Jay Ward's squirrel and moose duo return in this all-new series, alongside rivals Boris and Natasha and Fearless Leader.Jay Ward's squirrel and moose duo return in this all-new series, alongside rivals Boris and Natasha and Fearless Leader.Jay Ward's squirrel and moose duo return in this all-new series, alongside rivals Boris and Natasha and Fearless Leader.
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"The Adventures of Bullwinkle and Rocky" follows the typical trend. Why show respect for the original when we all know everyone who ever lived before this new generation dragged their knuckles in the dust?
I hate the animation (why does modern animation try to be ugly?) But, to be fair, the original Bullwinkle was pretty crude, inconsistent, and looked like what it was: farmed out to a cheapjack Mexican studio to keep costs low. Bullwinkle fans like to pretend the almost barbaric animation of the original is part of its charm, but it was cost-cutting and nothing else and is the weakest part of the old series, too.
What really made the old Bullwinkle come alive in the 1960s was the same thing that set Bugs Bunny and Co. Apart 20 years earlier: sharp, witty writing and the best voice work in the business. For Bullwinkle that included June Foray, Daws Butler, Walter Tetley, Paul Frees and notable legitimate actors Hans Conreid, Edward Everett Horton and Charlie Ruggles.
Also typical of moderns is, rather than coming up with something new they scavenge what's old like jackals, with the attitude that the old shows would have been like this had they been smart as we are. Rather than being witty they savage, and include unnecessary gross-out jokes.
Rocky and Bullwinkle may be dead but if they are R. I. P. Let them lie. Don't remake them in a modern image and kowtow to PC censors and the sort of claptrap that ruined the Muppets. Rather than marring the memory of the old why don't they come up with something brilliant on their own?
Because they can't.
I hate the animation (why does modern animation try to be ugly?) But, to be fair, the original Bullwinkle was pretty crude, inconsistent, and looked like what it was: farmed out to a cheapjack Mexican studio to keep costs low. Bullwinkle fans like to pretend the almost barbaric animation of the original is part of its charm, but it was cost-cutting and nothing else and is the weakest part of the old series, too.
What really made the old Bullwinkle come alive in the 1960s was the same thing that set Bugs Bunny and Co. Apart 20 years earlier: sharp, witty writing and the best voice work in the business. For Bullwinkle that included June Foray, Daws Butler, Walter Tetley, Paul Frees and notable legitimate actors Hans Conreid, Edward Everett Horton and Charlie Ruggles.
Also typical of moderns is, rather than coming up with something new they scavenge what's old like jackals, with the attitude that the old shows would have been like this had they been smart as we are. Rather than being witty they savage, and include unnecessary gross-out jokes.
Rocky and Bullwinkle may be dead but if they are R. I. P. Let them lie. Don't remake them in a modern image and kowtow to PC censors and the sort of claptrap that ruined the Muppets. Rather than marring the memory of the old why don't they come up with something brilliant on their own?
Because they can't.
Great new take on a classic. Artwork similar to Teen Titans GO! Goofy enough to keep a 3 year olds interest while mixed with mature adult content still appropriate for kids. DreamWorks has done a great job.
The show may have a tough time getting mid to high ratings from adults who watched the original back in the early 60s. Same as with most things to the baby boomer generation, everything was better back in their youth and good luck changing their minds.
Throw is on during a Saturday/Sunday morning and enjoy the nostalgia of the old with a twist of new for your generation and the next.
The show may have a tough time getting mid to high ratings from adults who watched the original back in the early 60s. Same as with most things to the baby boomer generation, everything was better back in their youth and good luck changing their minds.
Throw is on during a Saturday/Sunday morning and enjoy the nostalgia of the old with a twist of new for your generation and the next.
Had quite a few 'laugh out loud' moments for me so far, so hopefully there will be a new season with even better quality.
Animation is decent and the writing, as I said, has had quite a few laugh out loud moments for me. There has been at least one 'gross out' gag but I'm willing to let it slide due to the fact that the actual animation pays little attention to it compared to bad cartoons.
Animation is decent and the writing, as I said, has had quite a few laugh out loud moments for me. There has been at least one 'gross out' gag but I'm willing to let it slide due to the fact that the actual animation pays little attention to it compared to bad cartoons.
The series doesn't deserve the hate. Yes, classic R&B will always hold a sacred place in our hearts, but this modern take has wit and modern kid antics. As sentimental as we are, the older animation doesn't hold kids attention these days. This is a great update to bridge the generational divide. Give it a chance!
People always expect reboots to be the same as originals because they're not very bright. The only thing I don't like is that they don't have all the other segments in this series. I love that even though they always say his name is Bullwinkle J. Moose, his family's last name is Winkle. Hate all you want, down voting won't make you right.
Did you know
- TriviaDreamWorks' first series to air on a streaming service other than Netflix.
- Quotes
Bullwinkle (2018): Man i'm beat.
Rocky (2018): That montage was exhausting.
- Crazy creditsBullwinkle does his magic trick and pulls Rocky out of a hat, who flies up to the DreamWorks Animation logo.
- ConnectionsReferenced in AniMat's Crazy Cartoon Cast: The Big Comeback (2018)
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- ロッキーとブルウィンクルの冒険
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- See more company credits at IMDbPro
- Runtime30 minutes
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