On the Border

Taken soberly and deliberately, in this urban road movie, the idea of a border is duplicated from the literal and the metaphorical. On the Border is a minimal story and photographically beautiful that finds in spaces and silences the best way to communicate its powerful meaning.

On the Border reflects the world of the main character really well. It also beautifully examples how the political matters penetrate into the world of the characters inwardly, deeply and silently. Just like in our lives.

Very simple story with a very strong and deep concepts. On The Border is really the story of our real life, no exaggeration, no extra dramatic points, no complexity but a simple narration of our real life to stay hopeful despite of troubles and failures. Its simplicity in storytelling never spoils its powerful concept and meaning which is obvious at the final look of the boy on the border line. He has no other choice but to get back to first square and try to cross it later. He wont give up, since he has proven himself as a guy who is strong enough to cross the border when he decided to study in S.Korea instead of China, when he began to resist against his father.

On the border is a delicate, sober and well directed work on silence and border. Minimal and with a great cinematography, it leaves the spectator with a constant role of imagination and creative approach to vision.

There is a moment in On The Border where the boy and the girl share their desire to go South Korea. His purposes are different for her is only subtle, aesthetic, for him is life. Surprising the delicate care that Wei Shujun manages the story, showing with a laconic look and silently building the routine of this young man who yearns to leave his filthy everyday life and replace it with that world full of neon lights that promises Korea. A dream that determines his life, which conditions his way of relating to others and Shujun manages to convey the weight of this desire.