Pinocchio

I love , from childhood , the work of Carlo Collodi. I love , in same measure, today , Pinocchio. And the expectations about the movie of Matteo Garrone was high for many reasons. The result - interesting but, first, for seductive details. An adaptation as fair return to the novel. Great job of Roberto Benigni, fixing the memory about not the most inspired Pinocchio, adorable Maria Pia Timo and amazing make - up. Short, just beautiful. For each scene. For the poetry of few images, for the remind of emotions of the first meet with book, for the decent solutions and for the answer to the desire to not be impressive but a pleasant gift.

Its got lots of comedy and a surreal and absolutly original telling of a classic story. I planted coins in my garden and watered them and still no flowers, don't trust the fox.

A reasonably faithful and entertaining replica of the Italian classic tale with all its metaphorical interpretations chiselled through its grain and preserved with contemporary technological digital primer.

Geppetto (Roberto Benigni) is a struggling woodworker. After a traveling caravan arrives in town with puppets, he gets a magical piece of wood and carves Pinocchio who comes to life. It's an adaptation of the classic Italian children's novel. It has a magical darkness and a reality to the surreal world. The problem is that I've never liked Pinocchio. He's an idiot and an annoying brat. He never does what Geppetto wants. He keeps getting tricked by the most obvious scams. He's an infuriating character. I appreciate the style and the faithfulness of this adaptation. I still don't like Pinocchio. I kept wondering if a movie about Geppetto would be more compelling. I'm not fully sold with Benigni's comedic take on Geppetto but I would have liked to give it a try for the whole movie. Overall, this is an interesting exercise but I'm not fully engaged.

This is a largely faithful, visually neat adaptation of Collodi's classic of children's literature. Talented director Matteo Garrone (Il Racconto dei Racconti, Dogman, L'Imbalsamatore) keeps the darker side of his imagination at bay and correctly puts his visual talent in service of the story.

Performances are solid; Roberto Benigni is much better as Geppetto - warm, paternal, lovably awkward - than he was as Pinocchio. Even the kids are fine, with Ielapi as the titular protagonist, the naive, stubborn but well-meaning Pinocchio, Baldari Calabria as the quietly mischievous young fairy and Di Domenicantonio as toxic friend Lucignolo.

Special mention to the excellent make-up and costumes.

7,5/10