355

Looking at the wattage of the cast one might wonder how on Earth a project like this could go so horrifically awry, but then you have to remember that it is directed by none other than Simon Kinberg. Kinberg who is a talented and successful producer unto himself has demonstrated once more that he requires a high caliber screenplay to be placed into his hands prior to rolling cameras.

The 355 is sort of a version of a mixture of a Bourne Identity flick without the gravity and a Mission Impossible movie without the craftsmanship. Lead by Diane Kruger, Penelope Cruz, Jessica Chastain, Fan Bingbing and Lupida Nyong'o, on paper, in a film with these performers operating at a high level and with a slick score by Junkie XL, one would think that this movie would be a hit with ease, but again we have to remember one thing, at least at this point Simon Kinberg does not have the wherewithal to be the helmsman of giant, globe sprawling action movie.

The storyline was very predictable, like all of the twists were given away in the trailer. However, the characters were well cast and the action was well coordinated. The women had good chemistry.

I had a decent time with this movie. It's nothing special but is mostly enjoyable. The best part is the cast. I love Jessica Chastain. Diane Kruger gives a good performance. Lupita Nyong'o is kind of a beast; she kills the emotional moments. The action is fun and I was never bored.

There are also a ton of flaws. The fight scenes are super choppy with lots of quick cuts. So many moments are fully predictable. They try to have a message but in the clunkiest of ways. Like this line, "We all look different, we speak different, but we are the same." I love me a message about unity and I despise racism, but you gotta do better than that. And there are a couple moments where I burst out laughing at an unintentionally hilarious moment, like one involving a perfume bottle.

I also can't stand when a movie has stuff in the script that belongs in a rated R movie but they want to sell to a wider audience so they hide things and cut away. It's so noticeable and takes me out of the movie. Either remove those parts completely, or just go for it and make it rated R. Most movie fans including myself would enjoy it more and respect it more. And maybe it wouldn't have been such a flop at the box office.

In the end, I'm glad I watched this but I doubt I'd revisit it. Although I'm pretty sure I'd watch a sequel. Just please hire a good fight director and just go all in with an R-rating.

Random side note, does anyone else think the actor who plays Luis looks like a Latino Gerard Butler?

Another side note, why is Lupita Nyong'o 17th on the list of actors on IMDb? She should be third at worst, if not second. And I don't mean the full list which is in order of appearance. This is on the main page for The 355. Seems fishy. (1 viewing, 3/12/2022)

The 355 is modern commercialism. It has little to say and is painfully generic, but it plays up its female-centric cast, hoping to make up for its thin substance. Diverse representation is a positive, but when it's solely a marketing gimmick for an underwhelming project, it's tainted. In fact, The 355 is fairly insulting because female led movies often get these poor efforts. Specifically, the film is a collection of cliches. Stock characters, predictable heel turns, unrealistic MacGuffins, exaggerated stakes, and some deus ex machina for good measure. Plus, the acting is bland (outside of Nyong'o, who brings legitimate emotion).

Technically, the camerawork is excessively shaky and the editing is overcut, fruitlessly compensating for dull action. The production design is uninspired and limited. The audio design is involved but sometimes misuses action sounds. The music is forgettable and the effects are overly sanitized. Lastly, the direction lacks unity, creating a mundane and inconsistent experience. None of this is necessarily terrible, but The 355 just isn't great. Overall, it feels like a halfhearted ploy that capitalizes on good-natured people who want to support minority empowerment. Unfortunately for those viewers, The 355 does very little for the female cause.

Writing: 4/10 Direction: 4/10 Cinematography: 5/10 Acting: 6/10 Editing: 5/10 Sound: 6/10 Score/Soundtrack: 5/10 Production Design: 4/10 Casting: 7/10 Effects: 6/10

Overall Score: 5.2/10.

Wanna carve out two hours for this sucker? I've seen worse. I've seen Anna.

Imagine a world where wanted killers weave though bustling marketplaces brandishing weapons in plain view, attacking victims, and disappearing before anyone's the wiser. Or a hacker who puts Mr. Robot to shame, instantly and effortlessly breaking into a network with every live security camera in a major European city, just by twiddling her fingers over a keyboard. Welcome to The 355.

"It's a movie," you say. Of course. One must suspend disbelief for a hot minute. But that becomes quite a chore when you're given one believable character out of four. The tired espionage tropes become exhausted, and a comprehensive plot summary can be deduced after 30 minutes, less if you're keen on these things. Action sequences quick cut like a movie trailer. Stock villains. Cringe subtext. The litany of cinema transgressions runs long. And the chuckles and groans filling the theatre were proof.

But I've been harsh. The protagonists get decent backstory treatment and are forced to make difficult choices. The sound and music amp up the excitement nicely. There's some chemistry between the cast, and they do the best with what they're given. While Chastain seems out of place here, I'll shrug and acknowledge the effort since not much else was believable. And I wasn't bored watching it. I guess it comes down to how bored you are before you decide to watch it.