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IMDbPro

Sorry We Missed You

  • 2019
  • Tous publics
  • 1h 41m
IMDb RATING
7.6/10
27K
YOUR RATING
Katie Proctor and Kris Hitchen in Sorry We Missed You (2019)
A delivery driver and his wife struggle to get by in modern-day England. Directed by Ken Loach.
Play trailer2:26
2 Videos
95 Photos
Workplace DramaDramaFinancial Drama

Hoping that self-employment through gig economy can solve their financial woes, a hard-up UK delivery driver and his wife struggling to raise a family end up trapped in the vicious circle of... Read allHoping that self-employment through gig economy can solve their financial woes, a hard-up UK delivery driver and his wife struggling to raise a family end up trapped in the vicious circle of this modern-day form of labour exploitation.Hoping that self-employment through gig economy can solve their financial woes, a hard-up UK delivery driver and his wife struggling to raise a family end up trapped in the vicious circle of this modern-day form of labour exploitation.

  • Director
    • Ken Loach
  • Writer
    • Paul Laverty
  • Stars
    • Kris Hitchen
    • Debbie Honeywood
    • Rhys Mcgowan
  • See production info at IMDbPro
  • IMDb RATING
    7.6/10
    27K
    YOUR RATING
    • Director
      • Ken Loach
    • Writer
      • Paul Laverty
    • Stars
      • Kris Hitchen
      • Debbie Honeywood
      • Rhys Mcgowan
    • 155User reviews
    • 176Critic reviews
    • 82Metascore
  • See production info at IMDbPro
    • Nominated for 1 BAFTA Award
      • 10 wins & 22 nominations total

    Videos2

    Official Trailer
    Trailer 2:26
    Official Trailer
    Sorry We Missed You - official US trailer
    Trailer 1:50
    Sorry We Missed You - official US trailer
    Sorry We Missed You - official US trailer
    Trailer 1:50
    Sorry We Missed You - official US trailer

    Photos95

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    Top cast53

    Edit
    Kris Hitchen
    Kris Hitchen
    • Ricky
    Debbie Honeywood
    Debbie Honeywood
    • Abby
    Rhys Mcgowan
    • Seb
    • (as Rhys Stone)
    Katie Proctor
    Katie Proctor
    • Liza Jane
    Ross Brewster
    • Maloney
    Charlie Richmond
    Charlie Richmond
    • Henry
    Julian Ions
    • Freddie
    Sheila Dunkerley
    • Rosie
    Maxie Peters
    • Robert
    Christopher John-Slater
    • Ben
    • (as Christopher John Slater)
    Heather Wood
    • Mollie
    Albert Dumba
    • Harpoon
    • (as Alberto Dumba)
    Natalia Stonebanks
    • Roz
    Jordan Collard
    • Dodge
    Dave Turner
    • Magpie
    Stephen Clegg
    • Policeman
    Darren Lee Jones
    • Council Worker
    • (as Darren Jones)
    Nikki Marshall
    Nikki Marshall
    • Traffic Warden
    • Director
      • Ken Loach
    • Writer
      • Paul Laverty
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews155

    7.627.4K
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    Featured reviews

    8faroukgulsara

    "you don't work for us, you work with us..."

    During the infancy of my career, many a time, being the most junior of the team, I usually ended up having to see poor patients who just made it to the clinic at closing time. I soon came to know that they were living far from civilisation, deep in rubber or palm oil estate. Coming to the hospital meant getting up at four in the morning, preparing breakfast for the school-going children and being able to get on the first 6 o'clock morning bus to town. Invariably, they would be delayed. The transport out to the main road would not turn up. Perhaps, the feeder bus would break down or the bus that they had to change left earlier.

    They would eventually reach the hospital close to noon. After getting an earful for not keeping to their time, they would have to seen by the junior most doctor of the team. The senior ones would have left the clinic for more pressing needs. Unable to make a definitive plan of medical treatment for them, these patients who would require most of the expertise from the medical team ended up discarded by the system. They would be given another appointment; the whole ritual needs to be repeated. On top of all these, as they are daily wage earners, absence from work meant the loss of a day's earning.

    I thought all these slave-like working conditions would end as the world changed. With globalisation, workers were promised working conditions and preservation of unassailable rights of the workers. Marx's dream of working for sustenance and having leisure time to enjoy the reason for their existence, they thought, would of fruition with the gig economy. They do a gig when and if they want. The workers would be their own boss. They work for themselves; not for the bosses or company. They do not work for a company but with the company. What the company failed to highlight were the fine prints, the exclusion clauses and the penalty they were to be imposed if specific rules are not followed.

    Fast forward, and workers realise that the whole economy is just a scam. The same old economic ideology is just re-packaged. The same plot of scheming the poor to feed the rich is in full force. The workers continue breaking their back until a new horizon emerges. Who knows what else would they promise the next time. Meanwhile, like Sisyphus, the unendowed have the find simple pleasures within their unending cycle of hardship, a flicker of hope, resolution, pain and the curse of repeating it all over again.

    Still reeling with debts from the 2008 economic downturn, Ricky thought he found a sure way to end his financial woes. The promise of good returns as an independent despatch services provider, he felt his hard work was the only thing that separated him from economic independence. For that, however, he needed to purchase a pickup van. For its down payment, he had to sell off the family car in which, the wife, Abbie, a home care nurse moved around to meet her patients.

    Soon everyone realises that it is not all hunky-dory. Ricky has to spend long hours at work. Abbie finds it taxing to meet her demanding schedule. Their two teenage children are left to their devices. The parents are unable to meet up to their school and their children's emotional needs. Ricky's woes only accumulate. He has to pay damages for lost items which are not covered by insurance and to work despite his injuries after mugged.

    It looks like the dependence on others will spill over on to the next generation. Their dependency on their digital hand-held devices is not mere addiction. It has become their essential tools to do their school, learning, communication and more. The digital world is another platform that is manipulated by the economic giants to make people fall at the service providers' feet. This is yet another doublespeak and the dehumanising trap of the neoliberal economy. Instead of building an antifragile society that grows stronger with every stress that is hurled upon them, we will be left with a brittle one, needing support at the mere thought of pressure.

    Again, our electron microscopic friend, COVID-19 has shown us the fragility of the gig economy. Being locked down for two weeks may be excellent for family time and bonding, but neither bring in the cash nor pays the bills.
    8adityakripalani

    Giving voice to those who can't be heard.

    For Loach, who is peaking yet again at this point in his career, this is another song about those unspoken for. This time it's delivery drivers. Be it an Amazon or a food delivery service. The most beautiful parts however are the the filmmaker also does say along with depicting the toughness of their lives, that the only way to breathe normally amidst this is to stick together as family.
    9gokselll

    A striking experience!!!

    Ken Loach, great director of working class movies, gifts an awesome political art-work to the audience, again.

    The movie doesn't say any directly political word or doesn't picture any agitative scene. But, it really strikes the audience and reflects hard reality of actual daily life in U.K. Within a plain narration (however much more harder than "I, Daniel Blake") and masterfully avoiding a catharsis final, Loach tells great majorities' pity lives;

    -. Flexible working conditions instead of officially regular work hours

    -. Ambigious labour shifts which comprise no stable daily break-time or weekly holiday

    -. obligations of unemployment and debts to consent those terrible working conditions.

    -. the one can't find any time for the family, friends or any leisure avtivity and could easily transform to a non-sensual monster... Loach, with no boring narration and without a huge agitation, tells an ordinary family's very realistic and sentimental story.

    I think every audience will leave the theatre with a high anger to the capitalist system!!! Thank you, Ken Loach!!!
    9planktonrules

    Powerful...and quite painful to watch.

    "Sorry We Missed You" is an exceptional film from British director Ken Loach that I recently saw at the Philadelphia Film Festival. It's amazingly realistic and powerful....as well as incredibly sad and depressing. This is NOT a criticism...more just to let you know that it's anything but a 'feel good' sort of movie.

    The story is about a working class family in crisis. The father worked 90 hour weeks as a delivery man. His boss is completely unsympathetic and hard...like a rock. The wife is also working 12-14 hour days and together they barely get by. But, because they are barely home, it's taking a huge emotional and physical toll on them as well as the family. Through the course of the film, you see these decent people fall apart....and there doesn't seem to be any answer for their predicament.

    This movie was brilliant in that the actors seemed nothing like conventional actors....they were REAL. But, unlike non-professional actors, they were convincing and extremely effective. I applaud them and Loach for delivering a film that makes you think and feel....and challenges your preconceptions about the fairness and decency in the modern economy. A film not to be missed...unless you are depressed. If you do suffer from clinical depression or your life has been hard lately....maybe you might want to skip this one.
    10mhardingyoung

    Heartbreaking but needs to be told.

    Another critical analysis of life in England in 2019. Has English society changed at all since Ken Loach' first films in the 60s? It seems not. Heartbreaking, shameful, relatable and tragically so true. We can all relate to the characters,they are our friends and neighbours and think, there but for the grace of god...... The film reminded me of On the Waterfront, with the corrupt 1950s dockside gang masters. How can these working practices have been allowed in England, in the C21st? A decade of capitalist government lade bare, just as the UK decides it's future yet again. Other "reviews" suggest the acting is suspect in places, but I feel this is the film's and LoachKs skill in making the film appear to be so real , so natural, so tragically real. Every scene and every prop had meaning, from the dreadful state of the rented house - why aren't landlords forced to maintain a decent level of decoration and repair. To the fast food of the van dash board- so what is the social and health cost of forcing drivers to work long hours, with no breaks eating sugar filled snacks. To the school who excluded a young man for 2 weeks with no support or, understanding of the causes or support needed. A true essay of English life in 2019. Tragic.

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    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      Kris Hitchen took inspiration for his part from his time working as a plumber in the years between acting jobs.
    • Goofs
      At 59 minutes and 37 seconds into the movie the head of a crew member is visible in the background mirror when Ricky is reading a letter from the school.
    • Quotes

      Abbie Turner: This is my family, and I'm telling you now, nobody messes with my family.

    • Connections
      Featured in WatchMojo: Top 10 Movies of 2020 (So Far) (2020)
    • Soundtracks
      Know How
      Written by Matt Dike, Isaac Hayes, John Wylie King, Michael Simpson and Marvin Young

      Performed by Marvin Young (as Young MC)

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    FAQ

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    Details

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    • Release date
      • October 23, 2019 (France)
    • Countries of origin
      • United Kingdom
      • France
      • Belgium
    • Official sites
      • Official Facebook
      • Official Instagram
    • Language
      • English
    • Also known as
      • Lazos de familia
    • Filming locations
      • Shields Road, Byker, Newcastle upon Tyne, Tyne and Wear, England, UK(street scene)
    • Production companies
      • Sixteen Films
      • BBC Film
      • BE TV
    • See more company credits at IMDbPro

    Box office

    Edit
    • Gross US & Canada
      • $28,273
    • Opening weekend US & Canada
      • $9,436
      • Mar 8, 2020
    • Gross worldwide
      • $8,943,790
    See detailed box office info on IMDbPro

    Tech specs

    Edit
    • Runtime
      1 hour 41 minutes
    • Color
      • Color
    • Sound mix
      • Stereo
    • Aspect ratio
      • 1.85 : 1

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