019)
- SoundtracksTrois Gymnopedies (First Movement)
Composed by Erik Satie
Performed by Gary Numan
(c) Published by Numan Music USA LLC
Administered by Kobalt Music Publishing Ltd
Courtesy of Beggars Banquet Records Limited
By arrangement with Beggars Group Media and Kobalt Music Publishing Ltd
- How long is Climax?Powered by Alexa
Details
- Release date
- Countries of origin
- Official sites
- Languages
- Also known as
- Psyché
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- €2,600,000 (estimated)
- Gross US & Canada
- $817,339
- Opening weekend US & Canada
- $119,423
- Mar 3, 2019
- Gross worldwide
- $1,696,075
- Runtime1 hour 37 minutes
- Color
- Aspect ratio
- 2.39 : 1
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