Girl

The struggles of a 15 year old girl are more than familiar and already well documented but just imagine and add to that the struggle of a girl living inside a masculine body. Every day being confronted with a body that you don't want and don't feel.The film does an extraordinay job of letting you feel all the emotions this courageous girl has to face each day over and over again. The main actor is simply stunning and if there's any justice, he should receive an oscar for this jaw dropping performance. I'm very displeased with comments as "the pacing is too slow" "or "too much repetition". To me there's only one way of discribing the ordinary life of this girl and the director was 100% right with the repetition and the pacing. Every shot is packed with emotion and tells so much. Just watch the faces of the actors and there's more action and emotion than any boring action movie. All the actors are amazing, the father, doctors, students even her little brother are very natural. It almost felt like a documentary but full of emotion. Naturally the transgender community was the first to protest - being gay myself i can say - what's new. The selfhate of - luckily - a small but loud part of the LGBT is that great that each and every attempt at making a book, film, play, etc... about the community is met with derision and has to be fiercely bashed. "Only a transgender actor could have played the role and felt the right emotions": did they really see the film and can honestly say that the emotions and acting are not spot on ? "Too much focus on the physical aspects": really ??? Ask just any 15-year old and they can tell just how much they are obsessed with their appearance, just add to that a girl in a boys' body, then tell me again why you shouldn't focus on the plysical aspects and their emotional impact. If you want to see a truly great film, it's this one.

First things first: I really enjoyed the movie. Do I think its great? No. But I actually thought the ongoing ballet metaphor (and all the discipline and equilibrium that is involved in classical training) was powerful in showing the development of an "unbalanced" psyche that is trying desperately to cling on to whatever "normal" it can construct. Although certainly repetitive I thought it was inspired,, rather than boring. I also appreciated the non-preachy nature of most of the film, thus I rated it how I rated it. Having now read some of the reviews, I do understand possible objections to the depiction of the characters transition, and how it is shown. But, as in other instances with many other films for many different reasons, I don't know enough to judge. I will be more aware in the future, so for me both film and reviews were very useful.

'Girl' was a sensation in Cannes and received rave reviews in the Flemish press. This film is about a teenage girl who wants to be a ballet dancer, but is born with the body of a boy. It is based on a real life story about a transgender ballet dancer, who has publicly endorsed the film.

The film shows the anguish the girl feels about being stuck in the wrong body. She almost can't wait to get female curves. Although she looks very feminine and has the support of everyone around her, the whole process causes severe emotional problems. Moreover, her ballet classes are extremely hard and she isn't exactly an excellent pupil.

The film succeeds in showing what a girl like her has to go through. But nevertheless, I was a bit dissapointed after having seen the film. Apart from the transgender theme, there is not much moving the story forward from a dramatic point of view. A lot of scenes show the ballet classes, and after a while they don't offer anything new to the story. The same goes for the conversations between the girl and the medical team. The doctors encourage her to be patient, she reacts by not saying much in reply. In order to add any dramatic evolution into the screenplay, there is a very shocking incident at the very end. But to me, this felt forced, out of place and overdone. (This scene is, by the way, not based on a real life event).

The lead actor, Victor Polster, is in a way perfect for the role because he has the right androgyn looks. He is also convincing as a shy teenager, not feeling comfortable with a lot of things in life. But on the other hand I found his acting a bit restrained and one-dimensional, he showed little emotion.

The film received criticism for being too obsessed with the physical aspects of being a transgender, and not enough with the emotional side of it. I think this is beside the point, because the only question that really should matter is: is this a good film? My answer to that question is: yes, but not as good as the hype around it makes us believe.

I see a lot of gender prejudice here from folks who demand that others not be so prejudiced about gender. It doesn't matter whether young Victor Poster is cisgendered, transgendered, or androgynous, the performance in this role is nuanced, vulnerable, and entirely believable. I am shocked that people would criticize either Victor's sexuality or gender identification in their evaluation of the film. Victor is not a poster-child... victor is acting. And doing it beautifully.

Others seem concerned that the film oversimplifies a complex issue. But when you are a 15 year old girl in the wrong body, it is kind of simple. It's one girl's story and experience and pain and fear, not a testament to the entire world of being transgendered. You simply cannot try to cover all issues in one person's story. This is not a story about the general "truth" of being transgendered, it is the story, as titled, of a girl. One girl. One girl's experience.

I felt extremely moved by the end. I hope others appreciate this as a film... a story... and not try to judge it as some sort of manifesto or expect something more of it than it should be.

If we want to normalize all human experience, we need to stop demanding more from projects like this than we would of any other story of personal trauma or tragedy. Every person is unique, every person's life is their own and should stand on its own merits rather than being obligated to represent an entire diverse group.

Emotionally devastating yet reassuringly empathetic, director Lukas Dhont's GIRL tells the story of transgender ballerina Lara as she seeks to complete her transition while struggling to achieve her dreams. Make no mistake, this is a tough film to watch (as exemplified by the cringing noises and gasps from the elderly women sitting in the row behind me), but it's also a rewarding one. Victor Polster delivers some of the best work of the year in his portrayal of the protagonist, and while some will rightly be bothered by the fact that Polster is a cisgender male actor who cannot ever known firsthand the difficulties that someone like Lara would have gone through her entire life, he nonetheless delivers an arresting, sensitive performance that adroitly examines these devastating struggles. And while the film does focus a fair amount on the struggles that Lara faces through her transition, it also highlights her resilience and courage, which define her more than anything else. I also have to point out that it's been a landmark year for movie dads, with Arieh Worthalter fitting right in with Michael Stuhlbarg's dad from CALL ME BY YOUR NAME, Josh Hamilton's dad from EIGHTH GRADE, and Tracy Letts' dad from LADY BIRD. Worthalter shines as a devoting father who desires nothing more than his daughter's happiness.

If there's one thing I disliked about GIRL, however, it's the slow pacing, which I really started to feel during the last fifteen minutes of the film or so. It's only 105 minutes long but each and every minute is certainly felt. I also wasn't the biggest fan of Dhont cutting the music off during certain scenes (let the scene play out, Dhont!). Despite my complaints and the fact that I might not have loved GIRL, I still certainly believe it's worth watching.