An ex-soldier, living homeless in London, is offered a place to stay at a decaying house inhabited by a young woman and her dying mother. As he starts to fall for her, he cannot ignore his s... Read allAn ex-soldier, living homeless in London, is offered a place to stay at a decaying house inhabited by a young woman and her dying mother. As he starts to fall for her, he cannot ignore his suspicion that something sinister is going on.An ex-soldier, living homeless in London, is offered a place to stay at a decaying house inhabited by a young woman and her dying mother. As he starts to fall for her, he cannot ignore his suspicion that something sinister is going on.
- Awards
- 9 nominations total
Joey Akubeze
- Labourer
- (as Joseph Akubeze)
Charlotte Chiew
- Woman in Labour
- (as Charlote Chiew)
William E. Lester
- Mother
- (voice)
- (as William Lester)
Tom Bennett
- Battle-Worn Soldier
- (uncredited)
Louis Jay Jordan
- Squatter
- (uncredited)
Paul O'Kelly
- Paul Builder
- (uncredited)
Amanda Quach
- Girl at the Pub
- (uncredited)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
While there are only one or two actual scares in this film, it does a great job of building an increasing atmosphere of dread. There are also some pretty grotesque scenes.
Storywise, this concerns a PTSD-afflicted soldier who had been part of some overseas conflict (apparently Eastern European) and is now in London living with other refugees. After their accommodation gets burned down, a nun finds him free housing with a young woman (also apparently Eastern European) on the condition that he helps repair her dilapidated house. However, from the outset not all seems right. The young girl's mother (unseen) is apparently dying, in pain, in the upstairs room. But why all the secrecy about her? And what is the strange runic symbol that he finds in the ceiling. What is the meaning of the night-time flashbacks that he has to his time as a soldier?
Although I'm not sure that the story entirely holds up in terms of logic, it nonetheless kept me spellbound for the duration.
I must say, some of the comments left here by others are baffling to me. Reading not too far between the lines of some of them, it seems that some people don't seem to appreciate a horror story told from the perspective of a female writer and director, or that the lead characters are not English. Well, so much the worse for those viewers. As for being slow - if this hour-and-a-half of effective horror is a strain on your patience, then I wouldn't bother going to see pretty much anything else that is out right now, many of which stretch their stories over two-and-a-half to three hours (Memoria, anyone?).
Storywise, this concerns a PTSD-afflicted soldier who had been part of some overseas conflict (apparently Eastern European) and is now in London living with other refugees. After their accommodation gets burned down, a nun finds him free housing with a young woman (also apparently Eastern European) on the condition that he helps repair her dilapidated house. However, from the outset not all seems right. The young girl's mother (unseen) is apparently dying, in pain, in the upstairs room. But why all the secrecy about her? And what is the strange runic symbol that he finds in the ceiling. What is the meaning of the night-time flashbacks that he has to his time as a soldier?
Although I'm not sure that the story entirely holds up in terms of logic, it nonetheless kept me spellbound for the duration.
I must say, some of the comments left here by others are baffling to me. Reading not too far between the lines of some of them, it seems that some people don't seem to appreciate a horror story told from the perspective of a female writer and director, or that the lead characters are not English. Well, so much the worse for those viewers. As for being slow - if this hour-and-a-half of effective horror is a strain on your patience, then I wouldn't bother going to see pretty much anything else that is out right now, many of which stretch their stories over two-and-a-half to three hours (Memoria, anyone?).
The movie tries a little too hard to be smart and artsy, and it ends up plodding along at a slow pace at some points. This isn't your standard horror fare, which is a nice change of pace. The cinematography painted the world as a dark, bleak place. But I ended up not caring for any of the characters, and the director somehow made the horrific elements boring as very little happens even after the horror is revealed. The ending, for me, was confusing although a repeat viewing (which is unlikely to happen) may clarify things.
This isn't for your standard moviegoer, but for those who like the more artsy films, this may be for you. Just go in knowing this is quite the slow-burn.
This isn't for your standard moviegoer, but for those who like the more artsy films, this may be for you. Just go in knowing this is quite the slow-burn.
Amulet: The eponymous amulet/figurine is found by Tomaz (Alec Secareanu) in a forest in the Balkans during a war. Tomaz has frequent nightmares regarding those times, he was a soldier and while he avoided most of the ethnic cleansing he carries guilt for some acts he committed. Now in London his work as a day labour only allows him to live in a squat. Losing even these digs he encounters an enigmatic nun (Imelda Staunton) who asks him to stay with a young woman, Magda (Carla Juri) who is looking after her mother in a decrepit house. He reluctantly agrees but starts to develop a relationship with Magda. The "Mother" in the attic is strange, wails, bites Magda.
This is a dark tale of demons, possession, ancient guardians, revenge, with frightening even nauseating scenes of horror. Some of the worst horror though is in the flashbacks to the Balkans war, much of it is between the lines, as the ethnic cleansing is suggested rather than shown. The mundane is sometimes more disturbing than the mondo. The amulet plays a part in this but you'll have to watch the full film to understand it as the narrative unfolds. There are a few plot twists which cannot be revealed but they do allow you to view events in a new light. This film is both perplexing and unsettling, very much for adults who are not faint of heart or squeamish. Written and Directed by Romola Garai 8/10.
This is a dark tale of demons, possession, ancient guardians, revenge, with frightening even nauseating scenes of horror. Some of the worst horror though is in the flashbacks to the Balkans war, much of it is between the lines, as the ethnic cleansing is suggested rather than shown. The mundane is sometimes more disturbing than the mondo. The amulet plays a part in this but you'll have to watch the full film to understand it as the narrative unfolds. There are a few plot twists which cannot be revealed but they do allow you to view events in a new light. This film is both perplexing and unsettling, very much for adults who are not faint of heart or squeamish. Written and Directed by Romola Garai 8/10.
This is definitely for those that like weird and artsy horror films, and good movie lovers. Depends on what you like. I'm an old school horror fan and it builded on me. Movie is shot very well and the 3 actors in it do a fine job....they play such odd characters. Music was great too....the intro music was creepy. So yes....it's slow and creepy....but thats what its going for. Its not an action packed Marvel film. I have no clue why the low reviews say its bad, worst film, or boring, etc. I don't think they love movies, lol. There are hundreds of worse movies out there, maybe they don't watch much. To me, if its shot great, has good acting, keeps me interested, has me going what the hell at times and trying to figure it out, has good music, is creepy and arty, and has me looking up more about it after I watched it, then thats a good movie. It did its job. I give it a 6 or 7. The intro and outro credits even look cool, lol. Very cool new and different movie.
This movie had all the elements to hold attention and fulfill its mission. And to some extent it holds, so much that I went to the end. I don't even know why. Perhaps out of curiosity or because I had some hope of improvement. But unfortunately for some reason it never takes off. It's not entirely bad, but it's never good.
It's too slow. No scares. Only a few disgusting scenes, some unnecessary. It bets a lot on the cast, but this one is lazy, with the exception of the dedicated Alec Secareanu. So, this way the film doesn't progress. The script itself is unsustainable. Superficially there is an interesting idea, but poorly executed.
Watch at your own risk, but only super fans of the genre will give it high rates.
Did you know
- TriviaFeature length directorial debut of Romola Garai.
- Quotes
Sister Claire: No Master will let its slave outlive it.
- Crazy creditsEnd credits scroll downwards.
- SoundtracksFist, Teeth, Money
Written by Channy Leaneagh (as Channy Moon Leaneagh) and Ryan Olson
Performed by Poliça
Published by 2 Packs of Camel Wides and This Is Poliça
Administered by Kobalt Music Publishing Ltd
Licensed courtesy of Memphis Industries Ltd
- How long is Amulet?Powered by Alexa
Details
Box office
- Gross worldwide
- $53,019
- Runtime1 hour 39 minutes
- Color
- Aspect ratio
- 2:1
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